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Mary Motte Alston Pringle may have been the last of the legendary Southern Women. Truly born to the manor and accustomed to every luxury as a young woman, she rose to challenges during and after the Civil War that would have destroyed a lesser human being. The letters that she wrote just after the war to her adult children who were scattered from California to Europe would have left me in despair if they had not held such a powerful message about the durability of the human spirit.
She had no money, her beloved family home was occupied by Union soldiers and she was separated from many whom she loved, yet there is such courage in these letters that the book left me filled with inspiration. Men and women today can find much to admire and emulate in this indestructible family. "Mary's World" has a permanent place on my bookshelf and in my heart.
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Behind the Bars begins by instructing the criminal justice system novice on the difference between constitutional rights in theory and constitutional rights in practice; the difference between misdemeanors and felonies; and breaks-down, for easy consumption, a convoluted system of incarceration (jails, state prison systems, and federal prison system).
Ross and Richards then take a realistic and humanistic approach to providing the "low down and dirty" on the prison experience. Most media sources, when discussing the prison experience, provide an austere or sensationalistic approach to explaining the prison experience, by regurgitating information provided by administrative resources and scholarly work based on distal information. Such resources may lead (and have led) the public in general, and criminal justice students in particular, to wrongly believe that prisons offer a wide array of personal amenities medical/vocational/educational services, and recreational facilities, making it appear that convicted felons are being treated to a taxpayer funded vacation in a modified version of a health spa. Ross and Richards provide the naked truth on the reality of the prison experience, and discuss in detail the difficulties of prison life for both prisoners and guards.
Based on personal experiences, Ross and Richards provide practical first-hand guidance that just might prevent the reader from being caught off-guard by the criminal justice system. As a criminologist and a participant in a prison ministry program, I found Behind the Bars to be insightful and disturbingly realistic, and would be a perfect ancillary text for academic courses on Corrections, Criminology and Introduction to the Criminal Justice System. Thanks to Ross and Richards we now know the rest of the story!
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He provides interesting breakdown tables of casualties after each major battle. I especially liked the way the author analyzes mistakes that were made by both sides. His critiques of Adms. Ghormley and Fletcher was especially interesting. The final concluding chapter was als very excellent as it gives a good tactical and strategic summary of the whole campaign.
The only minor quibble I had was with the comparatively short (comapred to the land and sea) coverage on the air aspects. More personal details on the airmen who particpated would be better since the author himself stated that control of Henderson Field was instrumental to the Japanese inability to resupply their land forces, and the eventual win. The daily listing of air casualties over-claimed/suffered by both sides gets a bit numbing after a while.
First and foremost, I'd describe this book as a first-class history book. It is unique in it's account of Guadalcanal in it's balance and depth of research. By balance, I mean the book covers the naval, land, and air battles -- as well as from both the American and Japanese perspecive. And the book is exceptionally well-researched from newly declassified primary sources. So when I say this is a "history" book, I mean a serious history book.
In particular, I liked the insight and interplay of the American commanders -- particularly King -- as well as Roosevelt, Chruchill,Nimitz and McArthur, and all the way down the chain of command to the Marine commanders. There is signifcantly more politics, maneuvering, debate, and confusion than I would have previously thought.
The book did not elicit the strong emotional response of Bradley's "Flags of Our Fathers", a book I thoroughly enjoyed. Nor did it match the Flags in its detailed accounts of struggle, bravery, and heroism. But this book may exceed Flags in it's overall excellent historical account of a landmark battle. If you're a WWII history buff, I recommend both books for different reasons.
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Rarely does one pick up a book, especially non-fiction, that cannot be set aside. This book glues your hands and you won't be able to shake it until you've finished. Then you'll wish there were more.
In the broadest terms, One River is a biography of Davis's mentor, Richard Evans Schultes. I had become familiar with Schultes's work when researching hallucinogens. Well-known in that particular field, he is renowned generally as the godfather of ethnobotany. Tracing any strand in modern botany you'll find him again and again. He was incredibly prolific and a born adventurer. Many species of plants are named after him because his colleagues so highly respected him.
Davis recounts his personal experiences under Schultes-the strange days at Harvard, the mission Schultes sent him on to study cocaine in 1970s Columbia-and then proceeds to unravel his hero's own story. One needs to read the book to appreciate the twists and turns of this plot but let's just say Schultes has taken all drugs, lived with all new world tribes, and regularly voted for Queen Elizabeth II in presidential elections. In spite of his noted eccentricities few scientists could claim such respect or accomplishment.
In the early 40s he was employed by U.S. government to find and/or cultivate a new world source of high quality rubber. A decade of work almost resulted in a better rubber that would enrich the people of Central America and ensure the U.S. a constant supply of this industrial mainstay. Please read almost... a single guffaw by some legislators destroyed all this work and left us in the lurch of depending on Southeast Asia for our rubber, a precarious situation to be sure.
Throughout the book, the main backdrop is the Amazon. One of the reasons I had trouble putting the book down was because it transported me to that exotic place. Though I was doing my same old routine, I could jump into the narrative and feel like I was on an intrepid vacation never sure what the next bend in the river would bring: menacing or friendly natives, a new species of orchid, other wanderers, a potently hallucinogenic plant?
For a thoughtful and engaging read one can do no better.
Curiously, I was advised that this would not be a good book to recommend to a family member who is very interested in biology and in indigenous cultures - because of all the objectionable hallucinogens in the book, which are typical of the region. (Once all the remnants of the peoples discussed have been converted to alcoholism, doubtless it will become permissible to know about them...) That would be one reason to support this book: it is a window out of our preconceptions, or at least out of the the ones that are uninformed or that don't know they need to *be* informed. This book is worth sitting down with, and worth passing on.
The book is the story of the work of Schultes and two of his students, including the author Wade Davis. It will take you as close as you can ever be to lost cultures and lost ecosystems along with cultures and ecosystems that are very much endangered. Wade Davis is a champion of both human and ecological diversity. "One River" is probably the most eloquent testament to ethnic and biological diversity I've ever read.
As the modern world encroaches on every last nook and cranny of this beautiful earth, "One River" serves as a primer about what once was and about the price we pay as we lose one more species, or one more human culture forever.
This book is an adventure story. It is a story of incredible academic accomplishment. The term academic, with its connotations of being hopelessly removed from the real world does not apply here. Schultes and his students could not be more connected to the real world.
"One River" is the story of man and nature and how the two interact, each forever changing the other. Read this book and then tell your friends about it. While it is hard to make such a claim (there are so many good books), I'd have to say this is my favorite book.
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If you want learn to REALLY animate characters with life and believability, get this book.
Williams' long awaited book on animation technique is the logical successor to Preston Blair's CARTOON ANIMATION and it successfully updates some of the weaknesses of that book, particularly in handling dialogue animation. He covers a lot of the same ground that Frank Thomas and Ollie Johnston did in their now out-of-print THE ILLUSION OF LIFE.
There is some history, but that's available in other books. What is unique about this book is that Williams writes how surprised he, an Academy Award winning animator with a successful professional studio, was to learn that he needed to learn just about everything over again from Harris and Babbitt. Fortunately for us he is now sharing these priceless lessons with the public.
The most important thing that an aspiring animator will get from this book is: that animation IS an art form, and good animation has nothing to do with whether it is done on computer or on paper. Williams exhorts his readers to 'draw whenever possible' and even though there is a computer modelled figure on the cover of the book, there is not a single piece of computer generated imagery in it. The book is about the bare bones, about creating life in art. Animation is the twentieth century's contribution to world art and deserves to be taken very seriously.
Buy this book.
It's also more practical than the Illusion of Life, in that it has a logical progression of lessons and enough custom illustrations to more precicely demonstrate these points. In many ways, It's the intermediate book between the intellectual aspects of the Illusion of Life, and the basic principals of Cartoon Animation.
For me, this was like a second year of school: I had learned all the concepts and basic principals I needed in that first year of school using Tony White and Preson Blair. Richard William's book expanded on those concepts, and has already started to improve my work in the first two months of receiving it. I highly recommend this book to any animation students out there, as well as graduates looking to increase their skills.
Reeves' looks at the Berlin Wall and Cuban Missile Crises take advantage of recent disclosures from US, Soviet and other sources to show how close we came to World War III in both of those situations.
The book's description of the start of the US commitment in Vietnam under JFK allowed me to gain a better understanding of how Kennedy's prior failure to stand up to the Soviet Union and Krushchev in Laos and Cuba "forced" JFK to stand firmly behind the unsupportable South Vietnamese government.
Other topics addressed by the book include JFK's tepid support of civil rights and his rampant promiscuity.
I had to rate this book a 9 (I've yet to read a 10), but this book has to be one of the best out of the almost unlimited supply of JFK biographies
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Ellison has written over 1700 stories, essays, other works in his career. He has thoughts of all kinds on lots of differing topics. And there is one thing to say, he is never boring. You might disagree with Harlan Ellison, but you will be entertained and you will think after reading his thoughts.
This is a great book and I would highly recommend it to one and all.
This massive (over 1000 pages) retrospective brings you the best of Harlan Ellison, encompassing fiction, essays, reviews and more. Providing the reader with "a portrait of one artist as sublime Rebel" (from the introduction), The Essential Ellison is a work of pure genius which will remain a cherished part of your collection for years to come.
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A highly recommended and deeply challenging help and inspiration.
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