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The illustrations are attrocious.
I did not find any redeeming value in this book. I hope I can sell it at my next yard sale.
My 12 year old daughter read it and thought that "the little girl in this book is a schizophrenic whacko in great need of a certified therapist".
But the more IÕve read this book (and IÕve read it a LOT!), the more IÕve realized how psychologically acute it is. My daughter is a lot like the "good little girl" Ð most of the time sheÕs neat and polite, and tries very hard to please adults. Those are wonderful qualities, but they can get in our way, too. Less polite kids shove you aside. Adults may overlook your needs because youÕre not loud or insistent enough. Life can be tough for "good" girls. The need to learn to be assertive without letting "the monster" get out of control. And I think the reason my daughter loves this book is that itÕs helping her to do that. In the end, when the good little girl comes back, sheÕs not a pushover anymore. SheÕs still nice, but she tells her parents very clearly and firmly what she wants.
IÕm still not wild about the illustrations in this book (although I must admit theyÕre growing on me), but I now think that for a nice, quiet little girl, this is a perfect book.
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This series is okay as light reading for adolescents but if you are looking for a piece of americana, and/or a wholesome book for your child or self this is not the best choice. It grossly fails to live up to the original series of books. The Caroline series is a better choice.
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One reviewer here has commented that "Little Dorrit" is not without Dickens' trademark humor, and, with one qualification, I would agree. Mr F's Aunt, Mrs Plornish, and Edmund Sparkler in particular are all quite funny. Characters like William Dorrit and Flora Finching, however, who would have been funny in earlier books (eg, Wilkins Micawber and Dora Spenlow in "David Copperfield" it can be argued, are younger - and more romantic - versions of Dorrit and Flora) are only pathetic in this one. It is a sign of the change in Dickens that he can no longer see the lighter side of these characters.
BTW, there is another little joke for those versed in Victorian Lit. The comedic couple Edmond Sparkler and Fanny Dorrit are a play on an earlier couple, Edmond Bertram and Fanny Price in Jane Austen's "Mansfield Park". The joke is that Dickens has taken the names and inverted the characters. Fanny Dorrit couldn't be more different than Fanny Price, and likewise Edmond Sparkler and Edmond Bertram. I'm sure this is not an accident. Dickens had a thing for the name Fanny, using it for two of his less appealing "temptresses", Fanny Squeers (in "Nicholas Nickleby") and of course Fanny Dorrit. Funny stuff.
And speaking of Fanny Dorrit, I have one last comment. It is often said of Dickens that he couldn't create good female characters. This puts me in mind of Chesterton who related a similar complaint made by Dickens' male contemporaries that he couldn't describe a gentleman. As Chesterton deftly pointed out, however, what these gentlemen really meant was that Dickens couldn't (or wouldn't) describe gentlemen as they wished themselves to be described. Rather, Dickens described gentlemen as they actually appeared. I might say the same thing about the women who complain about Dickens' female characters. It's not so much that Dickens couldn't (or wouldn't) describe good female characters. Rather, it's that the kinds of characters he did describe aren't the ones the complanaints wish to see. Women praise the Elizabeth Bennetts of the book-world not because the real world is full of Liz Bennetts (it's not), but because that's the way they themselves wish to be seen. Truth is, however, there are far more Fanny Dorrits and Flora Finchings and Dora Spenlows than there are Liz Bennetts. The women who complain of these characters, though, would rather ignore this unflattering little fact. Whatever. The truth will out, and there's far too much truth in Dickens characters to be so lightly dismissed.
4 1/2 stars
Yes, the novel does drag from halfway to the three quarters mark; but what 900 page Dickens novel doesn't? When you read Dickens, you should expect that. It is during that time that he typically starts to resolve many of the issues raised in the first half and also sets up his exciting finale. While the finale of Little Dorritt is not exciting in the Hollywood sense, it is very fulfilling.
The major theme that spans the entire work, something I haven't seen others discuss, is that of Old Testament vs. New Testament thinking. It is the Old Testament thinking of Arthur's mother that keeps her in her wheelchair. It is only when she gets a dose of New Testament thinking from Amy Dorritt that Arthur's mother walks. Dickens was a Unitarian who had a strong belief in the redemptive power of Christ. While he often ridiculed both the Church ("They won't come.") and religious hypocrites (Borriohoola-Gha in Bleak House), it is through Little Dorritt that he presents this redemptive power. Entertainment becomes a treatise on right living.
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"This little piggy went to the market.
This little stayed home.
This little piggy had roast beef.
This little piggy had none.
And this little Piggy cried, "Wee wee wee," all the way home!"
This fun detailed book is wonderful for all ages of children. It is very cute and will give you a good laugh at the end. I promise that you will enjoy every little part of it, because I did, and I know you will too. This is a very exciting book that children of all ages should read. I loved it.
This is a roll-on-the-floor-and-giggle book that my kindergarten class adores. I save it to read at special times -- like the end of the day or right before recess -- because the kids literally roll around laughing at these short-and-silly stories based on the familiar "This Little Piggy Went to Market" rhyme. Clever, cartoonish illustrations add to the fun-and-games flavor of this book. Highly recommended.
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Written by Laura's adopted grandson, LITTLE FARM can not quite capture the magic of Laura's style, for a biography can never be as vivid as actual memories. Fortunately the family resemblance remains. True, there is less excitement and action in this book, but then, one can not reinvent someone's real life merely to increase the dramatic content of a book. Perhaps the midwest was more tamed by 1895, when Rose won her special prize. We also wonder whose side MacBride champions, when we recall the bitter, posthumous feud between Rose and Laura (advocated by her literary admirers) over authorship of some of the books.
Still loyal LITTLE HOUSE fans will appreciate this latter-day glimpse into Laura's married life. We understand that this is Laura's last move--she yearns to put down roots somewhere, even far from De Smet, Nebraska. Her home at Rocky Ridge still exists and is open to the public as a museum and literary mecca. The simple story unfolds about a young girl meeting the challenges of life on a new farm and in a new, town school. The book appears thick, but it reads quickly. The family values and pioneer virtues are timeless. Read this book to learn why Rose's parents have two reasons to be proud of her. She herself has two reasons to be proud: our beloved Laura (Bess) and Almanzo (Manly), whose own childhood is preserved in my favorite LH book, FARMER BOY. This story will appeal to preteen girls and all LITTLE HOUSE fans. (Will MacBride continue the saga until Laura's death, thus forever dropping the curtain on the Wilders?)
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