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And yet in this very small world, the adolescent begins a voyage like that of all adolescents, where adults stop being enormous mythical figures and start emerging as human beings, each with their own strengths and weaknesses; and where those adults begin to see the adolescent as one of them, with whom they can share their secrets.
But, unlike adolescents in our larger world, this youngster does not rebel and become angry. Instead he grows and learns and is awed and almost overcome by what he discovers. Perhaps this is because, in this very small world, all the adults are able to show a respect and sensitivity to the emerging man that we have lost in our larger world.
This book is actually very complex. I doubt that your typical kid would understand it without help, but that is really its strength, that you can talk with your kid about what it feels like to become an adult.
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While her husband served as the U.S. Ambassador to Ireland, Shannon took the opportunity to explore women's roles, or the lack thereof, in the political spectrum in Northern Ireland. She did this by interviewing women from all walks of life in the North, from paramilitary members to politicians' wives. These interviews culminated in Shannon's superb study.
In "I am of Ireland," Shannon shows the reader there is no cut and dried solution to bring an equitable and just peace to Northern Ireland. She accomplishes this through the interviews. No matter religion, economical stature, or political stance, the women Shannon interviewed all had valid concerns regarding their circumstances.
Through these women's voices, Shannon respectfully reveals the human price all the citizens of Northern Ireland have paid: anguish over lost loved ones, pain from their own injuries, constant terror, apathy to the terror.
This book came highly recommended to me, and I can't recommend it highly enough to others who wish to gain an even insight into the human side of "The Troubles."
There is not even a vague sense of continuity and the material is so superficial that it serves little purpose. The book might be helpful for a student to peruse in order to select a topic for further research. It will not help much once the focus of the research has been determined.
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"Foothills" section that includes at least three hikes properly described as in the Piedmont, hardly foothills at all. Those are at Reed Gold Mine and Duke Power State Park (as the book still calls it). They can be pleasant and rewarding hikes, but if you go there expecting mountain or foothill vistas, you could be disappointed. By the way, Duke Power State Park has since been renamed Lake Norman State Park. You'll need to know that if you look for signs directing you there (like from Interstate 77).
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Taylor was neither a sentimentalist nor a cynic but saw clearly and wrote straight. Trained as an artist and enamored of nature--especially birds and flowers--Taylor appreciated people who lived closest to her beloved surroundings. By her account, they responded to her interest by inviting her to share their hard-bitten lives and without pretense, she accepted their invitations.
Taylor financed her economic travels by writing for middle class magazines, like Frank Leslie's, and for outdoors magazines where a female byline was a rarity. These essays come from those published pieces and some journals archived in her hometown, Minneapolis. A descendent has assembled the collection, but the task had real literary and cultural value that counts for much more than familial duty.
A book about places few of us ever would want to visit became for me a book full of passages worthy of reading to friends. A description of the whale hunt, for example, rings with authority and subdued horror. Elizabeth Taylor emerges as her own modest heroine, and her quiet, gemhard descriptions stay alive long after the book is finished.
The back cover describes North and South's heroine, Margaret Hale, as one of the "finest heroines of Victorian literature." Lies, I say. Lies. While Margaret does possess some independence of spirit, her self-sacrificing Christian character nevertheless humbles herself in love before a "benign" capitalist individualist, Mr. Thornton. Though people have spoken of North and South being a feminist novel, one need only read the first page of Bronte's earlier work, Jane Eyre, to find the former description flat.
Barton's characters are hopelessly vacuous, her storylines inane and inspid, her understanding of the world hopelessly shortsighted. One thinks of Virginia Woolf, who once said that the greatest female writers needed only a room of their own to perfect their writing. Elizabeth Barton, however, needed far, far more.
One of the things that particularly impresses me about "North and South" is that Elizabeth Gaskell actually concentrates as much, if not more, on the principal male character's (John Thornton's) sexual and romantic desires and inner life rather than on the main female character (Margaret Hale). This is somewhat unusual to find in a book by female writer of the Victorian era. I feel that it makes the character of John Thornton one of the most interesting and attractive in 19th century literature.
His passionate love and desire for Margaret border on the obsessive at times. However, Elizabeth Gaskell details his torturous struggles with his emotions in such a empathethic way that you feel immensely drawn to Thornton from the first time you meet him. The scenes where Margaret rebuffs his attempts at a marriage proposal and the aftermath where he dazedly goes off into the countryside to calm down are vividly written.
I thoroughly disagree with some of the other reviewer's comments below, especially the person on 17 March 2003 who cannot even get the author's name right. It makes you wonder if they have read the same book as I did. I have no respect for people who impose inappropriate and modern notions on a work from this era and give their opinions, with such a sneering tone, in a trite and dismissive critique.
I know that there are many "North and South" fans out there who, like me, can appreciate the novel for what it is, not what they think it should be.
It is simply a beautifully written, engaging and satisfying book.
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