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On se forcera de voir la deuxème guerre avec les yeux d'un soldat d'Allemagne. Il adore la France, il parle la langue, et toute sa vie, il adorait la culture et les gens. Il croit sincèrement que l'Allemange et la France se marieront et l'union sera incroyable. L'Allemange a ses musiciens et la France a ses écrivains. Ensemble, les deux pays auront beacoup de grandeur et de puissance.
On peut voir la guerre avec les yeux d'un oncle et sa nièce. Ils sont deux personnes qui n'a pas de nôms ni d'âges. Ils réprésent toute de France-sa blessure, ses gens, ses croyances, et ses rêves.
Le soldat est un homme qui préférait à vivre simplement dans la compagne de la France. Il est pôet et un muscien. Après la guerre, il voudrait de composer la musique à la mèsure de l'homme. C'est son chemin pour obtenir la vérité.
Qui peut détéster un homme comme ça, même s'il est votre ennemi?
Après avoir lu ce livre, vos vues de la France et l'Allemagne dans les années 1940 changeront. Peut-être on peut voir cette guerre avec les yeux des "ennemis". Peut-être les ennemis ne sont pas toujours comme méchants comme nous croyions qu'ils sont, n'est-ce pas?
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As for the technical content, the book did a decent job. There are a few areas, such as ISDN (a large portion of the Support 2.0 exam), which were not covered in-depth enough. Being such an important study area, I expected better coverage here. As a result, I needed to bolster my studies from my BCRAN materials.
My last gripe is the CD. While I love to get a CD with my book, this one was entirely too frustrating to use. The book had numerous errors but the CD had a substantially higher percentage. The questions on the CD are the same as those included at the end of each chapter, so I preferred to use the paper form rather than the CD.
Overall, the book was decent. I felt reasonably well prepared with the exception of a couple of areas. I would have given this book 4 stars had it not been for the high number of errors and the very poor quality of the CD.
Rik
The book is detailed in every topic. The authors have taken their expertise and put in a book that will have you troubleshooting Cisco networks in no time flat. Over 650 pages of examples to learn from along with questions, case studies and helpful hints are roiled neatly into one book.
The topics of methodology, tools and commands, diagnostic commands, LAN troubleshooting, Cisco Switches, WAN and WAN protocols, extensive coverage of TCP/IP, IPX, SPX and routing protocols along with ISDN and advanced trouble techniques makes this a great exam companion as well as a great desk reference.
Also there is a 30-page appendix covering the OSI model, which is great for other exams as well. The book has a cd-rom with over 200 practice questions as a companion for test taking. Overall the book exceeded my every expectation and is surely one for the technical library.
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Twain completely dissects the "good ol' days" of Arthurian Britain by exposing the vicious social practices of the time: white slavery, le droit de seigneur, confiscation of property in event of suicide, the complete lack of impartial justice, the degrading influence of the Church on the mass, etcetera etcetera etcetera...
The Arthurian legends are wonderful tales, but they are a mythic literary production; Twain deals with the brutal reality of daily living in the Dark Ages, and points out that the good ol' days were not so good, anyway.
As for its applicability to modern America, I am not fit to judge. Perhaps it's there. But "The Connecticut Yankee" is a wonderful tonic for those prone to romanticizing the past. Twain seems to agree with Tom Paine that the English nobility were "no-ability", and simply the latest in a series of robbers.
And, of course, the book is stuffed with wonderful Twainisms... My favorite is his observation that a conscience is a very inconvenient thing, and the significant difference between a conscience and an anvil is that, if you had an anvil inside you, it would be alot less uncomfortable than having a conscience.
Twain also mentions the beautiful mispronunciations of childhood, and how the bereaved parental ear listens in vain for them once children have grown.
You'll never look at castles the same again...
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A good story with Avengers tension, mutant vs hero tension, mutant vs mutant tension and a great "Mageneto's Family" suffering for Magneto's sins storyline.
I would reccomend it.
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One can especially see that the authors are doing something very unusual when reading their discussions of Descartes. Most intellectual traditions and institutions prattle on about 'Descartes' Error'. In fact, criticism of Descartes is so common, I would suspect that there is a book on aerobics that is built around a criticism of Descartes. The error discussed is the way in which Descartes understood and located the certainty of objective knowledge. Certainly many of our worst problems derive from intellectual traditions that rely on Descartes' error--though it is always a question of the level of culpability, regarding Descartes and his users. This book asserts that Descartes' writing style exemplified an understanding that 'truth can only be understood within the context of the speaker and audience'. Descartes' Error ostensibly springs from NOT understanding this. The authors have strong evidence, and while I'm not necessarily convinced, at least they are swimming against the current in a way that abjurs glibness and rejects mainstream intellectual glibness.
Also worthy of praise is that the authors identify, describe and discuss at length the nature of classic prose vis-a-vis the nature of all prose. They are almost hyper-aware of the fact that classic prose can only say things in a very limited way, and that classic prose is not the only--and not certainly even the best--way to be eloquent. I'll certainly give a chance to anyone aware of the holes in their perspective, and I think it is worth it for others to give them a chance too.
The one concern is that the limits of classic prose becomes an excuse for the problems that arise from it. But a more positive view of relativism is fine here, because errors here are often benign, often recognized and addressed, and usually quickly and persuasively identified for the ignorant. I won't pull down an idea that can be exploited by scoundrels no more easily than a typical idea or view. Maybe, though, there isn't enough time in the book to the limits of classic prose made clear by the use of the word 'classic'--i.e., that ideas outside the 'classical' mainstream or the everyday mainstream can't be integrated into classic prose, or proven to be worthy of inclusion in the 'classics' through a defense written in classical prose. For example, I could never say 'classically', "Each man faces his culture as Winston Smith or Winston Rodney," because the eloquence of the statement can't make people more familiar with reggae music, and if you don't know much about reggae, Rastafarianism, or the artist Burning Spear (Christian name: Winston Rodney), then you can't understand or recognize the eloquence or cleverness or usefulness of the equation. Orwell's 1984, though, is almost too 'classically' prominent. How then do we expand the classics?
The writing is clear and pure. Classic style does not portend to talk down to the reader, but assumes that she is capable of understanding the concepts presented. It is a style to intelligently present information and ideas for the consumption of the intelligent. And, as the authors rightly point out, there are frequently other styles appropriate for other things. Unlike other books about writing style (the best of which is perhaps Williams' "Style"), this book does not give rules or advice, but simply observes and inspires.
To me, this book is the prosaic equivalent of Edward Tufte's books on visual design (and Robert Bringhurst on typography). I re-read these books regularly, and try to follow their intelligent examples.
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