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This book is a must-read if you want to amuse and/or bore your fellow Tacomans with antecdotes on street names, unusual buildings, et cetera. Perfect fodder for Tacoma's burgeoning barstool-pundit culture.
So much for explaining the concept of the series. The Burglar Who Traded Ted Williams is the sixth book in the series. I strongly suggest that you begin the series by reading Burglars Can't Be Choosers and follow it up with The Burglar in the Closet, The Burglar Who Studied Spinoza, The Burglar Who Liked to Quote Kipling, and The Burglar Who Painted Like Mondrian. Each story in the series adds information and characters in a way that will reduce your pleasure of the others if read out of order. Although, I originally read them out of order and liked them well enough. I'm rereading them now in order, and like it much better this way. The Burglar Who Thought He Was Bogart comes next in the series.
As this book opens, Bernie has been going straight . . . for almost a year. Barnegat Books, a used hard cover book store he owns and operates, has been providing his living rather than burglary. Then, he receives a double shock. His new landlord is Bordon Stoppelgard, and with his 30 year lease at an end, Mr. Stoppelgard announces that the new lease will be for $10,500 a month rather than $875. How can Bernie afford that? He can't. Then, Stoppelgard comes into Barnegat Books to buy a first edition of Sue Grafton's "B" Is for Burglar for $80 plus tax. Bernie tries to refuse him the sale, but Stoppelgard insists, slapping a hundred-dollar bill on the counter. Then he laughs at Bernie for selling a five-hundred-dollar book for so little.
But Bernie's sorely tempted to burgle again . . . both for the money and the thrills he gets from burglary. That temptation is particularly great just now because Bernie knows that the wealthy Martin Gilmartins will be out for the evening. Bernie does his best to avoid temptation . . . and succeeds. His only slip is to call Mr. Gilmartin from Carolyn Kaiser's apartment to ask him how he liked the show . . . a call that can be traced by the police when Mr. Gilmartin discovers a burglary has been committed and valuable baseball cards are missing. Bernie's alibi isn't very good because he decides to go out after leaving Carolyn. Someone might think he was visiting a fence to sell the baseball cards. What to do?
Most people will find The Burglar Who Traded Ted Williams to be the very best book in the series. The plot is deliciously complicated and unusual. There are mysteries galore to solve, and it's not clear until near the end who did what to whom. The satirical references to mystery novels and novelists are priceless (these include wickedly twisted misstatements of Sue Grafton titles and stories, and a hilarious sequence about cats solving mysteries referring to the Lillian Jackson Braun books). The book also introduces Raffles, Bernie?s new mouse-exterminating-assistant cat who is always on the paper chase, and Carolyn's offbeat theories about women and cats. The baseball card trivia about the Chalmers Mustard Ted Williams set will delight any collector or fan. The comic sequences had me laughing out loud as Bernie finds unexpected surprises as he employs his burglary talents. Bernie also discovers a new source of income which most readers would not have anticipated. Some of the new characters will also amuse or delight you, even though they are only in this book. In essence, there's enough good material in this book for four excellent novels. And it's all nicely pulled together.
How will Bernie save the store? Who took the baseball cards? How will Bernie solve the other puzzles in the book? You are making a big mistake if you don't read this book!
The theme of this book is whether honesty or dishonesty pays better . . . and why. Where do you see dishonest people doing better than honest ones now? Will that continue? Why or why not?
Donald Mitchell
Co-author of The 2,000 Percent Solution, The Irresistible Growth Enterprise and The Ultimate Competitive Advantage
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It is a fine line between presenting dialogue that is authentic from the 18th Century, and writing so faithfully to every bit of slang then in use so as to make reading a work frustrating to impossible. When I read historical fiction, one of the last burdens I want to have is the constant interruption of language that has become arcane, or footnotes that interrupt the narrative flow. Another failing of some writers is that they take great liberty with the historical figures they place within their fiction. Fidelis Morgan uses Samuel Pepys as a player in her tale, and nothing she portrayed was inconsistent with what I have read of the man.
Her two heroines who are the sleuths are both wonderful, and are a good team while often being the perfect odd couple. This piece has all the drama of hands drenched in blood, blood spouting from public fountains, and bodies that either appear or actually seem to have misplaced some of their parts. The book is fun and entertaining with the author adding enough levity to keep her work from becoming another bloodletting ripper tale. I definitely will be going back to her first work, and I look forward to reading many more.
While chasing down what they hope will be the latest society scandal involving the only daughter of a rich City alderman, the Countess and Alpiew, (the 'scandal' column reporters for the "London Trumpet"), make the acquittance of Colley Cibber (a playwright and actor currently working at Drury Lane). Always on the lookout for publicity for himself, Cibber invites the Countess and Alpiew to a lecture on the Passions. And because the Countess is (again) trying to evade the bailiffs for nonpayment of the Poor Rate (and because Alpiew is truly interested in attending the lecture) the ladies accept Cribber's invitation with some alacrity. The lecture, however, turns out to be instructional in a manner in that neither the Countess nor Alpiew anticipated as they are treated to a very public and bitter squabble between two of Drury Lane's leading actresses: the even tempered and universally adored Anne Lucas and the fiery tempered Rebecca Montagu.
But it is the morning following the lecture that turns out to be the really momentous one for both the Countess and Alpiew. First, they are greeted with the grim news that Anne Lucas has been murdered. Secondly, the Countess gets arrested by the bailiffs for nonpayment of the Poor Rate. And finally, Rebecca Montagu turns up at the Countess's doorstep, intent on hiring both the Countess and Alpiew to discover who Anne Lucas's murderer is and to protect her from her more ardent fans (the 'phanatiques'). Desperate for the money so that she can spring the Countess, Alpiew accepts the case with some reluctance, for she cannot rid herself of the feeling that Rebecca Montagu is not to be trusted. Soon, with the Countess at her side, the duo begins what could be their most frustrating of cases as the most obvious suspect in Anne Lucas's murder seems to be their client (Rebecca Montagu), who seems to be playing a deep game of her own, and who seems intent on making a may game of them. The more they dig, the more evidence they come up with that seems to imply Rebecca's guilt. What are they to do? And more importantly, what will it say of their reputations as private inquiry agents if they come up with the evidence that will send their own client to jail for murder?
"The Rival Queens" proved to be a rollicking fun read. The action never let up, and the plot unfolded at a brisk and smooth pace that had me fairly devouring the bok until I reached the last page! The storyline was a totally engrossing one, and there were enough cunning plot twists and red herring suspects to keep most mystery buffs happy. Best of all was Fidelis Morgan's prose style, which turned out to be witty, hilarious (I esp liked the bits where the Countess would purposely misremember Cibber's name, and address him by a fishy name instead) and very graceful. I really enjoy mystery novels that allows me to appreciate the history and the culture of the period, and "The Rival Queens" fulfilled this requirement admirably. Here's to future Countess Ashby de la Zouch & Alpiew mystery novels!
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The result is a comedy of errors as the aging Countess Ashby exploits her memorable dalliance with the former King Charles II, now deceased. With the buxom and youthful Alpiew as a partner, the two unlikely detectives uncover more fodder for gossip and accusation than anticipated, from secret experiments to an alchemist's laboratory and suspects in high places. The two women are as engaging as they are foolish and impetuous and render the story with a broad wink at the vagaries of human nature. And, of course, in the nick of time, all is made right and fortunes restored. Snappy dialog and quirky characters make this back alley romp a pleasant experience.
At times the language of another era is somewhat difficult to follow, but usually all is explained soon after. The characters of the aged former royal favourites and their servants are very entertaining, as are the characters themselves. The mystery can be difficult to solve, but all the clues are there if you only look. I am definitely going to read more of this series.
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There are lots of pictures and diagrams in this book which help to explain key weather concepts. One day I will force myself to read this book cover to cover instead of getting sidetracked at all the gorgeous illustrations and pictures in this book, every time I pick it up to read it.