I am not going to go over the contents of the book, or much about Charles Bukowski, because if you are considering this book you must know something about the man and his work. I will just give you my impression of this collection of work.
No collection can ever really be complete, there are always new things to add, new commentary, newly discovered works, transcripts of records and unpublished letters, but this book does an excellent job in its attempt.
To me Charles Bukowski will always be one of the greatest American writers of the twentieth century, because of the sheer brutality and honesty his work emanates. It is funny, sad, sadistic, cruel, scathing, enlightening and thought provoking. Everything I like to read. This is poetry for people who are disgusted by verse of flowers, trees and Greek mythology. This is RAW human emotion and experience smeared out onto paper. It is not perfect, and it is not trying to be. It doesn't always work, but there in lies the subtle beauty of Bukowski's efforts. the guts to try. The attempts at honesty, clearly blocked by his unwillingness to divulge everything, and his cynicism of man.
This collection is shocking in its beauty, and inspiring by its simplicity. Enjoy.

I am not going to go over the contents of the book, or much about Charles Bukowski, because if you are considering this book you must know something about the man and his work. I will just give you my impression of this collection of work.
No collection can ever really be complete, there are always new things to add, new commentary, newly discovered works, transcripts of records and unpublished letters, but this book does an excellent job in its attempt.
To me Charles Bukowski will always be one of the greatest American writers of the twentieth century, because of the sheer brutality and honesty his work emanates. It is funny, sad, sadistic, cruel, scathing, enlightening and thought provoking. Everything I like to read. This is poetry for people who are disgusted by verse of flowers, trees and Greek mythology. This is RAW human emotion and experience smeared out onto paper. It is not perfect, and it is not trying to be. It doesn't always work, but there in lies the subtle beauty of Bukowski's efforts. the guts to try. The attempts at honesty, clearly blocked by his unwillingness to divulge everything, and his cynicism of man.
This collection is shocking in its beauty, and inspiring by its simplicity. Enjoy.

Shortly before his death, Bukowski was the subject of an anthology. It is a good anthology, not a great one, but a good one, and Bukowski seemed to think so as well. He notes during the reading of one the selections that they "Put some pretty good stuff in here" which, for Bukowski, is a whale of a compliment. It took me a long time to realize it, but Bukowski meant for his works to be funny, tragically funny perhaps, but funny nonetheless. Hearing Buk read these well known passages from his poetry and prose is a pleasure that is hard for me to communicate.

He was a decent man.

A simply excellent collection of articles on Heidegger, covering a broad spectrum of subjects ranging from Heidegger's views on technology, ontology, phenomenology, hermeneutics, theology and nihilism to art, morality, nazism, and language.

Guignon has compiled essays that are of good philosophical quality yet understandable (a big problem when it comes to some of Heidegger's own writings).

THE CAMBRIDGE COMPANION TO HEIDEGGER. Edited by Charles Guignon. 389 pp. Cambridge : Cambridge University Press, 1993 and reprinted. ISBN 0-521-385970-0 (Pbk).

This excellent collection of articles for students and the general reader contains, in addition to an extremely clear and useful 40-page introductory overview of Heidegger's thought and career by Charles Guignon, the following thirteen pieces:

1. The Question of Being: Heidegger's Project - DOROTHEA FREDE; 2. Reading a life : Heidegger and hard times - THOMAS SHEEHAN; 3. The unity of Heidegger's thought - FREDERICK A. OLAFSON; 4. Intentionality and world : Division I of 'Being and Time' - HARRISON HALL; 5. Time and phenomenology in Husserl and Heidegger - ROBERT J. DOSTAL; 6. Heidegger and the hermeneutic turn - DAVID COUZENS HOY; 7. Death, time, history : Division II of 'Being and Time' - PIOTR HOFFMAN; 8. Authenticity, moral values, and psychotherapy - CHARLES B. GUIGNON; 9. Heidegger, Buddhism, and deep ecology - MICHAEL E. ZIMMERMAN; 10. Heidegger and theology - JOHN D. CAPUTO; 11. Heidegger on the connection between nihilism, art, technology, and politics - HUBERT L. DREYFUS; 12. Engaged agency and background in Heidegger - CHARLES TAYLOR; 13. Wittgenstein, Heidegger, and the reification of language - RICHARD RORTY.

Although many of these contributors are distinguished Heidegger scholars, most do seem to have successfully pitched their discussion at a level suited to the non-specialist, and although this book is by no means a 'Heidegger Made Simple' (a certain amount of background in both philosophy and Heidegger would be useful) most readers should come away with an enhanced understanding of Heidegger and a desire to know more. The absolute beginner, however, might prefer - after reading Charles Guignon's Introduction, and before plunging into the articles - to read a more extended general introduction such as George Steiner's 'Martin Heidegger' (1987).

Besides helping the general reader and non-specialist, the Companion will also be of use to more advanced students as providing a conspectus of recent developments in the interpretation of Heidegger, and here the inclusion of Zimmerman's excellent article is both gratifying and noteworthy. Too often, books about Heidegger completely overlook the fact that many of the most brilliant minds in Asia have spent the last two thousand years pondering some of the very same problems that exercised Heidegger, and that a knowledge of their thoughts about such matters as Being or Time can sometimes help us to better understand Heidegger.

Readers, for example, might take a look at Book 11 of Dogen's 'Shobogenzo,' UJI (Existence-Time or Being-Time), or at such works as Graham Parkes 'Heidegger and Asian Thought' or Richard Mays 'Heidegger's Hidden Sources : East Asian Influences on his Work' (see my Listmania List 'Understanding Heidegger' for details). Dorothea Frede, in her 'The Question of Being,' asks (without answering) the question : "What led to the "breakthrough" that provided Heidegger with the clue for attacking the question of the meaning of being in a new way . . . ?" (page 51). Who knows? Might it have been Asian thought? It certainly begins to look so.

The Companion also includes a List of contributors, a Chronology, a curiously organized 22-page Bibliography of both German and English works (which would have been easier to consult if the items had been spaced) and an Index. It is well-printed in a large, clear font on excellent paper, is bound in a sturdy glossy wrapper, and comes with a glued spine. Well organized and well produced, The Companion becomes a fitting addition to the distinguished Cambridge series and should be of interest to all serious students of Heidegger.

As a student, I found this book to be an extremely helpful introduction to Heidegger's philosophy. I get much more out reading Heidegger now than I did before having read this book. It is a well organized, clearly written, and scholarly collection of essays, which explicate major themes in Heidegger's works. I recommend it to students and laymen.

I remember reading this anthology as a child, and I remember wishing that i was different like one of the children in the book... it's a great escape for kids, i suggest it to anyone with a young reader

I read this book as a child, and it occured to me recently what an intriguing book it is. I spent a long time trying to track it down, and finally found it! It is a marvellous, eclectic collection of stories, including an excellent offering from Ray Bradbury.

mutants are "freaks of nature" that have special and unique characteristics or powers that "normal" people don't. As you read, you ask yourself if its a gift or some kinda punishment. There is one story about a boy who is born with wings, I would say is one of the best short story I have ever read. Buy this book!

As one of the poets featured in Will Work for Peace, one might expect me to be a bit biased, but nothing could be farther from the truth. Most poets work in a virtual vacuum, only tenuously connected to each other by the occasional workshop or shared membership in a 'poetry society'. When Brett Axel first approached me for a submission to an anthology he was considering, the names Marge Piercy, Lyn Lifshin, Moshe Bennaroch and so many others were abstractions to me as a fledgling poet. I knew these tremendous writers were 'out there' somewhere, beating down doors with their words and keeping a struggling artform alive. But to think that someday I would ever share a credit with these dynamic modern poets would be a pipe dream at best. It is through the sincere efforts of Brett Axel that many newer voices like mine have an extraordinary opportunity to appear with Pulitzer Prize winners and other poetic heavyweights. By way of an honest review, however, I will say this- not everything in this book will be to your particular liking. I myself came across some works that did not move me in the way the author may have intended. Some imagery can be raw and visceral, using shock value in place of craft at times. But to ignore those voices would be an even more shocking turn of events, so praise be to the editor for not sacrificing his vision to a senseless conformity. As Pete Seeger so aptly put it in his quote, trying to read all these poems at one time would be like trying 'to swallow Manhattan whole'. I say to you- buy this book, read this book, but understand that it's what you do after reading this book that will ultimately define who you could be. Poetry is alive and well, and lives in the blunt pages of Will Work for Peace.

Just amazing start to finish! I like the disregard for fame used in putting the book together. That great poems got in even if they were writtenby nobodys. Look at Roger Bonair-Agard's poem on page 74. Shortly after Will Work For Peace came out he won Slam Nationals, becoming Slam Champion of 1999, which will be getting him lots of offers. But Zeropanik Press didn't need to be told he was good by an award. They could tell by his writing! Good for them and good for all of us because Will Work For Peace is a literary milestone. It's a new standard for all future anthology editors to try to live up to. Thumbs up to Brett Axel and Thumbs up to Zeropanik Press for their guts and integrty.

Brett Axel visited my Church and I bought a copy of Will Work For Peace from him, not for poetry, but because I care about working for peace. I started reading through it thinking It'd just go on my shelf and that'd be the end of it, but the book grabbed me and kept me rivited. If I had known that poetry was this alive I'd have been into poetry. I've been reading some of the poems to my friends who also didn't think poetry was important and they are saying the same thing. Fantastic! There's no way to get through this book without having your old mindsets challenged. It's funny, powerful, sad, and uplifting. A book that deserves to be read by everyone. A book that really can make the world a better place!

It was alright of a book. I thought it was kind of sad how the narrator did now want to invite Hooper but invited everyone else from A to Z. It was pretty cute how they went through the alphabet when naming the kids who were invited. In the end he ends up having a change in heart and invites Hooper Humperdink. I liked the illistrations, they were very colorful and detailed. If your younger sibling or child is learning the alphabet, then this is the book to read to them.

When we were younger, my mother use to read to my older brother, my older sister, and I every night. Although the census was generally divided, my mother could always appease each of us by reading "Hooper Humperdink...Not Him!" It was and still is undoubtedly our favorite book. My brother is now a US Marine. My sister is, as always, excelling in her second year of pharmacy school. I am attending a liberal arts university on scholarship with a major in biochemistry. The three of us still recall the back inside cover of the book, an illustration of a rollercoaster dotted with the letters of the alphabet. The routine after reading the book was to find all the letters of your name the quickest--and to this day we still know how to spell our names! Imagine that! My mother also remembers almost every line to the story. However, she now needs some refreshing and has now ordered a new copy, as we had given away our haggered original long ago to those we deemed worthy.

I love this book! When my son was 2 (now 20) he would have us read this book to him, repeatedly! The book belonged to his cousin. Every time we went to their house he ran to get the book and we had to read it. So when he got sick and had to be hospitalized his aunt gave it to him. Over the years the book was lost and now, as a surprise, I am trying to find it for him to keep for his future children. I can still remember his little voice saying "read Hoopy Humpydank"!

This is the first complete translation of Les Fleurs du Mal that I've seen which captures both Baudelaire's symbolic rhyming and his strict syllable count (10 per line in this edition vs. Baudelaire's usual 12).

Martin's translation could be improved by following Baudelaire's order of ideas and literal diction more closely, but he captures the spirit of each poem in a way that makes this volume stand out from most of the previous efforts I've seen.

If you're looking for a Baudelaire translation by a single author, this is a good one to buy.

What I like best about this translation is the way Walter Martin renders the poems in rhyme. Baudelaire's extreme content--his embrace of putrefaction, filth, sadism and ennui as fit stuff for poetry--owes much of its impact to the tight, disciplined verses he chose for his medium. Most Baudelaire translations don't capture this classical edge in English, turning the poems into free verse or prose. While Martin has to bend the exact meaning a little (sometimes a lot) to get the English to rhyme, on the whole he does a truly incredible job of making the verse sound exact and controlled but not sing-songy. There's no ponderous introduction to bug you either, just a short & highly personal 'Afterthoughts' section with many intriguing insights. This might not be the only translation you'll want to read, but it recovers a side of modernity's bad boy that's hard to find anywhere else.

Good, engrossing read on the events surrounding the capture of Leonard Lake and Charles Ng, and the discovery of the house of horrors of the Wilseyville Ranch. The book is well laid out and easy to follow and for that I give it high marks. However, I found it lacking in any true background information on Lake and Ng. There's no insight as to who they were, just what they did. Part of the reason I read such novels as this is to find out what happened to shape people into the beasts they become. There was none of that here. Also, the character of Tomasina Boyd Clancy, the reporter and the only fictional character in the book, just rubbed me the wrong way. Maybe it was because I knew she didn't exist, and knowing that the authors discription of her being a knock out red head, and the unusual name made it all so obvious. She completely unnecessary and her thoughts during the hearings at the end just got in the way of the otherwise riviting speech of the lawyers. Finally, I was somewhat surprised in the Author's Note at the end the calls for the retirement of the Death Penalty not because it was inhumane, but because the fight to avoid it by the accused usually ends up in a long and costly trial. While the points certainly have their validity, reading them at the end of such a tale is almost unbelieveable. I had to reread the last paragraph several times to make sure I had read what I had read. And for those final points I had to mark down this book.

My sympathies go out to Mr. Bond and his family. I hope they can rest a little easier knowing that Ng has finally gone to trial.

Just as David Bond explained, I was also very surprised on the amount of information the authors had since even family members were "left in the dark". We found out that in 1995 the State of California had 95% identified the remains of my sister Sheryl Lynn Okoro but did not receive that news or her remains until after the trial started in November of 1999. And only then did we find out from a reporter who had been sitting in on the trial! She was finally brought home and laid to rest in December 1999, 14 years after her death. The book answered alot of the questions our family had and it shed some light on the monsters who took the lives of our loved ones. Once I started reading I could not put it down. Very engrossing. My heart extends to all families who have yet to endure our nightmare.

The jury just found Ng guilty on 11 counts of murder and are now hearing evidence for the penalty phase -- death or life without parole -- this is in response to prior reviewer's request for more current info. I prepared transcripts for the court reporter during four years Ng was in Calaveras County, and it is chilling to read the case in this format -- adds the drama that is not always evident from a transcript. Publisher needs to reprint, especially since it is back as front-page news and the saga of the appeals is about to start.

Most biographers like their subjects, and that is likely the case with Charles Martin and his subject, Tom McGuire. Still, Martin presents a generally well balanced view of our second leading ace of all time, and one comes away with a sense of a very complex young man with lots of "background" going on in his mind as he goes off to war. Martin tends to downplay McGuire's prickly personality, but does acknowledge that many felt that Mac could be difficult. More importantly, we come to understand more WHY Mac was sometimes difficult -- as noted previously, there was lots of baggage there. I highly recommend this book for aviation fans and those who are interested in what made one of our lesser known, but of first magnitude, heroes tick. If the definition of a well written book includes a)wanting to meet the subject, b) wanting to meet the author, and c) wanting the author to turn to another subject you are interested in, then The Last Great Ace qualifies on all counts.

Prior to reading this book I had some knowledge of Major Tom McGuire, but this book allowed me to "peel" back the layers of what made up the Man, the husband and the Pilot. The book methodically took me through his early life, flight school and into the Pacific Theater where we find this skilled pilot in the cockpit of his P-38 Lightning "Puddgy." Unlike some books written about famous fighter pilots of the WWII era you will be treated to a look at his friendship with flying legend Charles Lindburg, letters to his wife, recollections from his crew chief and his relationship with Americas Ace of Aces "Dick" Bong.

The author also takes into account the day to day life on the airbase(s), meetings with Generals and of course his aerial battles with the Japanese. Well balanced, insightful, this is a great book about a Medal of Honor recipient, I hope you enjoy it.

There is only one word to describe this book; TREMENDOUS! Author Charles A. Martin has written a masterpiece of aviation history. In this book, the reader is given insight into the life of Major Thomas B. McGuire, Jr. who would end up as America's number two all-time ace with thirty eight confirmed (and many more unconfirmed) victories. This book does a superior job of giving the reader insight into McGuire's life. The first half of the book deals with McGuire from a young age until he entered flight training. Some of the other reviewers of this book thought that the first half was a waste; I highly disagree. Mr. Martin gives us insight into Tommy's youth and his upbringing, which in the end ultimately resulted in the kind of pilot and leader of men he turned out to be. His upbringing had a major impact on the type of commander he was, and I applaud Mr. Martin for including the early years of McGuire's life. Too often, biographers just concentrate on a specific area of a person's life. I'm glad that I found out what type of person Tommy McGuire was when he was younger. It's easy to see from his childhood how he grew to become such an effective leader.

The second half of the book deals with the actual combat life of Tommy. From August 1943 until his untimely death on January 7, 1945, Major McGuire compiled a record which most fighter pilots only dream about. He shot down thirty eight enemy aircraft; second only to his rival and friend Dick Bong's forty. He also grew to be a highly respected leader, tactician, teacher, and friend. Tommy was a fiery individual in combat, but he was a true friend to his comrades in every sense of the word and he always looked out for the well-being of everyone in his squadron.

I've read dozens of books about the Pacific war, but this book rates as one of my all-time favorites. This is a true classic of aviation history. Read it and discover the life of a true American hero.

I must admit from the outset that my familiarity with Heidegger's philosophy, not to mention Fink's (a philosopher I'd never heard of), is not up to par with my fellow commentators (this is a generous assessment in my favor, to say the least--and obvious). That said, this review is not intended to sway Heideggar junkies one way or the other re: purchase, nor will it aid those who know Heraclitus' Fragments backwards and forwards; I am not in a position to do either. I aim to address only those nonspecialists who--like myself--are interested in Heraclitus, and who are considering making a purchase for that reason, and that reason alone.

I ordered "The Heraclitus Seminar", perhaps naively, in order to gain a better understanding of Heraclitus and his Metaphysics--I came away from the ordeal completely dumbfounded. This is partially my own fault--I knew going in that Heidegger makes for difficult reading, and that his precipitous works are, almost without exception, extremely abstruse. As such, his books require great dedication and patience. This, I was prepared for. However, I came to an impasse with the book almost immediately. This resulted from the multitude of passages that were written, within the body of the text, in Attic Greek--with *no* translations. (no kidding)

This one is better left for the later grad students and/or their profs--that is, unless you happen to be an extremely patient novice, who can read Greek without a lexicon, and who has a penchant for Heideggarian analysis of the pre-Socratics.

Martin Heidegger's special intellectual relationship with the Presocratics is often discussed as if the German philosopher was some sort of romantic originalist or nostalgist. But Heidegger always insisted that the point about going back to Heraclitus, Parmenides and rest was not to recover the specific contents of their thought (or, worse, to wallow in their supposed primitive "purity"), but to recapture the spirit of their efforts to "think the question of Being." You won't find a better presentation of this - or a more candid glimpse of Heidegger as a working philosopher - than in this text. It presents the record of a seminar on Heraclitus conducted by Heidegger and the German scholar Eugen Fink in the late 1960s. Heidegger's discussion of specific Heraclitian texts makes for difficult reading but is, generally speaking, quite lucid. And the dialog with Fink and student participants is eye-opening. (Heidegger's pronouncements are by no means always taken as Gospel!) Most important, in spite of their rather recondite subject matter, these seminar records wonderfully illuminate Heidegger's own philosophical development in the last two decades of his life. Although this book does require familiarity with Heidegger's work and somewhat unique philosophical terminology, as well as familiarity with the history of philosophy generally, I wouldn't call it a text "for specialists only." Unless, of course, all readers of philosophy are specialists! And it does provide a welcome corrective to current "New Age" tendencies to view Heraclitus and the other Presocratics as authors of quasi-religious wisdom manuals. No dumbing-down here; just a tough confrontation with difficult material!

In terms of personal experiences, Heidegger is most revealing on page 5, in the first session of a seminar in the winter semester of 1966-67, when he mentions in his third comment to the participants, "Suddenly I saw a single bolt of lightning, after which no more followed. My thought was: Zeus." This experience is a link to the antiquity also experienced in the Biblical book of Job, in the speech of Elihu, at Job 36:27-33 and Job 37:3-24, leading up to the speeches of Yahweh. By page 7 of this translation of the seminar, Heidegger is demonstrating his link with "Fr. 1" of Heraclitus by quoting more than five lines in the original ancient Greek. Those who would prefer to know the English are given the Diels version in Note 3 on page 163. I find that Note 4, the Diels translation of Fragment 7, quoted (in Greek) by Eugen Fink in the second session of these seminars, is a bit easier for me to understand. The Glossary on pages 166 to 169 is a great guide to the Greek words for the major topics in this book. There is no index, but the approach being pursued in the fashion of this book could hardly gain any clarity by an attempt to locate the ideas in this book by any system related to page numbers. My comment on this reflects Heidegger's reaction to a participant who noted that the first philosophical dictionary didn't occur until Aristotle. (p. 7) Before things were sorted out, Heraclitus was trying to communicate something in Fr. 11 about "Everything that crawls . . ." (p. 31). The excitement picks up on page 32, when Fink quotes a poem by Holderlin called "Voice of the People."

why my country does not existing in your list?

Fans of artistic photo books for kids will find this an intriguing contemporary treatment of the Red Riding Hood classic. Here a little country girl faces urban and rural threats on her way to grandmother's house, only to find her grandmother has been replaced by an evil wolf. The sad ending for Riding Hood is dramatic and revealing, providing a realistic twist on the fairy tale.

I enjoyed the story as Perrault wrote it, not as yet another alternate version with yet another happy ending. Red Riding Hood, also available in French as Le Petit Rouge, contains marvelous photos by Sarah Moon which lend an eerie, appropriately menacing mood to an already dark tale. It should be said, however, that this book is unsettling and is undoubtedly not one to share with your child as a bedtime story.