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Nelson begs us to realize that first we must select the tree(s) and that the characteristics of the tree(s) will dictate what size and type of structure can be built. Nelson includes information about which trees are best suited for building in, taking their strength and growing characteristics. This is great information to know, and something I think my tree landscaping books don't include. We learn that the growth of some trees will actually crush the structure over time, while others are too weak to safely hold up a structure, let alone one with people inside it.
The key element in this book is safety. Nelson gives detailed information about how to build a structure that is safe to inhabit, whether it is a playhouse for children or an actual house for adults to use to work or live in. I was surprised to see that some of the tree houses in the book are for actually living in and working in!
Several different methods to attach the structure to the tree are outlined in detail. Exactly what type and how many tree "attachments" to use is explained, such as too many direct nailings into the tree will kill it. I think this information is key.
Looking at the plans for the tree houses in the book, I realized the quality of the workmanship surpasses houses that I have lived in. These are not quick slap-up tree houses, not the type where you use scrap wood that you have lying around. The houses featured have fine edgings, safe banisters and ladders for climbing, beautiful doors and windows. Some have balconies!
Anyone considering building a tree house should read this book first lest they waste their time building a tree house that later kills the tree, ends up being not-secure, or is flat out unsafe for people to use. As a non-carpenter, frankly I am feeling intimidated and doubt I have trees on my property that are worthy!
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Well, whether you are simply dreaming or actually making a treehouse a reality, this is a wonderful book filled with beautiful photography and treehouses galore of every description. The authors have put extensive research into this intriguing and attractive book, so if you are fascinated by treehouses, this is a book you are sure to enjoy.
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Unfortunately, arrangers are often the unsung heroes of pop music. They received little public recognition for their outstanding work which is often as intrinsically important to the interpretation of a song as the sheet music, lyrics and the singer themselves. It is nice that Riddle receives a lot of praise here.
The information in the book is mostly cogent and informative. Levinson unfortunately makes some errors that indicates that he (and the editor) is not familiar with all Riddle's work i.e. he says that Riddle's arrangement of "When You're Lover Has Gone" for Sue Raney is upbeat in contrast to Keely Smith's 'downer' arrangement. In fact, the opposite is true; mistakes like this are annoying to a music fan as these works are great Riddle arrangements.
Levinson also glosses over certain pieces of work; Nelson's arrangements for Shirley Bassey and Danny Williams are hardly mentioned. Nelson's arrangement of "What Now My Love" played a big part in Bassey's first breakthrough into pop's top echelon.
Generally, however, this book is a good overview of Riddle's life and career. A detailed discography (LP and CD-reissues) would have been a nice touch and certain areas would have benefitted from more detail but on the whole this is a very worthy endeavour.
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