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It reminds me of a Grim fairy tale. I didn't know about the Ukranian famine until I read this book.
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Magee, an American born in China, went to school in England, joined the Canadian air force and died in a training accident in England just four days after the Japanese attack on Pearl Harbour launched the United States into World War II. Like all great timeless literature from the realm of combat -- the Funeral Oration of Pericles, Lincoln's Gettysburg Address, and McCrae's In Flanders Fields -- it is about ideals instead of ideology.
In 114 words, dated Sept. 3, 1941, he celebrated the sheer joy of flight. He could have had a scholarship to Yale in the fall of 1940 to study the classics; instead, that October he went to Canada. By then his father was assistant minister at St. John's Church in Washington, D.C., popularly known as "the church of the presidents." His parents hadn't been thrilled about his decision to fly instead of going to Yale, but they gave him their reluctant support.
The poem, written on the back page of one of his letters from England, may have been his explanation of "this is why I like to fly" to his parents. Having spent hours in the cockpit of many aicraft, from sailplanes to bush planes, and executive jets to a Flying Fortress, I understand the feeling. I can't say "share," because the single engine fighters of World War II created a brief era in flight that will never be repeated. Today's jets are pure power, simply point and go anywhere; World War I aircraft were sadly limited by a lack of power. Magee flew when the sheer joy of piston engine power matched but didn't eclipse the nerve and ability of a pilot's feelings, reactions, skills and dreams.
In only 28 pages, superbly illustrated by Toronto artist Michael Martchenko, Linda Granfield book tells how the spirit of a young man -- somewhat rebellious and undisciplined to start -- soared like the high flight he describes so memorably. I first found the poem when I was in the seventh grade, some 50 years ago, and memorized it as part of the 200 lines of memory work that were required every school year. It's the only poem from those years that stayed with me.
This book is the first account I've read that describe's Magee's background, and how the poem came to be written. In school, we were told it was "written on the back of an envelope." The real story, admirably told by Granfield, is more inspiring. Truth is always better than fantasy or imagination.
It's called a children's book. Don't be fooled. It's too good just for children. Anyone who understands the soaring adventure of the human spirit will love it. Magee made his dream come true. Very few of us get to live a more perfect life.
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Julie is freaked out on her way home from school to see movers taking a spoon as big as a shovel, a fork as large as a pitchfork, and a knife as long as a flagpole into a neighboring house. "'Yikes,' said Julie, 'I don't want to get to know those people at all.'" The next day, and on the same spot, she sees a new boy who invites her to play. Although it is near where those enormous implements went, the boy looks normal to her and she plays with him. At five o'clock comes the sound of an enormous call for "DAVID!!" that sends her scampering home to hide in her room until breakfast. The next day, she plays with David again and learns that his father is a giant. Gradually overcoming her shyness, she has dinner with David and his father. She gets over her fears when she sees that David's father is gentle and caring.
"David, you don't look very much like your father." "Well, I'm adopted." These days many families make no special effort to adopt children who look just like the parents. This book also gives you the chance to explain how love and caring are more important than similarities of appearance.
They then go out together. The children are ignored by the adults they meet, whether in crossing the street or buying things. Kids also try to pick on them. In each case, people become more considerate when David's Father says something in his loud voice like "STOP" or "THOSE KIDS ARE MY FRIENDS" or "BEAT IT." Some may interpret these incidents as bullying. I didn't see it that way. David's Father only steps in after wrongs are occurring, and he does the least he could do to remedy the situation. The overreactions by those who hear him are just there for fun. David's Father didn't demand those overreactions. People are just responding with trepedition to his size, as Julie originally had done.
Since all children are smaller than almost all adults, taking some of the fear out of size is a good subject for a book like this one. So I commend Mr. Munsch for his selection of story subject, theme, and plot.
To me, though, the best part of the book is to be found in the humorous illustrations that give the story a light, friendly tone. For example, Mr. Munsch's punchline ("Wait until you meet my grandmother.") is solid, but when combined with the view of a large gorilla leg in a red pump towering over the two children it becomes hilarious.
You should anticipate questions from your child about what the advantages are of various kinds of differences, such as people of other religions, with appearances dissimilar to yours, having disabilities, and experiencing mental problems. Your child will be quick to spot the issues for these differences, but much slower to see the advantages. If your family is religious, I suggest that you make your explanations in terms of the values that your family believes in and upholds in your worship. For example, Job's trials may be appropriate as one source of ideas for those who study the Old Testament.
Vive les differences!
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Garbage!!
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