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The book is impeccable stylistically and intellectually, and the thorny issue of Polish-Jewish relations is penetrated with honesty and insight. The people interviewed and depicted in the book are -- well, simply, REAL.
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His main character -- the 'old man' of the title -- is very much a loner in his village, on a river on the verge of the dense Amazon jungle. He has experienced much joy and sorrow in his life -- and he has been sensitive enough to learn from what he has seen and felt over the years. He is just literate enough to read the love stories he adores so much -- he has to sound out unfamiliar words repeatedly, savoring them, until he feels comfortable with them. His life has given him the wisdom and patience to give them the attention and respect they deserve -- and he views the world in which he lives, with all of its plants and animals and indigenous people, with the same healthy and reverent respect. It's too bad the same can't be said for the other settlers in the village -- or in most people in the world, for that matter.
The old man is very friendly with and knowledgeable in the ways of the Shuar Indians, who inhabit the forest -- he has even lived with them at one point in his life. His knowledge of the natural world makes him very valuable to his neighbors when a female ocelot goes on a killing spree -- he is pressed into service to hunt her down and kill her.
His thoughts on his world -- and the people around him -- are gently but convincingly communicated by Sepulveda's beautiful writing. This is a novel to savor, word by word -- much as some of the works of Gabriel Garcia Marquez and Carlos Fuentes. It contains so much more than this slim volume would indicate at first glance. It's a wonderful read.
Hugo Weaving plays the Dentist and puts in a superb performance.
Filmed on location in French Guyana, the director has succeeded in creating a film that, thanks to an excellent cast, is full of originality and humor, which leaves you with plenty to think about long after you leave the theatre.
At this stage it is unclear what sort of broad release this movie will see, so ask around and lobby for it.
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Guralnick's thesis seems to be that Southern Soul achieved its great creative flowering in the 60s as a result of the partnership between black and white musicians, and even though he interviews a great number of musicians and businessmen - black and white - he can't help himself from empathising with the young white hipsters that made up the house bands at Stax and Muscle Shoals, with the result that the book becomes very much a story told from their point of view (Guralnick calls Dan Penn the "secret hero of this book" - fair enough, but surely James Brown should have been its overt hero). After these white musicians were intimidated out of the business during the racial tension that followed Martin Luther King's assassination in 1968, Guralnick concentrates more on the politics and seems to lose interest in the music itself.
Which is a great pity, since Southern Soul in the 70s went on to even greater heights (James Brown's rhythmic revolution, then Al Green's great synthesis of the sexual and the spiritual). Though I learnt a great deal from the book (my CD collection has mushroomed after reading it) it felt to this reader as though the book had ended just before its real climax.
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A year ago when I had access to an aggregate news group I looked up Mr. Conlon - he's apparently a broken man, unable to adjust to the outside life, broke, wishing he were back in prison. Has he been vindicated by the English Courts? Has he had any recompense? Do the families of the Guildford Four accept his innocence? I'd like to know who the victims are here.
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aloha Jim Mellanis :-)
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While the story itself is good, it is the luminous illustrations that elevate this book beyond the horde of mundane children's fare out there in the marketplace. McCarty's monochromatic drawings look remarkably like infrared photographs - everything seems to glow with life. The softness in the illustrations makes them seem as if they floated out of a lush dream. And that little bunny is just as cute as cute gets, too.
Endearing and beautiful. A worthy addition to any child's library.
A brilliantly illustrated and written picturebook for young children. The drawings, made from watercolor and colored pencil, are among the most striking and visually appealing I have ever seen in a children's book. This book may likely become a collector's item for its simple but genuine story and superb illustrations.