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Anne Bronte creates a world in which the drunken, immoral behaviour of men becomes the norm and this may have been startling to contemporary readers - perhaps a reason for the book's panning at the critics. The narrative is built up delicately; first Gilbert; and then the racier, more gripping diary of Helen as she guides us through her married life; before returning again to Gilbert, whose tale by this time has become far more exciting as we know of Helen's past. Helen's realisation of the awful truth and her desperate attempts to escape her husband, are forever imprinted in the mind of the reader as passages of perfect prose.
One of the earliest feminist novels, the underrated Anne Bronte writes in this a classic, and - defying the views of her early (male) critics - a claim to the position of one of England's finest ever female writers.
It tells the story of a young woman's struggle for independence, against law and a society which defined a married woman as her husband's property. The novel, which uses extracts from her diary and narration from her neighbour, is very interesting and quite realistic.
It seems to me that the most interesting thing about the novel, is the build up of tension Bronte uses to sustain the reader's attention. It is stimulating and creates a little excitement in the book.
Helen Graham moves into Wildfell Hall with her son. She is a single mother and earns her living as a painter. Her neighbour, Gilbert Markham, takes a sudden interest in her and wants to find out everything about her. Although she is quite content being friends with him, she wants nothing more. As soon as he becomes too personal, she reminds him that friendship is the principal of their relationship. As they spend more time together, though, she learns to trust him and reveals the truth about her past. She is living at Wildfell Hall under a false surname, hiding from her husband who is an adulterer. The only other person who knows of this is her landlord, who Gilbert learns late in the novel, is in fact, her brother.
One thing which I found gripping about this story, was the build up of tension Bronte used. She took her time, revealing one thing, building up the tension again, then revealing another. She continued to do this throughout the story, and this is what kept me interested. It is a story, in which two people who love one another, are prevented from being together by society and their own natural reticence. We know romance often has this, but Bronte creates a strong desire in the reader for them to be together. She puts real obstacles in the way of their love for each other, such as the fact that Helen is already married and has a child to her husband. This therefore, causes the reader to understand the story more.
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Edward Gorey's work is at times subtle or broad, ironic or slaptstick, and always brilliant. How dare this man call himself a children's book author! His books are for everyone, not just tots. Startlingly funny and morbid, the books in this volume (and his other collections) will make the reader laugh and snicker until they are sick. The dark humor of "the Gashlycrumb Tinies", the burlesque of "the Curious Sofa", the absurdity of "the Doubtful Guest", the dry wit of "the Unstrung Harp", every story is different. Every story is a gem. Gorey's books are a must-have for absolutely everybody.
First is "The Unstrung Harp" about a befuddled and (in appearance) paranoid writer who trudges through his maddening existence, as so many a writer inevitably will. The casual reader might find this tale odd, but anyone who has ever taken to writing seriously will feel nothing but empathy. Has one of the greatest ending lines of any story I've ever read.
Next is "The Listing Attic", a series of devilish ryhmes with correlating illustrations. Many of these are horrible in design yet strangely you'll find yourself laughing at the unfortunate mishaps that fall upon the characters.
Now, on to "The Doubtful Guest" about a mysterious penguin-like creature that arrives at a residence only to act in a seemingly irrational way, doing things for inexplicable reasons. Personally I think this is nothing more than a metaphor for the unexpected in life and how it's more irrational for people to waste time trying to make sense out of these things. But that's just me.
"The Object Lesson" is just plain confusing, as if Mr. Gorey was just penning random thoughts and then illustrating them. Definitely weird.
"The Bug Book" is pretty childish in design and, to me, not particuarly noteworthy.
"The Fatal Lozenge" is another series of ryhmes, although the level of morbidity and violence is pretty much maxed out. Reading these you won't find yourself able to laugh, only maybe able to produce a nervous twitter as you ponder how very real these situations could be.
"The Hapless Child" is nothing short of a masterpiece, evoking every emotion from love to terror this tragedy should have a place in American high school curriculum, but alas public education systems in this nation would rather not deal with horrible reality.
"The Curious Sofa" is an attack on preconceived notions of sexual morality, being pornographic only in suggestion the point is that if someone who considered him/herself to be in the right in his/her sexual ideals he/she wouldn't understand the innuendo of the words and illustrations. A very interesting piece.
"The Willowdale Handcar" is a story I didn't like.
"The Gashlycrumb Tinies" has to be my favorite Edward Gorey piece, a sinister telling of the Alphabet with a small child meeting its demise for each letter, kind of an anti-Alligators All Around. I have a separate review posted for this story as it is deserving of the title of literature.
"The Insect God" is another disturbing work involving intelligent, and apparently religious, giant sized bugs.
"The West Wing" is a series of illustrations that force the reader to create his/her own captions for what is depicted.
"The Wuggly Ump" is a silly song about a very hungry monster.
"The Sinking Spell" is another tale of an unexpected visitor, a creature on an indecipherable journey.
Last, is "The Remembered Visit" about a woman who can't forget the odd travels of her youth or her meeting of a once famous man.
That's it, the coffee table book to beat all coffee table books, the ultimate conversation piece. But, then again, everything Edward Gorey did was worthy of conversation.
An incautions young lady named Venn
Was seen with the wrong sort of men
She vanished one day
But the following May
Her legs were retreived from a Fen
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"A Country Doctor" is in my opinion the greatest short story ever written, a dark dream sequence with all kinds of slimy worms writhing beneath the surreal surface plot, sticking out through the rotted boards that Kafka puts down to allow us to see what we're standing over. "The Judgement," a purely perfect work of psychology, Kafka dipping deeper and hitting more nerves than in any of his other stories, giving us a picture of what it's like to be a genius controlled by a domineering, and a nonunderstanding father. And of course there are the smaller works from "Meditations," little snippets of images that flash through the mind, a kind of literary whispering in the ear while sitting in the dark. "The Burrow," another favorite, perhaps the most claustrophobic work of fiction ever conceived, the darkness of the tunnel affecting your mind for days.
Read this book, in it the greatest treasure a writer ever gave us shines, a golden nugget, hidden deep within a dark pool that seems unswimable. Take the swim, and I garantee that you will find the nugget. Ignoring Kafka is like denying yourself the best there is.
The impression left by these stories is all the more interesting when one realizes that Kafka wasn't a starving, drug or drink demented artist, but a minor clerk in a German insurance firm. A dull and orderly life. Of course, if you've ever worked for an insurance company Kafka's sense of unreality and alienation might seem natural.
These are unique and wonderful concoctions. Anyone who wonders what 'Kafkaesque' really means should take a peek into his world. These stories are the best place to start. Then on to The Trial for the full, gruely experience. Wonderfully horrible.
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I hope that these two authors follow up this book with a second one. I believe that the readers are going to want to see "how all of this turns out." A normal person who has the attitude of the son, John, is almost always successful. I want to be there when it happens.
Maybe it's the old Marine in me; I became one 61 years ago, and like everyone who has ever worn the Eagle, globe and anchor emblem, I am still one. I felt so proud for John, the son, and his accomplishments. He appears to be the "Classic" Marine!
The book made me feel good about John's whole family whose loyalty and love made his early ordeals at Parris Island less burdensome. And Frank's role as Father couldn't have been handled better even if pre-scripted.
Marines everywhere and "wannabees" will love this story.
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After studying many body-building books, I've come to realize...simple is better. I want the classic physique I watched on TV as a kid with Reeves's movies. (sorry Arnold!)
This has helped my training and motivation even during off times from working out. With realistic goals and entertaining narrative, you want to hit the gym and get the perfect V cut along with realistic goal of a equally porportioned neck/calf/bicep-size Reeves worked hard for and really stresses upon.
I'm not there yet but people have noticed the difference in the past 2 years. :)
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