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I highly recommend this series for young readers who dream of adventure and suspense. They invigorated my youth and helped interest me in reading and writing. I hope to God that there are more coming out!
And for those of us who remember Alfred Hitchcock, maybe Random House could put out a collectors series of the books as they were originally released - covers, illustrations and all. I would certainly snap them up!
After reading these books, I became enchanted with the sea and sailing. My library has becaome a lot more nautically oriented, and I take partial credit for my local book-store stocking the S&A serries. =) Even today, I still will read them occasionally... Just to allown myself to forget about the present and be drawn into the most wonderful past imaginable. These are a must for any young reader, I have yet to find one that hates these books, and wonderful for adults, too. All I can say is buy them, you won't be disapointed. I just wish Ransome had written more.
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The lyrics are the same, from book to book, but the fanciful illustrations in this one are enough to engage adults and children as they read this book together.
The perfect gift for any family whose Christmas tradition includes reading this classic!
The winter landscapes fill our senses and Tasha's own gray tabby cat and Welsh Corgi welcome us into this charming world.
Tasha's Santa that you will meet in this book has been portrayed as the poem describes him...a right jolly old elf. He's not that much larger than the corgi and his team really consists of eight "tiny" reindeer. His pointy ears and his Eskimo mukluks add to the delightful ambiance of the book. He dances with the toys and with the happy animals and we can truly believe it will be a happy Christmas for all.
I hope this book becomes a Christmas Eve tradition for many, many more families.
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George MacDonald, a Congregational minister turned novelist, who seems nearly forgotten now, was one of the seminal figures in the development of Fantasy. His influence on other Fantasy authors is obvious, he was a childhood favorite of JRR Tolkein, who especially liked this book, and C.S. Lewis named him one of his favorite authors. His own stories draw on many of the themes and characters of classical European fairy tales. But where they were often merely horrific and meaningless, MacDonald adds a layer of Christian allegory. Thus, Irene and Curdie are eventually saved by a thread so slender that you can't even see it, but which leads them back to safety, teaching Curdie that you sometimes have to believe in things that you can't see.
The book would be interesting simply as a touchstone of modern fiction, but it stands up well on its own and will delight adults and children alike.
GRADE: A
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If you have ever read Sherlock Holmes in your life and have enjoyed it, please pick up a copy of this book. Reading it again will merely add to your enjoyment. The astounding revelations and brilliant logic of Holmes never lose their novelty.
If you have never read Sherlock Holmes, you have truly missed out on one of the memorable characters in English literature. I urge you to purchase this book immediately. You will not be disappointed.
In summary, THE COMPLETE SHERLOCK HOLMES is a must buy for those who do not already own it. I give it my highest recommendation!
Whether already a fan for years or a new Holmes reader, this collection is perfect. My copy is one of the most treasured volumes in my library.
The most fascinating aspect of these stories is the strangely modern character that Conan Doyle created in Holmes, a mystery man with an ill defined past, who plays the violin, possesses an encyclopedic knowledge of odd minutia that only the FBI labs could fully appreciate, thinks blindingly fast and always outside the box, is addicted to drugs and strangely indifferent to sex (as far as Watson knows, anyway). A far cry from what we have come to expect a detective to be, but SO entertaining in these very artificial melodramas. These stories are so far from what any kind of police or detective work have ever been that one could dismiss them, except then we would miss the fun.
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I have read the Life and Teachings six times, not just reading, but studying. What made me think that this is a truth? There is no scientific evidence to back this up? There is no mention of these things in the Wall Street Journal or in the New York Times? No matter where I looked none of these things were mentioned. Could it be a something within us that intuitively draws a searching person? The skeptics, critics, "unbeliever," that I knew did not stop my spiritual resolve and I persevered. For the first time was I thinking for myself.
In 1991 a book called "The Kybalion" and "Divine Pymander" came into my life and was a major puzzle in resolving the mystery of Life that revealed the laws and principles that enabled the Masters of the Himalayas to do the things they were able to do. My path in Life was forever changed because of the greater awareness that gave me mental poise and a firm direction in Life. For the first time was I able to live in the now and not be swayed by misinformation, skepticism, or even the malicious conduct of other people. I am not affected by political opinion. I can read and understand between the lines. Yet, I am able to maintain a flexible mind and not have to defend my opinions. My past was left to history and I was looking forward to the new teachings of Spirit. I am experiencing true freedom for the first time.
Why am I writing all this? It is not in the reading of books that a person will benefit, but what a person will do with it. Some people will read and life goes on in the usual manner, while others will take it to their heart and increase their Spiritual Knowledge and acquire true freedom and they experience true Spiritual development. They become changed persons. To the skeptic and "defender of opinions," Life will always be a mystery and they will always be stuck in their mundane world of materialism as a self made person and continue the struggle in their unawareness.
"LIFE AND TEACHING OF THE MASTERS OF THE FAR EAST" will give a person a reason to look into the greater realms of reality and if they will but "look," the answers will be surprising and refreshing. Scientific evidence and verification of these things is not possible at the moment because it has not completely unfolded in their field of awareness. However, science has made tremendous progress in revealing the structure of the Universe, which to the Spiritual aware person indicates that our "material" world as we are able to perceive it, is not as "material" as we think it is. In this view, we can understand why the Masters of the Himalayas travel effortlessly through the "invisible." They used a higher LAW that that for the most part escapes the collective race consciousness....
J. R. Seydel
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He kept coming to mind as I was reading this incredible book, as the characters, stranded on an island with absolutely nothing, accomplished such amazing feats as draining a lake, making a home, building a ship, making an elevator, and a great many other things. There is excitement, suspense (what IS going on on this mysterious island??), and wonderful, likeable characters. Not a real well-known Verne book, but fortunately still in print, and one of his best and most entertaining.
(Incidentally, if you want a children's version of the same story, try to find "A Long Vacation" by Jules Verne, which is extremely similar in plot, but with younger characters and for a younger audience - very charming!)
By the way, please do read 20,000 Leagues Under the Sea first, if you have not already done so. Evidently, Verne assumed that everyone had when he wrote this novel.
Great reading!
Imagine my shock and disappointment to find, in reading Caleb Carr's introduction, that he tells me the secret of the island! I could have reached through the pages and slapped him silly! My heart just sank. It was like reading a movie review of the Sixth Sense that flat out tells you the twist in the story! Thus, all through the book, I knew what the colonists did not. I felt cheated. Even in the short introductory piece on Jules Verne there is vital information given that is best avoided unless you have already read the book. My advice to you is to go straight to Chapter 1 and skip all the preliminaries until you have finished the book.
With that caveat, I just loved the book. Jordan Stump's translation is breezy reading, which makes this 600+ page book just glide by. The colonists, which is what they become after crash landing on the island, are all "upright, energetic, and bound by brotherly affection". These are not a bunch of modern hunky narcissists or brooding, introspective hand-wringers, my friends. These are men of good cheer who, with faith in one another and a healthy respect for the Almighty, turn this most fascinating (and surely improbable) island into a new land.
This takes place in a time when the world itself still held mystery and adventure, and there was a boundless optimism in what man could achieve when honest and civilized men pooled their efforts and added a little scientific knowledge to their endeavors (well, a lot, actually). Most certainly, because of the time in which it was written, it is not politically correct. The "negro" Neb, though a free man, still calls Cyrus Smith "Master". However, there is every indication that Neb was given equal and fraternal treatment and was respected by all, blunting somewhat the inherent offensiveness of such a situation to modern readers.
In the end, this is a rich and wonderful story that, with this new translation, is a joy to read and a treasure to keep.
Caleb Carr does deserve a trip to the woodshed, however.
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Overall: Spectacular fun. A plot that makes up for its lack of believability / lack of development with the sheer volume of its ideas and its droll British humor. We follow along with the persistently boggled Arthur Dent and along the way find out how to mix a Pan-Galactic Gargle Blaster, the answer to the question of life, the universe, and everything, and the true purpose of both little white mice and the Earth. What more can you ask for?
As a cult classic, it falls firmly into the "you love it or you hate it" category. This first book in the series presents an easy way to spend a few hours with a quick paperback and determine which category you fall into. If you love it, there's 4 more books and a few other Adams works to explore; if you fall into the "hate it" category you've only lost a few hours (though apparently at some previous point in time you lost your soul, but oh well).
'The Hitchhiker's Guide to the Galaxy' is the name of both the most popular portable comprehensive galactic encyclopedia, and the book that begins Douglas Adams hilarious space saga. It neatly sets up the tale by giving away the answer to the meaning of life! Don't panic, it's not all it's cracked up to be, because they don't have the question! We meet a great cast of eccentric characters, get to fly around on the 'Heart of Gold' (powered by the ludicrously simplistic Improbability Drive), and discover that planet Earth will be destroyed to make way for an interstellar roadway.
'The Restaurant at the End of the Universe' builds on the logic of the first book, and tweaks it enough to keep things really interesting. Milliways (the aforementioned restaurant) is a great comic creation, walking a grossly absurd existential tightrope to become a fascinating setpiece. There's a great moment about how Zaphod Beeblebrox's great-grandfather is named 'Zaphod the fourth' while he's 'Zaphod the first' ("An accident involving a contraceptive and a time machine"). The whole gang narrowly escapes flying into the sun, and are saved by a piece of specious bureaucracy. The whole mess ends with Ford Prefect and Arthur Dent landing on a familiar planet, and discover that evolution ain't all it's cracked up to be.
The strength of the first two books is that when Adams goes off on these incredible leaps in logic and flights of fancy (two of my favourite modes of transportation) they always seem to follow some kind of narrative thrust. In 'Life, the Universe, and Everything', they seem like non-sequiters, or at most just interesting tangents. I enjoyed the concept of the poem that was never written due to a reckless time travel expedition, and the guy who was injected with too much truth serum and now told The Truth. But they seemed more ornamental than consequential to me. Maybe I just didn't understand the plethora of cricket references (although I did get a kick out of them). Furthermore, the installment was hurt by a serious deficiency in Zaphod Beeblebrox.
A grand comeback is made in 'So Long and Thanks for all the Fish'. This manages to be a really touching love story, interlaced with grand questions about the nature of existence and what happened to all the dolphins. Arthur Dent and Fenchurch (don't call her Fenny) slowly but surely realize that the universe has a higher purpose for them, and they have no choice but to fall in love. And the scene describing their first consummation of that love is actually quite original, and very beautiful. That all being said, the story still manages to be a strong link in the overall chain of events, periodically keeping track of Ford Prefect until it becomes necessary for him to swoop in near the end (deux es machinas-style) and save the cosmic day. Adams also manages to include several more comic illogicalities (probably not a word, but whose rules am I following here?), the standout being the description of Wonko the Sane's inside-out house. A great little interlude, that.
'Young Zaphod Plays it Safe' is a confusing little mess, that I hope gains some meaning in hindsight, once the entire book is complete (**I've just finished reading 'Mostly Harmless', and I'm still in the dark over this one. Oh well.)
'Mostly Harmless' is a little less frenetic than its predecessors are, and a little more assured in its narrative structure. Its story is one of those that begins with three different plots, and as time goes on the plots slowly begin to converge into one final conclusion (kind of like an episode of Seinfeld, now that I think about it). Arthur and Ford get into some seriously mixed up situations, but they are perfectly explained through some more of that demented Douglas Adams logic. Ford actually jumps to his death, miraculously escapes, and then jumps again. And he has a perfectly good reason for doing it both times. My one complaint is that the book doesn't give each plot equal attention, so when you haven't read about one of the characters in a while, you tend to forget what they were doing when last you met them. On a positive note, the whole enterprise actually validates the mess that was 'Life, the Universe, and Everything'.
The series can be read in two ways: as comic fluff (albeit high comic fluff), or as a satire on the nature of existence. A third way, and probably the most effective, would be to read it as both. Or neither. Just read it!
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The translation flows very easily and is not distracting. De Tocqueville has a wonderful writing style that could pass today even though it was written long ago... so well readable and quotable that you get the picture of American life, morals, and an astute view of politics all rolled into one.
You get a view and meaning of American civilization, for America herself, and also for Europe. You can tell from reading. that this view is ever-present in De Tocqueville's mind as if he is a comparative sociologist. Yet reading this book you get the impression that De Tocqueville had generations of readers in mind.
As De Tocqueville noted, "It is not force alone, but rather good laws, which make a new govenment secure. After the battle comes the lawgiver. The one destroys; the other builds up. Each has its function." So true even for todays war. After you defeat your enemy you have to build up the infratructure just as Marshall and Truman both realized.
Reading this book you see the skillful eye of the author noticing and recording what he sees and he is impressed. I found this book to be of great import for the observations of America and hope that our educators use this book for teaching our children about the great country we live in.