Being of Irish descent, I am very particular about hearing Irish stories in recorded form. There are some really good editions out nowadays. But this one is the best. I knew I was in the presence of greatness when I beheld the wonderful packaging, and it just got better the longer I listened to these truly wonderful stories. My favorite is one I've read many times, by Joyce, entitlled "The Boarding House." Here it is transformed into something that is difficult to describe and thrilling to experience. The narrator, who must be Irish, has perfectly deciphered Joyce's intent. He has also given us some of the very finest renditions of Irish stories I have ever encountered. "The Weaver's Grave" comes to life as if by magic. There is wonderful music here and very lifelike sound effects that are very skillfully and gently woven into the fabric of these great works. It is such a pleasure to listen to these recordings, you will be listening over and over again, as I have.

This work is a complete collection of chronicles for the De Soto expedition into La Florida (which is most of the south-east USA). Due to the fact that this work comprises two volumes of almost 600 pages each, I have so far only read volume II which is the complete account "La Florida" by Garcilaso de la Vega. Following others (including the Narvaez expedition that de Vaca relates) De Soto went into Florida to find gold and eventually settle the new land. Garcilaso used one captain from the expedition as his source and is a great storyteller, claiming his abhorrence of exaggerating the contents, much of it is told with the heroic chivalry and noble virtue of the times, whether speaking of Spaniards or Indians, and always some purposeful enthusiasm. If all you know of De Soto is that he was the first to see the Mississippi, that doesn't begin to say anything about what happens during the expedition, and even to the way those who were on it considered it afterwards. It shows also the real nature of the natives, showing great differences in their treatment of the Spanish, their use of slavery, and the brutatilty they showed towards other tribes. (Not as placid as Las Casas would have you believe). Also describing the native cultures and life-styles to some degree. All wonderful and interesting stories. The volumes contain some maps and black and white illustrations. Volume I contains all the other existant accounts including the more historical one by the Gentleman of Elvas. Well worth the price.

This is a book I really liked. It explains almost everything you need to know about horses. It's clear and complete. Approaches every subject you could look for, especially those related to surgery. I borrowed this book from a friend, read it all, but it was not enough, this book has too much information. So, if you are a veterinarian, a student, a horse trainer, a horse owner or just a horse lover, this is a perfect book to have in your personal library to consult it whenever you need.

GEORGIA O'KEEFFE AND THE CALLA LILY IN AMERICAN ART, 1860-1940 has more than 50 calla images by 33 artists and photographers. The driving force behind the exhibition, catalogue and book is Barbara Buhler Lynes, Georgia O'Keeffe Museum curator. In one beautifully illustrated, clearly written and nicely organized source, she traces the plant's history, from the limited written record and through art.

Europeans imported the calla in 1731. The name was already in place, from Pliny, according to botanist Jacques Dalechamps. William Wood said the word meant beautiful in Greek. Carolus von Linnaeus, Swedish plant classifier, accepted the name for his "Species plantarum."

But calla palustris already named a northern water plant. So it became richardia. But that was already a rubiaeceae family member. So it became, and stayed, zantedeschia, after Italian botanist and physician Francesco Zantedeschi.

Art has left a better record than writing. For classifying plants encouraged drawing flowers. Especially after the calla was imported from South Africa into the United States, American artists took to its white blooms, spear-headed leaves and elegant silhouette. It became grown, known and painted coast to coast.

Traditionally, it was painted into women's portraits. As recently as 1951, Mexican artist Diego Rivera put the calla into his portrait of Helen N. Starr. A female bullfighter, Starr faced death many times. The calla was also called the perfect mourning flowers, along with azalea, rose and violets. In fact, it was scattered over President Lincoln's casket and Queen Victoria's deathbed.

It was also seen as symbol, and cause, of death. Some scientists believed them to be dangerously poisonous. But that didn't keep southern Californians from growing them outdoors, year-round, as potato-like tasty good in looks and cooking. It was the same with missionaries who had seen pygmies and elephants eating the corms in the Congo.

With all the hype, how could the calla become other than the best known subject in American art? Marsden Hartley and Georgia O'Keeffe were particularly responsible for, but not alone in, that. Not surprisingly, shortly afterwards the calla also became a favorite with advertisers, designers, film-makers and marriage planners. The book perfectly traces this fascinating surge, from our gardens and into almost all of our arts. It reads especially well with Elizabeth Mankin Kornhauser's MARSDEN HARTLEY.

All Get of Fenris are mighty and proud creatures. As I am. We do respect this book - it shows the truth of our Tribe. Every Garou that calls himself of Norsk origin, should read it. And remember about everything written in it. Hail to the mighty Scandinavian warriors, beloved children of the great Fenris!

Gurdjieff has been much slandered by people who claimed he somehow abetted Mansfield's death by tuberculosis or didn't help her sufficiently. In those days there was no cure for TB and she was already dying. He made her last days meaningful. The book will give some insight into his teaching and her interest in it. She had no complaints--was in fact grateful. She died as comfortably as she wouldhave anywhere. The book is out of print but can be found used.

excellent book for medical student rotations in pyschiatry. very practical and helpful in differentiating a diagnosis.

Wecurrently conduct an eight week training session for telephone volunteers desiring to participate in answering a compassionate, nonjudgemental 24-hour hotline regarding abortion alternatives. We have used this book for the past several years - we are 'nonprofessionals' and this book is well suited to our needs. Bad news! - it's being discontinued -(we can't find a copy anywhere) and we are feeling even more 'nonprofessional' as we approach a training without helping skills.

Introduction: Counseling Worriers. Chapter 1: Worry Can Get You Down -- The Psychology of Worry: An Overview. Chapter 2: "Don't Worry About It" -- The Encounter Stage: Session 1. Chapter 3: The Agony of Worry -- The Engagement Stage: Session 2. Chapter 4: Worrying about Worry -- The Engagement Stage: Session 3. Chapter 5: Acting on Worry -- The Engagement Stage: Session 4. Chapter 6: The Last Word on Worry -- The Disengagement Stage: Session 5. Chapter 7: A Case History of a World-class Worrier

I have not read the entire book and am not qualified to give a proffesional review I thought it was a book that reveals the deepest side of manand of nature.Thank you for letting me and others read it.I always like to read a good vampire novel... You never know what's out there.