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The interviews stand out for their honesty and frankness and provide (among other things) a very good insight into John's views of The Beatles. The part where John discusses almost every released Beatles' song is a joy to read and read again.
Of course John's relation with Yoko also gets ample exposure.
If this book is still missing from your collection, get it now!
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David Gerrold is quite prolific and has done some great TV scripts and a number of series books (Star Wolfe) and (Chtorr). I would also like to see more in these series.
Mr. Gerrold, if you're listening. Please consider the many fans of these series and WRITE MORE PLEASE!
Once read, never forgotten. It's a crime it's out of print, track down a copy and see for yourself.
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'Wolf in Shadow' takes place in the far-flung future where an accident has toppled the earth, nearly destroying life and turning most of the world into a wastland. It has also released the magical Sipstraasi stones back into the world. Civilisation has worked it's way up to horse and buggies, but there exists a great evil who has built a satanic army thirsting for dominance.
There also exists The Jerusalem Man, a noble gunslinger who walks the world searching for the city of the Bible. This is Jon Shannow, one of Gemmell's greatest creations. He is a good man, but a hardened violent one who's morality is edged with a murderous quickdraw. And when he meets with Abaddon, lord of Hell and the mysterious gaurdians of the Sipstraasi, it creates one of sci-fi's under-appreciated jewel's.
Gemmel, as he is known to do, writes a strong adventure book but lines it with deep philosophical debates on the nature of evil and morality, one of those rare books that'll keep you turning pages and thinking as well.
Just a great novel from a great writer.
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In this text he goes over the techniques that he found actually worked to change his life. These techniques came out of a whole new approach to anger, this approach is to treat anger as a recovery situation. This brings me to the only item that I had a problem with in the book. In chapter 3 he discusses how to respond to questions of "why" from a spouse, sibling, or other person. For example, if asked why you got so angry and threw the lamp against the wall then you should use one of the answers given in the text. The basic idea of the answers is understandable as they focus on the angry person taking responsibility for their anger and actions. However, the way they are worded is highly questionable. For example, one response is "I'm crazy" or another is "I'm stupid". Current traditional psychotherapy would say to word it more along the lines of "What I did was a crazy thing to do" or "I did a stupid thing". Taking responsibility for your actions is one thing but taking it to the point of putting yourself down and endangering your self esteem when angry people often already have low self esteem does not seem like a good idea to me. Then again it is hard to argue with results. From the cases listed in the book and the comments from other people that have used it successfully it does seem to work.
If anger is controlling you in any way and you want to start living a postive and fulfilling life then this book is for you. I would use caution with the wording in Chapter 3 and feel that you could take responsibility without the self-deprication, but other than that this book seems to offer hope to people who have been unsuccessful in controling their rage in the past. A highly recommended read.
Rebecca Strick LMSW-ACP
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That is all I can say. This book is the one that proved that good visuals do matter in history books. Arms and Armor of the Medieval Knight has it all: types of armor, weapons, historic data of where and when the weapon was used... but most important of all , VISUALS! Hundreds upon hundreds of page-size, full color photos of actual suits of armor, not crude drawings and diagrams that other books on the subject offer.
Also, I have to say that the texts is incredibly well-written an precise, the data is vast and accurate, and all the sources are quoted perfectly. This is the definitive book on the subject.
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Trollope presents a dilemma for most readers. On the one hand, he wrote an enormous number of very good novels. On the other hand, he wrote no masterpieces. None of Trollope's books can stand comparison with the best work of Jane Austen, Flaubert, Dickens, George Eliot, Tolstoy, or Dostoevsky. On the other hand, none of those writers wrote anywhere near as many excellent as Trollope did. He may not have been a very great writer, but he was a very good one, and perhaps the most prolific good novelist who ever lived. Conservatively assessing his output, Trollope wrote at least 20 good novels. Trollope may not have been a genius, but he did possess a genius for consistency.
So, what to read? Trollope's wrote two very good series, two other novels that could be considered minor classics, and several other first rate novels. I recommend to friends that they try the Barsetshire novels, and then, if they find themselves hooked, to go on to read the Political series of novels (sometimes called the Palliser novels, which I feel uncomfortable with, since it exaggerates the role of that family in most of the novels). The two "minor classics" are THE WAY WE LIVE NOW and HE KNEW HE WAS RIGHT. The former is a marvelous portrait of Victorian social life, and the latter is perhaps the finest study of human jealousy since Shakespeare's OTHELLO. BARSETSHIRE TOWERS is, therefore, coupled with THE WARDEN, a magnificent place, and perhaps the best place to enter Trollope's world.
There are many, many reasons to read Trollope. He probably is the great spokesperson for the Victorian Mind. Like most Victorians, he is a bit parochial, with no interest in Europe, and very little interest in the rest of the world. Despite THE AMERICAN SENATOR, he has few American's or colonials in his novels, and close to no foreigners of any type. He is politically liberal in a conservative way, and is focussed almost exclusively on the upper middle class and gentry. He writes a good deal about young men and women needing and hoping to marry, but with a far more complex approach than we find in Jane Austen. His characters are often compelling, with very human problems, subject to morally complex situations that we would not find unfamiliar. Trollope is especially good with female characters, and in his sympathy for and liking of very independent, strong females he is somewhat an exception of the Victorian stereotype.
Anyone wanting to read Trollope, and I heartily believe that anyone who loves Dickens, Austen, Eliot, Hardy, and Thackery will want to, could find no better place to start than with reading the first two books in the Barsetshire Chronicles, beginning first with the rather short THE WARDEN and then progressing to this very, very fun and enjoyable novel.
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NUMBER ONE
I can not say enough about this book by far the best of the best at 4.65 stars. The nearest competitor came in at 3.9 stars. Very good graphics (color) and photos. Lots of extras, including contacts and web sites to further info. Very well organized and lots of info. Is by far the most complete and most comprehensive.
...Bought this book for my parents and am going to buy one for myself right now. Will probably give a copy to my cousin who's just starting college. An extremely helpful and informative medical reference guide - over 1000 pages. Very well organized. The information is presented in many different ways so that all types of readers can understand - photographs, illustrations, charts, graphs, tables - simple and thorough. If this book doesn't have the answer - it will point you in the right direction to find it.... In my opinion a must for every home reference library like a dictionary or a thesaurus.
If you have reservations about purchasing it on-line, this book is worth checking out at your local bookstore.
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'Blott on the Landscape' is about one woman's fight to keep her ancestral home at all costs, with the help of her gardener (Blott). We are exposed to the most improbable characters and actions imaginable, with rude behaviour and language in abundance. It all has a 1970s British television sitcom feel about it. Still I think most Brits will enjoy this book, and fortunately it is still in print over here.
Bottom line: Tom Sharpe in fine form. I'm still giggling.
Tom Sharpe's 'Wilt' books were comical enough but, in Blott on the Landscape and Porterhouse Blue, he excels even his own high standards of comic writing.