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One of my criticisms of the book is that 5 of the 15 chapters (plus an introduction and an epilogue) focus on England and 2 focus on France. Of the 8 remaining chapters; Germany, Scotland, Russia (and the Eastern churches) and the New World rate a chapter each, while the other 4 look at the impact of specific cultural changes. It does come across as being very Anglo-centric.
Another negative about the book is that the writing style can be a little pedestrian at times. Yes, this is history, but there are plenty of history books around that make it clear that you can write history (and remain accurate and factual) while still being a page-turner.
While this sounds quite critical, I did enjoy reading the book. The period (between the enormous changes of both the Reformation and the French Revolution) is a fascinating one and there is much in this book that has prompted me to want to read more. Cragg's footnotes and bibliography point in some good directions for doing so. In reality, if there were half stars I would rate this one 3 1/2, but my criticisms mean that I have to lean toward the 3.
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And by the way, is there any book that Al Haig shows up in that he is not roundly bashed, did no one like this guy? One of the interesting parts of the book is the staff that Ford had, it could be called the gangs all here. There is Bush 1, Rumsfeld, Cheney, Scowcroft, Greenspan, Gergen, Buchanan and Speaks. This bunch must travel in a pack from one administration to the next. It is a credit to the author that he was able to make the most politically boring time in recent American history somewhat enjoyable and interesting. Although many of the items I found interesting had to do with the old Nixon guard still causing trouble. Overall the book is probably more of an interest to someone interested in the Nixon administration more then Ford.
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The "action" centers around one Stone Columbus, Native American captain of the Santa Maria Casino. Every year, he and the other descendents of Columbus (who actually descended from Jewish Indians who immigrated to the 'Old' World) get together and tell tales, and what follows is the result. It would ruin the book to discuss it too much plot-wise, but it's Viezenor's constructs that really set "The Heirs of Columbus" apart.
Indian literature was the first to really mess around with notions of time, narrative, history, and place, all of which have become staples of the po-mo establishment (how's THAT for an oxymoron). Viezenor almost seems to thumb his nose at the anti-establishment that has now become the trendy establishment, tongue firmly in cheek, saying both that "we Indians thought of it FIRST" and "you don't do it RIGHT, let me show you HOW." It's a nice change of pace from the usual blah-blah that most po-mo writers seem to think anyone with a latte will lap up.
The only fault is that "Heirs of Columbus" references a LOT of things that those unfamiliar with Native American culture (indeed, most non-Indians) simply won't understand. Furthermore, Viezenor offers little to no explanation of what these things are, and almost taunts the non-Indian reader with the deluge of them. It violates one of the cardinal rules of literature - that you don't have to explain everything as you go, and that it should be, at least somewhat, universal no matter what culture the reader comes from. But that doesn't detract from the book's overall beauty and fun. If you're interested in Indian literature, "The Heirs of Columbus" is indispensable for your reading list and collection.
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