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Lots of well researched interesting facts, useful advice, historical insight and pretty pictures make this book thoroughly enjoyable and I recomend it highly.
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The legend of Sleepy Hollow is a great thriller. You can tell the tale at night, when you have a sleepover, or around a campfire. The book has a good story line and can be easily followed. I hope you don't get too scared when you read about the Headless Horseman...
However, Moses's simplification of the narrative is masterfully executed, and the colorful, playful, and numerous paintings which adorn the book have a warm period charm of genuine Americana. Moses portrays the Hudson River Valley as a lush expansive valley not unlike the Garden of Eden on the first day of creation. Happy farmers, their wives and children, cows, geese, ducks and pigs frolic together amid fields of wheat and corn; galleons approach dramatically from the river; and the Catskill Mountains, sun, and sky suggested an infinite panorama and endless horizon full of promise.
The story tells us that the Dutch colonists were a superstitious lot, and that the Sleepy Hollow region itself was or seemed to be under a spell of some kind. The farmers and their wives suspected witchcraft; strange music was heard in the air; visions were seen; and the inhabitants themselves lived their lives in a kind of continuous dreamy revery. These tales and superstitions give rise to the legend of the headless horseman, said to be the ghost of a Hessian soldier who lost his head to a canon ball in the war, and now nightly prowling the region in search of it. Moses' nocturnal landscapes of the swamps, hills and the Old Dutch Cemetery under a bright harvest moon are particularly effective. Significantly, these stark, haunted landscapes do not violate the spirit of the book, but enrich its sense of wonder.
Moses' Ichabod is a cheerful but somewhat hapless fellow, confident and foolish in equal parts. His Katrina is a strong but innocent blond beauty, and a friend to children. Brom Bones is an appropriately square-shouldered, square-jawed hooligan, rowdy and full of mischief, if not absolute spite.
Anyone familiar with the tale knows that it is not a horror story but a folktale, a fireside spook story, and a 'legend' as Irving, writing here as Diedrich Knickerbocker, himself called it. This edition of the book is appropriate for children but is equally suitable for adults. Highly recommended.
Find out for yourself by reading Washington Irving's The Legend of Sleepy Hollow. I enjoyed reading this book and i think anyone who has a liking for mysterious legends and superstitions should read this book beacause of the interesting legend the town believes in. There are few characters to keep track of and the story is not hard to follow. The book is long but the reading goes quickly.
The story is set in the late 18th century in a town in New York called Sleepy Hollow. The town believes in a legend of a headless horseman who rides through the woods at night anf attacks people. The main character is a man named Ichabod Crane who is a schoolteacher from Connecticut. He moves to Sleepy Hollow in search of work and ends up going from home to home working as a tutor. One of his students is 18 year old Katrina Van Tassel who comes from a wealthy family. Ichabod gets the idea that he will try to marry Katrina in order to obtain the family's wealth. However, Katrina's boyrfriend Abraham "Brom Bones" Brut has other plans for Ichabod. As the tension rises, Ichabod continues trying to win Katrina until a breathtaking surprise appearance by the town's legend creates as mysterious an ending as they come.
The book has many strengths and few weaknesses. The author manages to create a mood in the book that keeps you always on th edge of your seat waiting for the legend of the Headless Horseman to come into play. The story is simple and easy to follow but is still very interesting. The characters are developed well and have personalities that you can understand and relate to. One such character is Brom Bones who is easily seen as an arrogant egotist. The only weakness of the book was one based on my personal opinion. The end of the story leaves too much to be concluded for my liking.
All in all, this book was a great story. The author wrote the characters in such a way that you had definite feelings towards each one of them. Also, the story line was definitely not without surprise. But if you want to discover what surprises I am talking about then I suggest you read The Legend of Sleepy Hollow.
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Strange and Quinn meet after Strange is hired to investigate the shooting of an off-duty black police officer by another policeman. The other policeman was Quinn. The two team up because Quinn would also like to know the truth as to what really happened that night, and is also keen to prove that he is not a racist.
A subplot involving a drug-dealing father and son team and their dealings with their suppliers and distributors keeps pace with the main story and inevitably mixes together in a happy union creating a sizzling finale of revenge and violence.
Once again, Pelecanos' characters are heavily influenced by music and have definite ideas on what is "good" or "bad". The use of music is a big indicator of the personalities of each character and is a very clever and unique means of characterisation.
Unlike some of Pelecanos' earlier characters, I found both Strange and Quinn to be strong, capable and (to a point) moral. Overall, they are likable men. This has led me to look forward to more books involving them. Right As Rain is a compelling mystery containing all the elements that has made Pelecanos books so popular: violence, drugs, music...and Washington D.C.
Derek and Terry become buddies. The story reels in redneck Earl Boone and his dumb son Ray (Critter), a couple of dope smugglers, a few Colombians and Cherokee Coleman, a local hoopster of some note, good point guard but not good enough for the big time, who runs the drug operation.
When you cut to the chase, Terry's old partner Eugene Franklin was a bad guy and Chris Wilson was onto him. Strange figures things out, of course, there's some great action and the kind of not quite tied together ending that Pelecanos presents so well. The Metro Police don't know exactly what happened, but they have enough to give Chris Wilson the posthumous recognition he deserved. Derek and Terry go back to their separate day to day lives, but they'll be back in "Hell to Pay".
I thought both stories were great!
Strange is hired to investigate the shooting of her son, Chris Wilson, leading him to Quinn, who works in a little used bookstore in Silver Spring (Like all the locations in the book, the store really exists, it's a few blocks from my office and I sometimes swing by on my lunch break). The two men fall into an uneasy partnership as this discover more about he events that led to Quinn's killing of Wilson. They make an engagingly effective odd couple as they verbally spar with one another about race, underneath their respective flaws, they're good men. At the same time, both men are struggling to make relationships work, Strange with his divorcee secretary, and Quinn with a Latina student/waitress. As with most of Pelecanos's men, they often make selfish or simply clumsy moves in looking for love. And like most of those same guys, they have well-defined tastes in music, cars, movies, and books.
Following the tone of Pelecanos's previous work, what is gradually revealed is a sordid tale of drugs and corruption, with some powerful drug pushers, and a few violent rednecks. All this unfolds in a world instantly recognizable to Washington natives, where drug dealers work in the open, neighborhoods revolve around local restaurants, and corruption has spread to even the upscale oases (the well-known high-end restaurant Red Sage being one example). As we have come to expect from Pelecanos, everything comes together in a cinematic violent climax offering some attempt at justice. If you've read and enjoyed previous books of his, you're likely to enjoy this one as well. It's got two great new characters, and is a bit more explicit in examining racism, but is otherwise very much in keeping with his previous work.