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Firstly, the "new" edition is terribly out of date. I purchased it after seeing the publication date was October 2002. It's accepted and understandable that things change, but there is information that was wrong well over a year before the publication date. A hostel that burnt down in 2000 (Hilda Creek, page 701), and reference to Banff and Jasper as "townsites" (Banff was incorporated in 1991, Jasper in 2001) are examples.
The description of Banff is laughable. There is no possible way anyone could describe the town as a "small, alpine-style village that consists of essentially one main street" (page 686), as this book does. The following history section doesn't get better: "The Bow River forms a class-distinctive boundary that is still evident today." In the first instance, the side of the river that LP tells us "caters to the wealthy crowd" comprises mainly of subsidized housing. And "Many people complain that the townsite is too crowded and argue that more hotels and streets should be built." Aside from the fact a 12 year old could have written the sentence, it's just simply not correct. In an effort to include an environmental slant, the authors have touched on current issues. Readers are informed that a convention center at Lake Louise is controversial because it's "in grizzly bear habitat-good goin' guys" (page 696). Bad goin' I say-it's controversial due to water issues, not bears.
The book is riddled with inaccuacies. Not information that is out of date, but straightforward mistakes. Page 688 talks of canoe rentals at Banff's Central Park. There has never been a canoe rental place here. How could a trained writer even imagine there was? Golden is "just outside the park" (page 692) No, it's over an hour's drive away along a treacherous road. There are literally dozens of similar mistakes in just the few pages on Banff. This is also reflected in the maps: Banff has no "Mamoth St." (page 687). As all Banff streets are named for animals, I guess they meant "mammoth" street, but there is no street of this name either. The mapmakers can't even correctly spell an incorrect name, or something along those lines anyway.
Most surprising for me, the good, solid travel information these books were once renowned for has been replaced by useless, fluffy text that serves no purpose at all. For example, the restaurants listed are not recommendations as such, but simply listings. And where there is a description it does little to inform. Four lines are used to explain the source of the name of an Irish pub (page 694) that has absolutely no relevance to Banff or the mountains, including that the original Guinness Brewery is still open and that it was "founded by 34 year old Arthur Guinness in 1759." The next listing is for Bruno's, named for one of Banff's most famous and respected mountain men. This name isn't explained, just that the restaurant has a "wide-ranging menu." There is an excellent reason why renting a vehicle in Banff, as opposed to Calgary or Canmore, is a bad choice (no unlimited mileage is offered, even by the majors), yet, this important and useful information isn't included (page 696).
My original purpose of buying this book was for travel around my own country, not so much to rely on every word in print but to get a feeling as how Canada is portrayed by these books. The litany of inaccuracies and uselessness seems to continue beyond the Rockies section. On page 34 readers are told brown bears are "actually a black bear but brown in color." I just wish I could ask the author how he came up with this unique theory.
I imagine picking a Lonely Planet book as the guide of choice is habit more than anything for many travelers. It's reflected in the attitude of those I meet on the road and the reviews I see here at Amazon. It seems somehow ironic that Lonely Planet has evolved from the likes of an Africa book I relied on for every word in the 80s, written by a guy whose biography had him living in a hut brewing mango wine somewhere I can't recall, to this worthless tome that relies on name rather than content to generate sales.
Lightbody, Huhti and Ver Berkmoes' writing is both engaging and descriptive. "Lonely Planet Canada" has a solid introduction section that covers Norway's history, government, economy, ecology, climate etc. An informative practical travel section and, most important, a reliable and up-to-date listing of recommendations that each of the contributors has checked out (lodging, restaurants, entertainment, places to see and things to do). At the start of each section is a regional map, more maps, and a list of highlights or "must see" for that region. Great!
In my "must have" list to qualify a guide as "excellent", are easy to read maps. This book has the best maps found in a Canada travel guide. High marks go to the city maps that help the reader by numerically locating the recommended restaurants and accommodations on the maps.
The superb information and recommendations are reliable and though the publication date is 1999 (thus the information is pre '99), I did find some restaurants and inns closed or sold. As a whole, accommodations prices have increased an average of 15% to 20%.
A weak area, which I am sure will be corrected in the next edition, is the sparse use of email/web site addresses (Halifax, N.S. had no addresses out of the 20 accommodations listings). As computer users know, website and email addresses are very helpful, especially for hotel quotes and reservations.
Lonely Planet Canada is comprehensive enough to have even if you are just visiting one province and, with its excellent introduction and reliable accommodations and restaurants recommendations, you find that this may be the best buy in Canada Guides. Strongly recommended.
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It would be great if someone turned this series into a video game...
While the pictures might interest older readers, the text is very simple: "Irish step dancing is danced to Irish music. I move my feet to the music. I keep my arms at my sides."
Half the pictures show girls in street/exercise clothes, the other half in dance costume. There are no boys pictured, unfortunately. There are two pictures of hardshoe, the rest is softshoe dancing.
Recommended for ages four to six or so.
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The particular sort of scholarship as well as the conservative (read: unrepresentative of biblical scholarship as a whole) intent of the series is indicated in a cover blurb from Richard John Neuhaus (NOT a conservative evangelical). Can you detect the ideological underpinnings of the ACCS from this perjorative sentence?: "In the desert of biblical scholarship that tries to deconstruct or get behind the texts, the patristic commentators let the pure, clear waters of Christian faith flow from its scriptural source." Goodness, is that really what is going on in the ACCS? Which Fathers, may I ask--Origen? Universally ignored or maligned in conservative seminaries (the largest of which in the world I am a product), Origen is one of the few really interesting voices in the ACCS, but only his least "dangerous" commentary is allowed in the series, it seems. Same for the Cappadocians, and many others. In any event, it is no "commentary" at all--which manuscripts were being commented on? Were these all from exegetical works, or were the exerpts from the Fathers taken from letters, sermons (polemics) and such? Why these comments, and not others? Is this ALL the Fathers had to say on the issues? Certainly, only a selection could be presented, but again, why these comments arranged in this way? A possible answer: these support the readings of the biblical texts the editors wanted to promulgate.
Sadly, these questions go unanswered, I am afraid. None of the diversity and dissent of the first centuries of the faith shine through in this volume, and that is what is needed in any deeper reading of the Fathers. Early Christian writings can indeed shake up our complacent scholarship and our spiritually devoid lives, but not if they are packaged in such a mundane way. Ideologically-driven scholarship is immediately suspect. I predict that this laborious project will gather dust on the library shelves of mainstream centers of scholarship and seminaries, if they bother to spend budgeted money on it at all after the IPOs hit the bookstores of the world, blaze for a while (nice, slick covers on these volumes), and fade away.
In all, avoid the steep price for these books, unless you want high-dollar Sunday School literature. And it's too bad, too--this is a great idea for a commentary set. Maybe Doubleday ought to take over the idea from IVP; they gave us the Anchor Bible series and dictionaries. Now THAT would be something to be reckoned with.
Next.
First of all, the commentary on Mark, and I might suspect the whole series, over-simplifies the Christianity which it seeks to present, giving the impression that the "Patristic period" was a time of consensual thinking void of serious conflict. Often, certain passages of Mark will be commented upon by church fathers who did not even consider each other as "orthodox" (a loaded term in need of qualifying), or who were only considered by many to be orthodox in their own time, or only years after their deaths.
The less critical reader may come away with the idea that patristic theology was a school of thought not unlike reformed or existential theology, which we know is not the case. By offering examples from third century fathers like Origen (deemed a heretic after his death and hardly an example of "consensual thinking"), fifth century fathers like Augustine, and eighth century fathers like John of Damascus, there is a tendency toward anachronism in the ACCS, which can only paint an artificial picture of ancient Christianity, a picture which seeks to ignore (and I would wonder why) the diversity and conflict so common in the church during late antiquity. Also, given the method by which certain texts of the fathers were chosen (and not chosen) for the ACCS, I would wonder at the criteria: do we only hear from the texts of the fathers which agree with the agenda of the editors, or do we really get a full picture of the ancient church?
Second, I would question the editors' choice of sources, of examples which are supposed to serve as representative of patristic thought. Many of the sources cited were not even biblical commentaries, and thus any examples of what a church father said about a biblical passage runs the risk of being taken out of context in the ACCS. More often, the writings which the ACCS editors present as a father's comments on a biblical passage were from mere letters, or treatises on topics other than the particular biblical passage at hand. Usually, when a father did quote scripture in such non-biblically focused works (such as catechetical lectures, apologetics, etc.), his goal was to proof-text from scripture in order to make a point, his goal was certainly not scripture commentary. However, in presenting such passages out of context as if they were solely commentaries on scripture, the ACCS again paints an artificial picture of ancient Christianity. You would think that the doctoral students who worked on this project with Professor Oden would know better.
Finally, I would question which biblical manuscripts the fathers were commenting upon when they wrote the works which serve as the sources for the ACCS. As Professor Oden should know, there was no single Greek (or Latin, or Syriac, etc.) manuscript of the New Testament in the age of the fathers which could have served as the only basis for commenting upon scripture (consider here the codex vaticanus, sinaiticus, etc.). However, in presenting all the varied comments by the fathers on these passages of Mark, giving only the English RSV as a referent, the reader again gets the false impression of a mushy "consensuality" among those who only later came to be called fathers of the church, a "consensuality" which is supposed to span centuries as well as cultural/linguistic/geographic boundaries.
The questions the ACCS does not answer are how we are to reconcile the disparity among the manuscripts of the NT used by the fathers, and the basis upon which can we use a ready-made English translation whose underlying Greek text was quite unlike that used by the men whose comments are employed in the ACCS. These ultimately come down to a question of method. These questions are not answered because (conveniently perhaps?) they are not addressed, but shouldn't they be, in the spirit of scholarly inquiry? It is this lack of variant readings and clear articulation of method which, I feel, calls the "scholarly" legitimacy of this work into question.
In conclusion, I would have to add that it is the perspective of the reader which will determine the usefulness of the ACCS. If one's goal is merely to refer to what some of the fathers said about a passages of scripture, in order to find a link between the church's past and present, then the ACCS is a fine reference. However, if one's goal is to probe the methodology and presuppositions behind what has come to be known as patristic exegesis, the ACCS can only serve as a convenient starting point for one unfamiliar with other sources on the subject. Even in that case, the usefulness of the ACCS cannot be expected to last long for those with the deeper questions.
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I expect much more than that from any book, and I would return this book if I still could. I spent too much time thinking I was doing something wrong to be able to return it now, though.
In summary, buy another book. You will probably be happier.
It does, but a lot of them are style over substance - if you're looking for inspiration then maybe this book is what you need, but don't expect it to teach you useful techniques.
The book comes with a CD containing all the FLAs and files you need for each chapter project and the chapters themselves are very easy to read with plenty of illustrations. It's always great to see how other Flash developers handle code, and the authors of this book are really among the best in the business.
You'll certainly want a good foundation in Flash ActionScript before diving into this book, but it's definitely one to put on your list. Also, the illustrations make it much more accessible for users who tend to shy away from books that only have lines and lines of code. And let's face it, you can never have too many books on Flash or samples of ActionScript code!