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Towards that end Sophocles creates a character, Chrysothemis, another sister to both Orestes and Electra. The situation is that Orestes is assumed to be dead and the issues is whether the obligation to avenge the death of Agamemnon now falls to his daughters. There is an attendant irony here in that Clytemnestra justified the murder of her husband in part because of his sacrifice of their oldest daughter Iphigenia before sailing off to the Trojan War (the curse on the House of Atreus, which involves Aegisthus on his own accord and not simply as Clytemnestra's lover, is important but clearly secondary). The creation of Chrysothemis allows for Sophocles to write a dialogue that covers both sides of the dispute. Electra argues that the daughters must assume the burden and avenge their father while Chrysothemis takes the counter position.
Sophocles does come up with several significant twists on the Aeschylus version. For one thing, Sophocles reverses the order of the two murders and has Clytemnestra slain first, which sets up an interesting scene when Aegisthus gets to revel over what he believes to be the corpse of Orestes and makes the death of the usurper the final scene of the play. This becomes part of the most significant difference between the Sophocles version and the others. Whereas Orestes emerges from the skene distraught after the murder of his mother in "Cheophoroe" and is repentant in the Euripides version of "Electra," Sophocles has Orestes calmly declaring that all in the house is well.
Electra is not as central a character to the drama as she is in the Euripides version, mainly because she does not have a functional purpose in this tragedy. Her main purpose is to lament over the death of the father and the supposed death of her brother. She does not provide Orestes with a sense of resolve because in this version he does not consult the oracles to learn whether or not he should kill his mother but rather how he can do the deed. Still, the part of Electra has enormous potential for performance. Ironically, this "Electra" is the least interesting of the three, despite the fact Freud made it infamous: by his standards the Euripides play speaks more to the desire of a daughter to see her mother dead, but since Sophocles wrote "Oedipus the King" it probably seemed fair to point to his version of this tale as well.
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The story is about a little white-with-brown-and-black-spots dog,Wishbone and his friend,Joe,Sam and David help to save the missing history of Oakdale together .The saving action Starts after they found out the card of LINDSAY GROVES(the relief pitcher for the Oakdale Oaks baseball team),and discovered the records of 1933 Oakdale Oaks baseball team has hidden ,even being erase.As a result,the 3 kids and Wishbone try their best to cover up the truth of the Oakdale's history.Eventually,the 1933 National Champion,the Oakdale Oaks gets their right to keep record on their victorious pass ,so the Oakdale's heroes will never been forgotten!!It is a nice work,I loved the lovely Wishbone,the enthusiastic,funny dogs which always think of pepper onion chesse Italian pizza!
It is a worthy piece of work to read.Don't miss the chance to enter the adventurous world with WISHBONE!!!Read the book!
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It has lots of cute little tidbits of information. It also includes a profile on Britney, and her favourite things.
The book is a bit out of date, but still good. It's a shame Britney is going down in history as being someone who was big for a few years and but then got unpopular because she ignored her fans. This is a nice book which shows Britney at the peak of her fame.
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This 'Barrons Dictionary of Computer and Internet Terms' is one of the best dictionaries of computer terms I've seen on the market. But as any other computer dictionary this one is also difficult to keep current and updated. The subject changes too much to have a good guide in printed form. But I love this book very much and recommend it to everyone.
(My comments refer to edition 5 (1800 definitions,422 pages),and not to the soon to be published edition 6)
The other two sections of the book, which dealt with the 50's housewife who read Mrs. Dalloway, and the fictional account of V. Woolfe writing the novel, were much more enjoyable and well done.
Filled with razor-sharp observation and devastating emotional interconnectedness, THE HOURS is a stunning odyssey through a day in the lives of three women, and by extrapolation, every woman and every human being. It would be impossible to read this book and not find little bits and pieces of yourself strewn across its pages.
What's really amazing is that Cunningham is able to stick so close to the themes, structure, and characterization of Woolf's novel, while managing to build, out of seemingly the same pieces, a story all his own.
What THE HOURS does so well is reveal to us the binding emotional ties that unite us all. It makes you see the similarities in ostensibly different lives, different dreams, and different words. Cunningham manages to create a perfectly balanced fulcrum on which a large teeter totter of metaphors is able to swing up and down in powerful arcs.
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