I'm critical of the Matthews, because they tend to use some of the old texts to favor their points... and perhaps leave out what doesn't favor their points. It isn't all that bad though... still I tend to stick with books more like "Celtic Love" or "The Celtic Devotional" when reading the Matthews.
In this book, there really isn't much by Mr. Matthews. The introduction... yes. Thats pretty much it. The rest is a collection of essays on Celtic related studies. I spent the most time looking into the essays on the Ogham (which make up about 1/3 of the book).
Anyone who knows scholars knows MacAlister is full of it. This essay, on the Ogham, takes a prime seat in the book, but its little more than bunk. "Wishful thinking" is all I'll say about that.
It just seems to me that the John, the editor, chose a bunch of essays that reflect his view on things, ambiguous things at that, and then threw in a couple shorter essays for diversity.
Still, there are controversial opinions included in this work, and there is much to learn. I recommend this book, but only to those who have some knowledge in the area of Celtic studies, and even to them I say take this with a grain of salt, and don't let this be your only source of information. (Which I might say about any work on a topic so controversial this).
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Dr. Nibley's premise is simple: the Book of Mormon claims to be the product of Mid-East culture-specifically Egyptian and Jewish cultures--so why not analyze the book as you would any other document that claims to be from a similar time period. It is so simple, it is pure genius!
One of the fascinating evidences cited is the name evidence. Certain names become more popular during different time periods, and the names used in the Book of Mormon correspond to 600 BC. Along these lines is the name Paanchi, one of the pharaohs of Egypt, and masculine Alma, which appears on a recently discovered document. Another point he discusses is the word "Deseret," which is associated with honeybee worship in Egypt.
This is a good read, with no advanced degree in history or special language skills required. The book of Mormon is one of those few books that people do not have to read to have an opinion, which is sad since so much is available on the book.
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Having said that, the information contained in the book is okay; I agree with the previous reviewer that it really is for the true beginner. If you've already read anything about shamanism, this book will not hold any new information.
I just feel that if you are going to put together a boxed set, the components should not be done as cheaply as possible. For heaven's sake, put a little quality into it!
CONCLUSION: Not worth the asking price. You're better off spending a little more money for a great drumming CD & a better book on shamanism.
CELTIC TOTEM ANIMALS is just exactly that: a beautifully conceived project, providing a good doorway for introducing the beginning student of shamanism to the influence of the totemic dimensions, clearly showing that John Matthews is as much in tune with those people who are just learning about the Celtic traditions as he is those seasoned practitioners who benefit from his other writings.
NOTE: For those who are long-time practitioners of shamanic work or who are practiced with various divinatory systems, do note that CELTIC TOTEM ANIMALS is--in my estimation--designed for beginning students. CELTIC TOTEM ANIMALS will be basic gnosis and praxis. However, I also think even some seasoned practitioners--especially of Celtic mysticism and shamanism--will find value in the versions of the traditional stories that John shares in the book; stories that clearly express and articulate the totemic and shamanic dimension within Celtic tradition.
CELTIC TOTEM ANIMALS consists of: a.) a well-researched and informative book (complete with profile of the major totems of Celtic tradition, nine sacred stories from the Celtic tradition expressing the totemic influence of the animal powers in the Celtic mythos, along with an introductory explanation and instruction in shamanic journeywork, b.) a set of 20 cards depicting some of the major Celtic totems (note: the artwork is nice, in a kind of woodblock print form, however, the cards are also extremely small--2 inches by 2.5 inches and might be somewhat disappointing to those folks who were expecting full-sized cards as are found in tarot systems), and c.) a good basic shamanic journeying CD with three tracks of drumming, complete with call-back.
This is what rich kids do after buying expensive educations?
Avoid.
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V.J. Matthews is a dull writer. But even he cannot mask the quirkiness, the good humor and the bubbling humanity of a holy man whom inhabitants of Rome have always held in high regard.
A good example: the last paragraph of the book:
"On March 12, 1622, the jealous citizens of Rome were saying that that morning in S. Peter's the Pope--it was Gregory XV--had canonized 'four Spaniards and a Saint!' The "Spaniards" were Isadore the farmer of Madrid, Ignatius of Loyola, Francis Xavier and Teresa of Avila--no less. The "Saint,' of course, was Rome's second Apostle, Philip Neri."
This is a useful short biography of the much neglected Saint whom John Henry Newman found so attractive that he introduced the Oratory of St Philip Neri to England in the late 1840s.
At the age of 29, while praying most earnestly for the gifts and graces of the Holy Spirit, Philip had an extraordinary experience of divine love, and from that tim eon there began a palpitation of his heart which lasted the rest of his life. At times it became so violent that it shook his chair, his bed or even his whole room. He also felt a sense of burning heat in the region of his heart and throat, so taht he was always trying to keep cool. After his death, his heart was found to be son enlarged that the two ribs over it were broken and arched outwards - they had been like this for 50 years!
Fired with this love of God, Philip converted and sanctified innumerable souls by preaching in teh marketplaces, by hearing confessions and directing souls, by counseling bishops and popes, by caring for the sick in the primitive hospitals, and by preforming miracles - he raised one young boy from the dead.
The distinctive mark of his apostolate was his cheerfulness. "I will have no melancholy, no low spirits in my house," he used to say. St. Philip exerted an incalculable influence for good upon the Universal Church, which owes him - even to our own time - a dept of unimaginable gratitude. 117pp. PB. Imprimatur.
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The book does lean toward a more Earth-bound discussion of the Bible. It shows how political, economic, and societal influences helped shape the way the books of the Bible were written (or spoken) and passed down through history. It shows how the writers, even though they were inspired by God, were still influenced by the times in which they lived.
This is not a book for the strict Fundamentalist Christian unless you want your beliefs challenged. But it's a wonderful book for the literary Christian who likes to engage in some healthy Biblical discussion.
The only thing that really disappointed me (and kept it out of the 5-star category) was that a few of the historical discussions are sometimes cut short. But I'm sure that was a balance between depth of research and final page count. Overall, this is definitely worth the money, and it will keep many people thinking critically about the Bible for quite some time.
Way to go Mark Chavalas!
Elizabeth C. age 12
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But far beyond just putting a face on nature (as the Green Man) our ancestors also LIVED according to the laws of the Green Man and his world. These Old Ways, for far too long, have been buried and disregarded.
But times are changing, and many of us have brought out our shovels and begun to dig, both literally and figuratively, down into the Earth to retrieve this ancient knowledge that was time capusled by our ancestors. And what better place to start than with becoming reacquainted with the Wild Jack?
"The Quest for the Green Man" is a unique book indeed. Unlike the many books written on the Green Man that only chronicles the history of Jack's existence (in both picture and words), Mr. Matthews title goes one further by shining a light on the Green Man in a contemporary flair and thusly making Jack-in-the-Green more accessible to us today.
Many of the photos depict recent day Europeans, in full dress, paying homage to the Wild Man. And many of the contemporary likenesses of the Green Man are not carvings, but rather paintings and collages. This, I believe is very important in that it brings up-to-date this most ancient image and provides infinite possibilities for modern humans (those of us who cannot sculpt or carve) to experiment with Jack's image and thus get to know him.
Additionally, there are many other areas in which this book that is just marvelous, such as: an easy layout, vivid photos, the inclusion of some Green Man poetry, fitting quotes, a small resource guide and a huge "further reading" section.
John Matthews, like many of us, knows full well that the wisdom and secrets of the Green Man are not easily won. But, if you are willing to meet him on his terms-to get out into Nature and to seek out his likeness in the trees, vines and weeds, and, to attune yourself to the cycles that he represents, Old Jack, I am sure, will be more than willing to allow you back into his realm.
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I expect much more than that from any book, and I would return this book if I still could. I spent too much time thinking I was doing something wrong to be able to return it now, though.
In summary, buy another book. You will probably be happier.
It does, but a lot of them are style over substance - if you're looking for inspiration then maybe this book is what you need, but don't expect it to teach you useful techniques.
The book comes with a CD containing all the FLAs and files you need for each chapter project and the chapters themselves are very easy to read with plenty of illustrations. It's always great to see how other Flash developers handle code, and the authors of this book are really among the best in the business.
You'll certainly want a good foundation in Flash ActionScript before diving into this book, but it's definitely one to put on your list. Also, the illustrations make it much more accessible for users who tend to shy away from books that only have lines and lines of code. And let's face it, you can never have too many books on Flash or samples of ActionScript code!