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This is one of his lesser known works.
D. R. and Quinch are a couple of alien juvenile delinquents that make anyone out of the "Wild Bunch" look like Prozac munching vegitarians. They maim and kill entire civilizations just for the fun of it. However, the destruction is so over the top and the targets of satire so broad that it is not just mayhem for the sake of mayhem.
Alan Davis' art adds to the atmosphere. His aliens are all bizzare creatures that have traits that you will still recognize. (There is a pretty savage parody of Marlin Brando in one of the stories.)
Highly recommended. I am glad these stories are still in print.
Begin with a Miracleman rendered utterly powerless by his arch-foe, Dr. Gargunza. He's been led there because his wife's been kidnapped. Too pedestrian? Add to it a genetically altered dog that's sent to hunt down the now-powerless superhero. Still not impressed?
Now have the dog eat Miracleman's companion and bite off two of our hero's fingers. Couple that with the hero's subsequent killing of the supervillain...and then a graphic (censored in many, many stores) representation of childbirth, and then the seeds of a story that will change a world, and then...and then...
Well, who am I to spoil it? It's a phenomenal read, deserving of space on anyone's shelf. If you can find a copy, treasure it; we're not likely to see another story of this caliber in a long while.
Moore has an off-putting sense of mysticism that fills the book, all the while leaving the reader in complete suspense the entire time, even at such mundane things as the main character waiting to use the bathroom. Moore's characterization is so powerful, so twisted, that even without a detailed plot backing them up, they'd be worth a good story in and of themselves.
Winner of a whole shebang of awards, this is a "comic book" that is definitely written for adults; and for once, not because of gratuitous sex or violence, but because it will challenge every erg of intellect you have to spare.
List price: $19.95 (that's 30% off!)
"The Watchmen" is set in a unique universe where superheroes have been banned and the world is on the brink of nuclear war. The story starts off as a murder mystery and grows into a tale of truly epic proportions. Alan Moore paints a largely dark picture of humanity and weaves a story that is so intricate it absolutely demands your full attention. The characters are far from stereotypical or shallow. Everyone from the heroes to a street vendor seems real and three-dimensional.
At the same time, what was very edgy and groundbreaking in the 80's isn't quite as revolutionary today. It's thought provoking and an excellent story that runs much deeper than almost anything else you can find in comics today. Just don't buy it thinking this is the ultimate thing you could ever read... it's "only" excellent.
The story goes like this - The Joker, in a desperate attempt to get someone to see things from his point of view, shoots Barbara Gordon (daughter of police Commissioner Gordon), paralyzing her. Then, he takes the Commisstioner and tries to turn him insane. And, as usual, it's up to the Batman to stop him.
Maybe the most entertaining aspect of the book is the backstory it weaves. It shows the Joker, pre-accident, as a stuggling comedian unwittingly brought into a robbery. Using elements from the famous 1950's Joker origin story, 'The Man behind the Red Hood', Moore and Bolland make the Joker seem tragic, in a maniacal sort of way.
The dark story Moore writes meshes well with Brian Bolland's detailed, linear artwork. Bolland makes every character look remarkable, and his rendition of the Joker on the cover has become one of the most famous Joker images in history.
You can't call yourself a Batman fan if you don't own this. Heck, you aren't much of a comics fan at all if you haven't at least read the story. This is ESSENTIAL for EVERYONE'S collection.
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But "Dracula" is neither flawless nor innocuous. It's a scary read, and sometimes a dense one - as the book progresses, the excitement is increasingly broken up by literally pages of speechmaking and other nineteenth-century affectations. While these may be interesting to a student of literature or history, they're static to the modern thrillseeker, and I found myself confused as to whether the author meant the characters' extreme statements of love, hate, allegience, etc. to be taken seriously.
This is the dilemma of "Dracula". It's a good scare and an interesting read, but the length and breadth of the book convinced me that there must be more to it. The characters seem too obviously stereotyped - the men in their valiant, unselfish approach to villainy and the women in their purity - to be serious, and the plot proceeds along a course so obvious that it seems the author must be mocking himself. But that's the problem with reading a classic after you've seen the rip-offs: the classic seems old and overdone, a cheap parody of itself.
Still, classics have a lot to offer. Beyond the fantasy element, "Dracula" offers a mixture of the traditional epic tale of man against the evil beast without, and the modern introspection of man against the evil beast within. Despite its flaws, it is a worthwhile read.