This is a great book that provides clear and concise insight into the life of Arthur Alexander. The story behind the singer, the songwriter and a true influence behind some of the greatest figures of rock and roll. This story should be made into a movie so everyone can learn about this unsung hero. Richard Younger has researched Arthur's life, the people he affected directly, and the soul of this talented man. READ THIS BOOK AND LEARN THE STORY OF A MAN WHO DESERVES TO BE RECOGNIZED AND REMEMBERED!!!

After being a fan of Arthur Alexander in the early sixties he seemed to drop out of sight, occassional records but very little else seemed to appear, this book puts the record straight and fills in all those gaps. It also goes a long way to answering the reasons that he did not make it to the position in the music scene that his undoubted talent deserved. The book is very well written by Richard Younger who obviously felt very deeply about the subject, he deals with the problems that AA encountered in his music career and his private life. It was sad that at the very time that AA was begining to make a comeback and he was again showing the talent that was always there he was taken from us. He had become religious during the last few years and this seemed to have a calming effect on him and I am sure that he would have again had big selling records. Thank you Richard for an insight into the life of Arthur Alexander through the highs and lows.

Arthur Alexander was always a mystery man - till now! Richard Younger's biography of one of the most distinctive and influential black singers of the 60s sheds sympathetic illumination upon the life, the music - and the demons - of this woefully underrated singer/songwriter (the only writer to have songs cut by The Beatles, The Rolling Stones and Bob Dylan). AA's hugely-satisfying vocals married to his distinctive soul-country arrangements (his reputation was founded on just four 1962 Dot-label singles) emerged moments before the UK beat boom swept the globe and was crucial in its influence on the Beatles and the Stones. Younger's book explains how it all came about, taking us on a roller-coaster ride through AA's life of musical and personal extremes. With a series of revealing interviews he transports us to the heart of the Alabama music scene and charts Arthur's role in the foundation of the Muscle Shoals/Fame recording empires. Whether you're a long-term Alexander devotee, a soul music buff, or simply a Sixties survivor, then you'll find this unputdown-able tome a tonic that'll have you listening with a fresh ear to those perennial Alexander classics.

In this case of medieval date rape and the grim consequences which follow hard upon it, Sigrid Undset created a wonderfully literate experience using the saga "voice". Although I detected slippages in tone, here and there, and felt the ending too contrived and overwrought to be pure saga, I was still swept along by this book, finishing it in a single sitting. It is short, yes, but also a very compelling narrative as it details the tribulations of two would-be lovers who are yet too proud and self-willed for their own good or for the society in which they find themselves. As with the typical viking hero, Viga-Ljot is overly confident of his own charms and impatient of results. And Vigdis, the maid he has set his heart on, is no less aloof and overbearing in her own way than that historical figure, Sigrid the Haughty, who so angered King Olaf Tryggvesson that he slapped her in the midst of their courtship and thereby sealed his doom. Viga-Ljot does much worse in this tale and his fate is thus forever bound up with a woman who cannot forget or forgive him. Like Gudrun Osvif's daughter in Laxdaela Saga, Vigdis bides her time and nurses her pain but, in the end, that pain is not assuaged by the actions she takes, for it is ultimately destructive to everyone it touches.

A good example of the saga form in modern literature indeed, and yet, despite the finely tuned prose of this novel, capturing the nuances and understatement of the saga voice with masterly strokes, there is an underlying stridency here, an almost emotional overreaching which is not, itself, true to the saga form. In some ways this book is too modern and its author's sensibility, at this juncture in her career, almost too young and unseasoned. Undset seems to be reaching for the tragic denouement of the Greek classics to end her tautly told tale rather than content herself with the flatly understated and finely nuanced wrap-up more appropriate to the saga form. But this Greek-like ending left me much colder than the drily tossed-off afterthought of a true saga might have done. And yet, for all that, Undset has here given us one of the best modern novels done in saga form. My hat is off to her.

Undset, Lagerlof, Bjornson, Hamsun, Gustafsson; five stars aren't enough to reflect the masterpieces that they all wrote, and, in the case of Gustafsson, are still writing. Read all their books and grow a lifetime in a couple of years.

I suppose that anything that sells books makes it to the top of the page, although I appreciate that the first review I read about this book was straightforward, unbiased and sans agenda. I have been reading the great writers of the world since I learned to read. I began to explore the works of Undset, Lagerlof, Bjornson, Hamsun, Gustafsson, etc., thirty years ago and it irks me no end that the works of a Scandinavian writer like Undset, who lived in a time when women had all the rights in the world, should be referenced by your commentator from Brattleboro, VT as womens fiction. If she has read "The Master of Hestviken" or "Kristen Lavransdatter", then she must have missed all the suffering endured by the men and women. Great works of creativity do not address personal agendas. They are wrought from the soul. Lagerlofs' "Saga of Gosta Berling", another masterpiece, explores the same moral questions with a male protagonist. I say to you, dear lady from Vermont, that feminism is dead; we are all feminine and masculine regardless of our plumbing, and the last GREAT female poet, Sylvia Plath, lived the pain of that polarity until it killed her. Shame on you Amazon.com for using divisiveness and the promulgation of hatred, fear, and misunderstanding to make a buck. Publish this!!

Sigrid Undset's Gunnar's Daughter weaves Scandinavian folklore, mythology and violence to ensnare the reader into the period of the Saga Age. In this book, we meet Vigdis Gunnarsdatter -- a survivor in many different levels who is raped and delivers an illegitimate child. As it is said that time heals old wounds, that is not the case with Vigdis. Even with her eventual redemption, peace of mind still eludes her until she takes her very last breath. The scope of history and folklore in Gunnar's Daughter makes this an interesting and quick read. However, it is highly recommended that the reader marks the introduction and notes by Sherrill Harbison -- as they provide much information that makes the book more insightful and pleasurable to read.

Excellent book for use during any medieval or knight study. Fourth grade boys in particular would love this book, however, any student in elementary would enjoy the book. The illustrations are very good. Younger students may need the book read to them. Goes along with King Arthur studies and tales.

I am a hardcore Trina Schart Hyman fan, so this book is just another in my collection of her art work. The pictures are stunning. My kids spend hours looking at the pictures. The Red night, blue night, black night theme does get a little old though. The story is about a strange man who comes to King Arthur to ask three favors. After a year, the stranger sets off to free a princess trapped in a tower. He has to face many knights along the way and proves his worthyness in doing so.

The illustrations are wonderful, and if you like sweet, honest Sir Gareth, as I do, you will enjoy this story, even though it's a kids' book. :)

This was the very first Cynthia Rylant book I purchased for my 7 year old daughter and after reading it together several times, I bought all of the other Mr. Putter and Tabby books. It is easy to read, and very, very funny. The illustrations are great, very entertaining and whimsical. Thoroughly enjoyable!!!

This is another winner from the "Mr. Putter and Tabby" series. Old Mr. Putter and his old cat like to sit and watch the snow, but they must act soon if they want to think of something to give their nice neighbor, Mrs. Teaberry, for Christmas. Knowing her unlikely fondness for fruitcake, the intrepid pair decide to bake her one that wouldn't "break her toe if she dropped it." After much ado, they finally succeed in their effort, and fall asleep on Christmas morning in Mrs. Teaberry's house, having just delivered the cake. In the end, Mr. Putter goes home with "a very nice toaster that sang 'America the Beautiful' when the bread popped up." This gentle, subtle humor runs throughout the book and goes well with the colorful, expressive illustrations. Mr. Putter's persistence in trying to bake a cake is admirable. Furthermore, like many good Christmas books, this one shows the importance of giving. A fine book for kids who are just beginning to read.

The Mr. Putter and Tabby series are the sort of books that I would have loved to have when I was a beginning reader. I know that I would have read them over and over again to no end, even once they began to fall apart from constant use. That's why I am so glad that Mr. Putter and Tabby are around now while my youngest brother is learning to read. The non-repetitious (words are repeated, but not enough to become explicit), non-rhyming storytelling contained within the books makes them a pleasure to read continually, unlike many other easy-reader books. And in my opinion, the Mr. Putter and Tabby books are a step in front of Ms. Rylant's Henry and Mudge collection, due to the fact that, in their own way, they create an appreciation for the elderly as the reader comes to love Mr. Putter, the aging main character whose only companion is his cat, Tabby.

In Mr. Putter and Tabby Bake the Cake, Christmas is soon approaching, and Mr. Putter must decide what to give Mrs. Teaberry, his fruit-cake-loving next-door neighbor. Mr. Putter does not understand how anyone could enjoy a fruit cake, and so he sets out to make Mrs. Teaberry a "light and airy" cake for Christmas, one that "could not break her toe if she dropped it." Young readers will follow along with Mr. Putter and his good cat Tabby as they try to make Mrs. Teaberry's cake, from start to finish. Mishap prevails, leaving you to wonder if they will ever get through in time. It all adds up to a cheery Christmas story about giving and the saying, "It's the thought that counts!"

Mr. Howard's cartoon-style illustrations greatly enhance this wonderful story, which is written in such a format to be used as either a 3-chapter book for the beginning reader, or a bedtime story that is longer in length. Either way, the Mr. Putter and Tabby books would be a great find for emerging readers' shelves. Like having a kindly old grandpa next door, they only make life richer!

Buy this book before it goes out of print for another thirty-five years!

If Golding's Ovid is not, "the most beautiful book in the language," it's among the top two-dozen "most beautiful books" you can find in English. I've searched for a second-hand copy of the 1965 Simon and Schuster edition since the late sixties, ever since I read Pound's ABC of Reading. I never had any luck finding it, though I did come across a non-circulating copy in a university library once. Its title page explained that only 2500 copies had been printed and that the previous edition -- the one Pound must have used -- was a small, deluxe Victorian production, itself unattainable by 1965.

After all my years lurking in second-hand bookshops, Paul Dry Books has finally done the decent and brought Golding's Ovid out again, this time as a beautifully printed, well-bound, but inexpensive paperback. I grabbed up my copy at first sight.

Is this an "accurate" translation of Ovid? As a previous reviewer has said, if you really want accuracy, you should read Ovid in Latin and leave the wild Elizabethan translators alone. Unlike that reviewer though, I'd say that, if you want Ovid in perfectly accurate modern English, with his poetry and voice included, you should read him in Mandelbaum's beautifully rendered version; but if you want an accurate modern English translation -- the type of thing your Latin prof would give you excellent marks for -- then read him in Melville's able, though sometimes sightly flat translation.

But if you love Elizabethan literature, then you should read Golding. You read his Ovid for the ripe, quirky, full-on Elizabethan English, deployed in his long, rambling fourteeners. Golding's metre was becoming antiquated in his own day but, as with a good deal of his rustic vocabulary, he didn't seem to care much about literary fashion. Reading him now, I find it's his joy with his original that matters. Open the volume anywhere -- at the Cyclops Polyphemus singing to the Nymph Galatea for example -- and there is Golding rolling magnificently on:

"More whyght thou art then Primrose leaf, my Lady Galatee.
More fresh than meade, more tall and streyght than lofy Aldertree.
More bright than glasse, more wanton than the tender kid forsooth.
Than Cockeshelles continually with water worne, more smoothe."

Where "forsooth" is outrageous metrical padding, and "forsoothe/smoothe" was probably a forced rhyme even in 1567. But who cares? Golding's music carries the reader past any such concerns, and the beauty and energy of the thing are undeniable.

So buy the book! Make sure it sells tens-of-thousands of copies! Give the publisher a reason to keep reprinting, so it never disappears again.

I'd like my review to correct what seems to be an over-hasty, unreflective lionization of Golding's translation by the other reviewers. Yes, it is a "great translation," in the sense that Marlowe's translations from Latin are, or Motteaux' Don Quixote is, or Pope's Iliad, or Robert Lowell's Imitations, or Pound's Chinese "translations," or even Ted Hughes' Tales From Ovid: that is, it is an powerful, compelling, wholly literary work in its own right, but it is nowhere near the original in terms of accuracy. The Latinless reader would do much better to buy Melville's excellent Oxford translation (which lacks nothing in poetic splendor) or perhaps Allen Mandelbaum's. As for the poetic "quality" of Golding's verse, that's of course subjective, but I could easily think of at least ten Elizabethan poets who are more satisfying to my taste. Golding's chief literary interest, as Nims points out, is his absolutely odd-ball English; attentive readers will find him a veritable storehouse of strange, funny, quaint Elizabethanisms that didn't quite make it into Shakespeare or the other mainstream writers of the period. (Much of the same joy can be found in Chapman's marvelous translations of Homer, reprinted by Princeton.) And the much-quoted Pound maxim comes from his wonderfully cantankerous ABC of Reading, certainly a fascinating book, but one in which Pound indulges in various critical pronouncements that seem, at times, merely whimsical or rhetorical. Much of Golding is rough, much dull, much of its interest is linguistic rather than poetic. He also adds a lot to round off his fourteeners (which I can't imagine are palatable to most readers for long stretches): his additions are fun, but they're not Ovid. Golding "Englished" Ovid to a great degree: his imagery often comes from English culture, not Mediterranean. Of course, any translation is fallible, and Golding's faults as a translator are, in my view, his greatest strengths as a poet, but he's definitely not a good place to start reading what is certainly one of the world's greatest books. This is a fine book, well worth the five stars, but emphatically NOT for the reasons cited by my colleagues. If you want Ovid, go for the original; failing that, Melville's your man.

This edition presents the Arthur Golding translation just as it would have been read at the time of its publication (1567). The Elizabethan spelling is maintained but is not an overwhelming problem (and really not very difficult at all and really adds to the charm of the translation (poetry) itself...) The print of this edition is also perfect in look (black print) and size and is the type of print that gives words a more substantial look...(that's not a small thing in a work like this...) Arthur Golding was not only a Protestant in times when faith was very political, but he was a Puritan...(he also was famous for translating John Calvin...) This edition reprints his preface where he justifies his efforts in translating Ovid. It also reprints his Epistle, or, dedication... I noticed on the copyright page that this is a reprint of an edition that was published back in 1965 by Simon and Schuster which interested me because I've been looking for an edition new or used of the famous Golding translation all my reading life (which began well after 1965...) and had never had any luck, so I would say if you come across this edition or it's not out-of-print by the time you see it here on amazon.com and you've always wanted to read it (I, by the way, had never been able to find the Golding translation in any libraries either...) then don't put-off aquiring it... Golding's translation of Ovid's Metamorphoses is really a basic book (there are only about 40 of those at last count...don't ask me to document that though...) Why is Golding's translation of this work so intriguing...? It, for one thing, looks on the page like sunlight looks when it's dancing and flashing off the water of a running brook...

This book is an excellent guide to selecting the appropriate
career pathway that applies only to the individual concerned about his or her future endeavors in life. The work provides real life examples to illustrate how people have correctly adjusted their careers utilizing the principles put forth by
Hansons and Associates. This career reference is very readable
and may well create a lifetime of fulfillment for a great many persons.

This very clear and well-written book provides a very clear explanation of how to employ the enormously powerful SIMA technique. As a manager responsible for employee development in a large information systems organization, I made powerful use of the SIMA methodology. Through its use, we were able to fill positions based not only on "skill match," but perhaps more importantly, on "motivation match." It was a win/win for both the employees and the company: Employees gained insight into where their passions lay and were assigned to areas where their energies could be tapped, and the company got big productivity gains from their truly motivated employees.

My hat's off to Ms.Hanson for writing this book. I think too often Americans, especially, feel frustrated because they're not using their full potential, so the author is clearing tapping into a need here. I found the questions well thought out and well laid out - they were useful and certainly got me thinking. The use of a wide left margin made the text inviting and easy to read.

Morivania, a young man from Austria, after having observed his father succumb to the powers of a mysterious man named Luther is out to avenge his father's death. Luther and his agents take on the form of wolves and follow Morivania, dog him, if you will, across Europe while he searches for the secret to destroy Luther. The wolf-beasts attack and devour unsuspecting victims while on Morivania's trail. (During my reading of this, I had to periodically check that my own black dog was still a big galoot and hadn't morphed into one of these frightening creatures!)

This book had the feel of a classic! The style and language literally transported me to the 1800's during the time of the French Revolution. Smith's first rate talent as a writer will keep you in bone-chilling suspense as Morivania enters ghastly catacombs and numerous dark wooded trails. There are plenty of moments which will make your hair stand on end and which develop into outright terrifying events!

The Prey is a magnificent novel that is sure to please fans of classic horror. I can't recommend it highly enough!

ONE OF THE TOP 5 I HAVE EVER READ. I RATE THIS MAN'S WORK RIGHT ALONG WITH W.W.JOHNSTONE, BRIAN LUMLEY AND A CHOICE FEW OTHERS.COULD NOT PUT IT DOWN AND HAVE KEPT IT IN MY COLLECTION FOR OVER 25 YEARS NOW. THANK YOU "MR. SMITH"

A very well written horror story. A great cast of characters that come to life within the historical backgrounds the author creates so vividly. Great addition to any horror collection.

If you have a desire to learn to draw with pen and ink this is the first book you should buy. It is thorough and informative. It goes into great detail about different techniques used to obtain certain effects (or textures). I refer to this book time and time again, and although my main media is not pen and ink, I cannot help but to be inspired by his lessons.

This is a fun medium and an inexpensive one. If you are truly interested in learning the ins and outs of pen and ink drawing and can only afford one book, this is the book.

This book is required reading for all pen and ink artists and wannabees. This book led me on the path to making a successful go at drawing house portraits. Pretty good money also. Buy it today along with plenty of ink.

C.

This book is: 1) To the point and clear to understand. 2) Detailed with explainations for all techniques. 3) Filled with illustrations and examples cover-to-cover. I consider this to be my 'bible' for Pen & Ink. I was able to learn so much in such a short amount of time. It made my experience, excelling in this media, fun and enjoyable to go through! This is a MUST to have in your collection!

*Idylls of the Queen* is so much more than a good murder mystery. It is a good murder mystery, but unlike an ordinary mystery, you can reread it, even knowing whodunit, without any of the fun being spoiled. The mystery is sort of a backdrop to the real show--which is yet another new take on the personalities of Arthurian legend, and a different look at chivalric ideals.

The narrator is the oft-maligned Sir Kay, the grouchy but well-meaning seneschal of Arthur's court. He's not a bad guy. He *is* a sarcastic curmudgeon, but that's because he's seen so many self-serving buffoons win glory and adulation while his own hard work goes unnoticed. He is also secretly in love with the Queen. Kay shares an uneasy friendship with a wonderfully written, morbid, fatalistic, and somehow sympathetic Sir Mordred. Together they set out to clear Guenevere's name of the murder charges, meeting fascinating characters right and left. Morgan and Iblis are especially engaging, and Karr puts some deep words into their mouths. Morgan's defense of her mixed Christian and pagan ways cuts right to the heart of things, and Iblis's observation that justice is different for women than for men, is shocking just because it is so true of the times.

If you're an Arthurian buff, read this book. It's a quick read, and a great way to spend a lazy afternoon or two.

"Idylls of the Queen" satisfies on many levels. One: it's a unique look at the world of Arthur's Camelot through the eyes of the much miligned Sir Kay. Two: It's a terrific murder mystery with red herrings and surprises. Three: It's a great fantasy, containing magic and otherworldly spells blended in a unique way.

If you're looking for something different, be it fantasy or mystery, I recommend "Idylls of the Queen" you won't be disappointed!

Phyllis Ann Karr has done all Arthurian fans a big favor by writing this book. "The Idylls of the Queen" is basically a murder mystery set in Camelot, with all the familiar knights and ladies as suspects when Sir Patrise is inexplicably murdered at a small dinner hosted by Queen Guenevere. Sir Mador accuses the Queen of the murder, and a race against time ensues to discover the truth. The usual knightly quest becomes a hunt for the killer--whoever that may be. Along the way Karr treats us to some very unique interpretations of the Arthurian cast, including Sir Gareth, Sir Bors, Sir Gawaine (more like the title character of "Sir Gawaine and the Green Knight") Morgan le Fay, and Sir Lancelot himself. Told in the first person by Sir Kay, King Arthur's foster brother and seneschal, usually noted by other writers solely for his comedic boorishness or ignored entirely, the novel clearly demonstrates that there is a lot more to Kay than he's usually given credit for--as was the case in the earliest Arthurain legends, where the sarcastic boor of later years is replaced by a loyal, courtly knight. Karr's version of Kay is still a fountainhead of caustic wit, but even so he's likeable and clearly indispensible to the well-being of Camelot.

A fast, suspenseful novel that should stand up to multiple readings, "The Idylls of the Queen" is an ingenious work that should please all fans of Arthurian literature.

This book is a great book. You can't tell who the bad guy is at all! The story really twists and you may start to think that Chris is the bad guy. Chris is a boy who looks for the treasure that a pirate was supposed to dump into the water. The 3 investigators go on a trip to Skelleton island to shoot a picture, but really to discover the secret of a ghost that is haunting Bob Andrews dad movie crew. When they come during a storm a guy takes and strands the 3 investigators on an island. That is were they meet Chris! There are quite a few suspicious people that I suspected. This is one of the best books out of the series(in my opinion). This book may look stupid but it is a great book. And beware you will be staying up all night reading this book!

In this adventure, the Three Investigators venture far away from Rocky Beach, California--3000 miles away to a haunted island on the east coast where Pete's father is working to restore an old thrill park for a movie he is working on. Having met with stolen equipment and the appearance of a ghost, the boys are sent for to figure out who is trying to keep the movie company away from Skeleton Island. The boys meet with danger and duplicity at every turn, it seems, getting themselves into even more trouble than usual--several times by their own doing. ...

There aren't really any plot twists or surprises in this story. What seems to me to be the biggest clue to the whole mystery flops out at you like a dead fish right in the middle of the book, and you have to wait until the end to see Jupiter finally seize upon it. Overall, though, it is still a pretty good story. It's hard to go wrong when you are writing about pirates, ghosts, and treasure. My childhood obsession with the secret headquarters at the Salvage Yard obviously continues because I certainly missed it in this book. The boys seemed to be somewhat out of their element here, and it shows. Of course, nothing can stop them from solving a mystery once they are on the case.

The book is about three investagators that are taping a movie,but well they are taping they acutually experience the tragic story that happend 10 years ago! Trust me you would love this story! Well I'm not finished with the book yet so I don't know the rest but it's really good so far!That's my review!