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After I finished reading Literary Outlaw, by Ted Morgan, I was so fascinated that I read all of Burroughs' novels, and several books by Kerouac and Ginsberg. I also read two more Burroughs biographies, just to get more information on this weird old guy.
Literary Outlaw is just that good.
There are newer biographies of Burroughs by Barry Miles and also Graham Caveney. Nevertheless, Literary Outlaw remains the definitive Burroughs biography written to date.
This is a fascinating biography that reads like a pageturning novel. Burroughs grew up in a privileged St. Louis family, spent some time at a rough ranch-style boarding school in New Mexico, attended Harvard, travelled in Europe, and lived in New York, Mexico, New Orleans, Texas, Tangier, London, New York (again), and finally Kansas. Along the way he became the most scandalous figure in modern letters. His adventures and misadventures are related in this marvelous book.
Literary Outlaw is more exhaustive than either Caveney's or Miles' biographies. Chapters with titles like "Tangier: 1954-1958" and "The London Years: 1966-1973" make for easy navigation. As the book's coverage ends in 1988, there is no information on Burroughs' life in the 1990s, but the essays in the book Word Virus (by James Grauerholz) act as a good supplement, for biographical information.
Morgan did a good job. He wrote a page-turning biography, but not at the expense of Burroughs' literary reputation. Burroughs' value as a writer is challenged throughout, and it holds up. Biographical detail is linked to popular criticism of the texts. There is an extensive section of notes. There is an index.
You can't go wrong with this biography. If you've never read a biography of William Burroughs, Jack Kerouac, or Allen Ginsberg, I advise you to try Literary Outlaw. This book is very well written, and is probably the most fascinating biography I have ever read.
ken32
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Trying to implement Samba as a Domain server.
It took me a few hours to read all the related chapters.
And then followed the steps in the book and 2 Hours later my server was up and running.
Some minor parts are out of date. But it is still the most valuable book I looked at for Linux.
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It will be indispensable for anyone interested in understanding the history and psychology of the Old West. Loaded with helpful maps and photos, it's also a great travel companion for anyone who interested in seeing more of Nevada than the view from I-80.
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Grounded in hours of human-computer experiments, and a multi-disciplinary approach to user interface design - this book is a rare combination of a careful ear for human language and dialogue, extensive engineering experience, and pragmatic knowledge of the strengths and limitations of current voice recognition technology.
The second edition has brought it bang up-to-date. It cuts through the hype that has always surrounded each successive generation of voice technology - focussing always on the building of robust useable interfaces which work with the user rather than against them.
I found the first version of How to Build a Speech Recognition Application so useful that I actually took the time to compared the new edition, page for page, with the original. That was a relatively easy task, because the authors retained the original section numbering wherever possible. My comparison showed that the original guidelines have been substantially updated, based on continuing research and the hands-on experiences of both the authors and other acknowledged experts. In addition, I believe the new sections and expanded discussions of critical design considerations are going to prove valuable to both novice and seasoned developers.
In short, developing effective telephony dialogues is a complex, rapidly evolving and downright expensive task. Given that reality, every development team ought to have at least one copy of this landmark style guide.
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The book did very well in presenting the limitations of the current speech recognition technology (dialog design, large vocabularies, promtp design, etc.) and made suggestions on how to overcome such problems in specific situations.
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If you notice right below the reading level for this item, it says "Hard Cover". So I thought that this was the edition that includes the cassette. It does not.
The book seems great otherwise, but you MUST know French and be able to read music though. It is difficult to know what tune you should be singing in if you can't read musical notes.
If this book failed in being an intellectual biography, it certainly succeeded in portraying the world of William Burroughs in an interesting fashion. Burroughs life seems for the most part
a series of tragedies. It appears as though he was molested as a youth and one is tempted - perhaps due to the saturation of "pop psychology" in our day- to conclude that somehow his future misfortunes (and brilliance) were rooted in that event. Subsequently driven from the United States, then Mexico (where he committed the infamous "William Tell" fatal shooing of his wife) he spends the greater part of his life wandering between Tangiers, Paris, London and New York. Oddly enough, he only seems to find some kind ofhappiness at the end of his life in Lawrence, Kansas.
His meeting with the other members of the "Beat Movement", Allen Ginsburg, Jack Kerouac, Gregory Corso, seemed fated, and unlike the others he did not become a "Beat Stereotype but remained authentically himself, behaving in many ways like a conservative midwesterner. Perhaps this authenticity is what appealed to his groupies who could not manage to retain their own identity separate from the various trends in which they participated.
Whether I will find anything intellectually stimulating in the works of Burroughs remains to be seen. Despite his many shortcoming, he was a key cultural force in undermining the foundation of the narrow, cocktail sipping, coutnry club 50s generation.