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Set in pre-revolutionary France in the days of Cardinal Richelieu, Taylor Caldwell brings to life the man the forever changed France in ways surpassed by none other than perhaps Napolean Bonaparte. Each character comes from opposing religions, ideals, and childhood experiences and they influence eachother in very profound ways.
Besides feeling connected to a period so distant from us, this novel explores the possibilities of human interaction and how much a person can change. If you enjoy history as well as exploring our own humanity and relationships we forge, you will not be disappointed by this book. The beginning is very exciting then it staggers a bit, but it picks up right till the end. Truly, a great book.
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Introduction-- Part I: The Evolution of Hunter-Gatherer Subsistence-- 1.Hominid Evolution, 2.The Evolution of Hominid Subsistence, 3.The Evolution of Tracking, 4.The Origin of Science and Art-- Part II: Hunter-Gatherers of the Kalahari-- 1.Hunter-Gatherer Subsistence, 2.Science Knowledge of Spoor and Animal Behavior, 3.Non-scientific Aspects of Hunting-- Part III: The Fundamentals of Tracking-- 1.Principles of Tracking, 2.Classification of signs, 3.Spoor Interpretation, 4.Scientific Research Programmers-- References-- Index.
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As with the great first-person narrators in classics like Brideshead Revisited and Fifth Business, Max Strong is a keen yet passive observer, comfortable enough blending into the scenery so as not to obstruct the reader's view of the novels fascinating characters. Charlie, the brilliant, extravagant architect with an ego to match his talent, bobs in and out of Max's life, first appearing at an Italian villa where he and Max have been invited as guests, then in Beijing where Max has offered his legal expertise while on sabbatical from Harvard Law School, then again in Cambridge, MA and the Berkshires where Max works and vacations respectively. Their relationship is both antagonistic and co-dependent, as Max serves as conscience and confessor for Charlie in regard to the latter's romantic involvement with Toby, the young, attractive, and troubled youth that Charlie takes under his wing. And yet, while Max rarely asserts himself as anything more than an astute narrator, the book is just as much about him as it is about those that he observes.
It is a remarkable accomplishment that Begley has expressed so much beauty in so few pages. His settings and his characters sing with authenticity, and his prose offers the perfect current to carry his flawlessly-crafted story.