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Madonna Sophia Compton, in Women at the Change: The Intelligent Woman's Guide to Menopause, provides information to help women sort out all the conflicting information. She divided her book into two parts: the non-physical aspects of menopause; and the physical symptoms.
Compton says that "menopause is a time of new growths and strengths, new purpose and dreams." She encourages women to think of "menopause as the rite of passage it was meant to be, not as some dreaded force that is seeking to destroy us from within."
In the first chapters of her book, Compton reviews the transitions that women make from maiden to mother to crone. She uses the birth, death, and rebirth cycle, as symbolized by the mythical story of Demeter and Persephone, to illustrate the transformations that all women undergo. Menopause provides a confrontation with the self that enables women to rediscover the depth of their souls, according to Compton.
Later chapters discuss the causes of mid-life depression and discord. Compton also delves into the sources of spiritual unrest and suggests that "when aging is viewed as a spiritual journey, rather than a simple biological process . . . the crone woman can perceive her life as the culmination of a vast treasure house of wisdom and knowledge."
Part Two of Women at the Change details the physical changes involved in menopause. Compton says that "each woman must weigh the choices and make her own decision about taking hormones during her menopause, and sometimes this decision can be an agonizing one." She emphasizes that the key to making the right choice is being well-informed. Compton dispels the myths surrounding what estrogen will and will not do for menopausal symptoms. For example, while it does eliminate hot flashes, it won't restore libido. She includes a full description of each kind of estrogen and the benefits and side effects of each.
One chapter is devoted to the differences between progestins (such as Provera), which are synthetic, and natural progesterone. Compton quotes heavily from the studies conducted by Dr. John Lee, an established progesterone advocate.
Compton cautions that, because natural progesterone cannot be labeled as such, "women must know exactly what they are looking for." She describes what to avoid, such as some "wild yam" creams available, and provides the names of some reliable preparations.
Preventing bone loss and protecting the heart each has a chapter, as does herbs and vitamins for mid-life.
Unlike their mothers, women today can choose from a variety of remedies to help see them through their menopausal years. Women at the Change: The Intelligent Woman's Guide to Menopause will help women make the choices that are right for them.
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The author of this book describes his journey in his beginnings as a photographer and how he eventually decided to publish his work. He also mentions how Playboy in 1985 published 4 of his photographs. His work he describes is a "celebration of the human form, a dedication to an innocent, determined, young woman." There is a copy of the model release form in the first page with Madonna's signature and the price she accepted.
The pictures are in black and white and show various model poses. From a classic pose to several others where she is seen unclothed in various angles exposing different parts of her body. There are several pages that show a bunch of photos in one page displaying numerous positions from crouched on her knees to lying back, lying to the side and so forth. The author ends again with 3 different language type descriptions of his work, the other books he has done, and his former background.
There are various versions to this artistic book worth mentioning and buying. My review pertains to the soft cover and has the published date copyright 1990. It is a 1992 edition by Benedikt Taschen Verlag [ISBN 3-8228-9777-9] and was printed in Germany. The title reads MADONNA NUDES 1979 [author Martin Hugo Maximilian Schreiber]. The cover of this edition has Madonna topless wearing sweat pants petting a cat versus the picture displayed above.
Overall, for the average Madonna Fan this is an excellent book to add to your collection. Photographers may like to buy this in their quest to visualize the beauty of a woman like Madonna thru the lens. Other people including critics will also find this book to show a magnificent style of imagery relating to how Madonna from her early beginnings had a knack for the cameras. Every page in my opinion shows an image of a young woman that is confident, proud of her body, and very much at ease as the photos were taken. Although, there have been rumors that she was not too thrilled with the timing and the release of some of these photos to Playboy it is apparent that 10 years later people are still buying this book and seeing her for the person she is: A Work of Art!
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This book is comprised of first-person accounts of women's dreams involving Madonna. It's beautifully bound and printed and provides a fascinatingly multidimensional glimpse into Madonna's effect on the American female subsconscious. The essay that begins the book is fairly silly, an attempt to define the Madonna phenomenon in intellectual terms, but the dreams and collages make the book a necessity for the collection of any devotee.
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An entire chapter of the book is devoted to comparing the BV to other Dark Goddesses, such as Kali, and Isis. Although I found "The Black Madonna" a useful tool in learning more about the phenomenon of the BV, I was dissapointed by a publisher's 'teaser' on the back cover of the book. The teaser hints that a relationship between the Hebrew Lilith and the BV will be established in this book. Although many Dark Goddesses are mentioned, Lilith is overlooked.
I also found some of the scholarship of this book in opposition to other books concering the BV. For example, "The Templar Revelation" disproves the oft-repeated theory that BV's black coloration was created by accidents concerning soot deposits from centuries of exposure to flame. "The Templar Revelation" also makes the case of Mary Magdelene's ties to the BV much clearer. I would recommend starting with "The Black Madonna" for a background about the BV, and then tackleing "The Templar Revelation" for more information.
"The Black Madonna" is, all-in-all, a good starting point for those interested in the BV and is certainly the definitive resource for psychological symbolism surrounding her. It is not, however, her full story.
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ONE THING THOUGH!: He gives away the ending to BODY OF EVIDENCE. If you haven't seen the movie, see it before reading this book, unless you skip the early nineties section (at your own risk) or absolutely do not want to see the movie. I hadn't seen the movie yet, and I was very disappointed to suddenly read what happened at the end, because it was in my plans to buy the DVD. I have, and I know I would've enjoyed it much more.
A recomened book for the content, but not for it's shoddy editorial job.