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We get plenty of revolutionary and anarchist theory from Berkman. He opens a door into the thoughts and feelings of people struggling for economic and social justice 100 years ago. More than that, he opens a door into the mindset of a fanatic, one which may help us understand the motivations of those who flew their planes into the World Trade Center and the Pentagon on 9/11/2001:
"Could anything be nobler than to die for a grand, a sublime Cause? Why, the very life of a true revolutionist has no other purpose, no significance whatever, save to sacrifice it on the altar of the beloved People." (p. 12)
"My own individuality is entirely in the background; aye, I am not conscious of any personality in matters pertaining to the Cause. I am simply a revolutionist; a terrorist by conviction, an instrument for furthering the cause of humanity." (p. 13)
"True, the Cause often calls upon the revolutionist to commit an unpleasant act; but it is the test of a true revolutionist-nay, more, his pride-to sacrifice all merely human feeling at the call of the People's Cause." (p. 12)
Berkman, the purist, disdains his fellow prisoners. He sees himself as better than they are, a Servant of Humanity, not a petty criminal, a predator on the poor. But, life in prison, although it does not shake his revolutionary and anarchist convictions, does bring him down from his ivory tower. Berkman begins to see that:
"The individual, in certain cases, is of more direct and immediate consequence than humanity. What is the latter but the aggregate of individual existences-and shall these, the best of them, forever be sacrificed for the metaphysical collectivity?" (p. 403)
His revolutionary understanding also shifts. He begins to differentiate between the autocratic despotism of Europe and the despotism of republican institutions:
"The despotism of republican institutions is far deeper, more insidious, because it rests on the popular delusion of self-government and independence. That is the subtle source of democratic tyranny, and, as such, it cannot be reached with a bullet. In modern capitalism, exploitation rather than oppression is the real enemy of the people ... the battle is to be waged in the economic rather than the political field." (p. 424)
This is not, however, a political manifesto (for that, one can read Berkman's ABCs of Anarchism). Berkman reveals his inner processes during fourteen years of incarceration. We discover, not only the horrors and corruption of the prison system, but also wander intimately through Berkman's mind. We visit his childhood, soften at unexpected gentlenesses behind bars, and begin to appreciate something as simple as the sunrise.
Although Berkman did not write the memoir until after he left prison, it has a sense of surreal immediacy. He wrote in the present tense, but that alone does not account for the way his text grips, and drags the reader into the maelstrom of his experience. We run with him through childhood memories, daily brutality, fantasies of escape and suicide, and the ideals that keep him sane. His longing for Emma Goldman shines through the text. He enthrones her almost as the guardian of his sanity through the years. Little can compare with the poignancy of his fantasy of mailing himself to his beloved Emma, escaping prison and finding himself with her again. (p. 135-137)
Five stars. Absolutely brilliant work, as relevant today as it was nearly 100 years ago. In her autobiography, Living my Life, Emma Goldman recounted how Berkman saved his sanity and his life by writing this memoir. The deep introspection, the flights of fancy, the accounting of prison life-all deeply illumine the best and the worst of human nature. This book is required reading for anybody who wishes to understand the fanatical, terrorist mindset, for Berkman describes that aptly. Far more importantly, he shares the experience of survival and transformation. He, who entered prison a fanatic, left those iron gates more committed than ever to his cause, but no longer a fanatic. His story tells of graduating from terrorist to humanist, from monomaniacal fanatic to a deeply committed human being. If you read nothing else this year, read this book.
(If you'd like to dialogue with me about this book or review, please click the "about me" link above and drop me an email. Thanks!)
This is an incredibly moving and detailed account of an activist's experiences in early industrial America. As an Anarchist, Alexander Berkman recounts his observations of the era's struggle for decent living standards and fair treatment from fat cat industrialists. In prison for attempted assasination of a steel magnate who was responsible for firing and killing striking steel workers, Berkman eloquently describes his reasons for acting on behalf of the working poor and exploited. His experiences in prison are gut wrenching and very human. Not much fluffy language - very straighforward observations, which are emotionally piercing in their social significance and human truth. An exceptional read for anyone interested in the American history that is usually left out of school text books. Berkman's experiences are painful but very motivating and inspiring as they illustrate human love, the will to survive and continue to work for an ideal under the most horrendous conditions. This book is an extraordinary powerful testament to human goodness and strength.
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Sadly, there's a minor but signifiant error on page 126, the article on that page was cut out half and wasn't finished. There's also some errors on the airlines section, which some photos and the caption are not correct. Despite of those mistakes, it was not reduce the value of this book.
I also have the successor of this book (ISBN 0760311250), but it was quite dissapointing. I hope that the next edition will reverted into this format again.
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This book is a well researched analysis of the American (western) approach to and conduct of war, and its moral, physical, and political consequences. Accurate and powerful historical examples complement this analysis. Poole argues that despite all the claims of American military superiority at all levels, the U.S. military has grown so dependent on technology and massive ammunition expenditures that it has let its individual and small-unit skills and experiences atrophy and be lost.
If you believe that the U.S. military is by far the best in the world, then Poole's perspectives will challenge your beliefs. Read what he has to say about our World War II adversaries, think about what he says happened to us in Korea, follow his logic about what happened in Vietnam, remember our approach to and conduct of the 1991 Persian Gulf War, reflect on his discussion about our efforts in Somalia in 1993, and then see if you notice any common trends extending into our operations in Afghanistan. Scary stuff.
Fortunately, Poole also gives some common-sense advice to reverse the dangerous course we are following to tactical inferiority. This advice is exactly what many senior defense and defense-related leaders fear the most, for it would shatter the status quo in which they rose to power and have fought so hard to maintain.
Poole packs a big and important message into a small book that is as thought-provoking to the American taxpayers as it is to the American fighting men and women.
This book, _One More Bridge to Cross: Lowering the Cost of War_, gives the ethical, religious, psychological, social, and professional military underpinnings of the above-mentioned practical handbook of ground unit technique. Gunny Poole is an original and an inspiration. I call him Gunny Poole in our e-mail and phone conversations, even though he left the Marine Corps for the first time at the rank of Lieutenant Colonel. He then re-enlisted as an enlisted man, retiring finally as a Gunnery Sergeant-a role and rank held in reference throughout the Marine Corps.
I need to tell you that Gunny Poole is a deeply religious Roman Catholic. The religious dimension of this book is probably its most significant and persuasive aspect. His religious teaching on military matters-which I agree with 100% coming from a different, but non-Catholic Biblical tradition-is that our religious ethics teach that the point of fighting in a just cause is *to win, not to kill*. Not only are the lives of our own service members precious, according to our religious teaching, but so are enemy lives, both civilian and combatant. The irreplaceable key to winning with minimum casualties, both ours and enemy, is SKILL. So small unit skill and small unit leader skill are religious imperatives. In almost any fight, especially one that goes on for a while, skill trumps technology. (See _Joint Forces Quarterly_, Summer, 1999.)
The author's other book, _The Last Hundred Yards: The NCOs Contribution to Warfare_, describes the elite-level small unit skills that ANY American unit can attain, if allowed to train properly under NCOs empowered to conduct this training. One More Bridge to Cross gives the maneuver warfare rationale for these practices that engage the intelligence and initiative of the lowest echelons. Poole puts before our eyes a vision of the lowliest infantryman as tactically expert in planning his moves for the next 50 meters as his battalion CO should be for the next 5,000.
I could go on and on singing the praises of these two books by John Poole, but far better for you to read and absorb them, than for me to convey the false sense that just by reading my review you get the "gist."
Jonathan Shay, M.D., Ph.D. Author of _Achilles in Vietnam: Combat Trauma and the Undoing of Character_ [in print as a Touchstone paperback] and _Odysseus in America_ [forthcoming from Scribner]. Dr. Shay speaks frequently to professional military audiences on cohesion, leadership, and training as the keys to preventing psychological and moral injury in military service.
I am convinced that in time every military institution will include John Poole's work in their teaching and training, just as well as we learn from Sun-Tzu and Clausewitz. He might even be one of our times great military theorists.
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I have never met a patient with Parkinson's Disease until a couple of months ago. I didn't know what to expect. When the patient walked in I was shocked. She looked normal and wasn't shaking. She was the sweetest patient I had met. She explained to me her life and how she lives with the disease. She said that she sometimes gets embarrased to be seen in public when she has her tremors because she thinks that everyone is staring at her. But she said she is the same person as all of us. She just has to take medication and she gets tired alot more than you and me. When I was cleaning her teeth she only had mild tremors so it wasn't that difficult to work on her. But one day I will probably get a patient who has severe tremors but I am ready thanks to this book in guiding me with the knowledge of what I needed to know. I think that if you know someone who has Parkinson's disease or if you would like to learn more about the disease buy this book and you will be filled with all the information you need to know about Parkinson's disease.
The story begins near the end as Max, who's dying of cancer, sits at an outdoor café in Amsterdam where he's come to investigate the mystery of the death of his friend, Harry Ames, "the father of black writers," a few days earlier in Paris. What he eventually discovers is mind-blowing.
Throughout the novel, Max opines on a multitude of subjects like: Marxism, African independence and African attitudes towards Americans, sexuality and interracial relationships (he works past some of his homophobia too), the different styles of reporters from 5 major NYC newspapers, the theory of the rich president and other political theories, the "lie" of Christmas ("the rich man's chance to dissipate the image of Scrooge"), American cars (with their "long, buttock-smooth lines"), existentialism, and Alban Berg's atonal opera, "Wozzeck" (whose climax, a child's scream, punctuates Max's argument with his woman). Max interprets bebop's message as, "we can not be contained," and modern jazz becomes the avatar of his literary aesthetic: "He wanted to do with the novel what Charlie Parker was doing to music -- tearing it up and remaking it; basing it on nasty, nasty blues and overlaying it with the deep overriding tragedy not of Dostoevsky, but an American who knew of consequences to come: Herman Melville, a super Confidence Man, a Benito Cereno saddened beyond death."