Its major strength is the integrated approach: Sherman Lee organizes the book chronologically and thematically, rather than geographically. Instead of writing a section on Chinese art and a section on Indian art, Lee organizes his material by stage of development (Stone Age pottery) or by cultural movement (Buddhism), for example tracing the development of Buddhist styles in India, the adoption of those styles in China, Japan, and S.E. Asia, and the eventual synthesis of the Indian influences into local styles incorporating indigenous themes. Lee writes eloquently and even passionately about his subject, letting us know which cultures, styles, and artworks he admires. He covers a vast amount of cultures and time periods, easily enough material for dozens of books.

The book does have significant flaws, however. Most frustrating are the black and white photos (presumably a cost-saving measure). Roughly 90% of the images in the book are black and white, and they cannot do justice to most of the subject matter. A second weakness is Lee's writing style, which is sometimes more eloquent than comprehensible. At times I had to reread a section several times in order to figure out what Lee was trying to say. He sometimes seemes to be addressing himself to an audience of art critics who are already familiar with the material, rather than students encountering it for the first time. He will tell us that a particular art work is hieratic in style, or is an example of Daoist style, without explaining why. Also the thematic, rather than chronological, approach means that some topics are fragmented into parts of different chapters. The material on Korea, Southeast Asia, and the Tang Dynasty seemed especially disjointed. The sections on China in particular need more development: Lee provides only a single page of text on the historically pivotal Qin Dynasty, and does only a fair job explaining the influences of Confucianism and Daoism.

One alternative text that deserves consideration is The Art of East Asia, edited by Gabriele Fahr-Becker. Almost of the photographs are in color, and the text is both more comprehensive and more comprehensible than Sherman Lee, in particular the section on China. The text is written by several different authors, one for each region, which has both advantages and disadvantages -- it avoids the fragmentation of Lee's approach, at the expense of integrating it all into one consistent framework. The key disadvantage of The Art of East Asia (compared to Sherman Lee's History of Far Eastern Art) is that it doesn't include India, which contributed some of Asia's most impressive sculptures, and whose religions had tremendous influence on the rest of Asia.

I was required to use this book as a secondary text for a class on early Asian Cultures at NYU. Along with the material presented in class, this book provided great insight into basics of the Asian culture.

This rather heavy book is perfectly organized chronologically and geographically. It provides great graphical supplement to the study of early Asian art. Many artifacts are portrayed, most with detailed description of their history and origin.

I enjoyed my class greatly and this book provided great help to understanding Asian art. If you are a person who prefers visual aids rather than tons of text and would like to learn the basics of Asian art, I highly recommend this book. The photographs are excellent, and more often then not, actually motivate you to reading the descriptions of the portrayed objects. This book will not make you an expert on Asian art, but you'll be able to schmooze your way through at pretentious cocktail parties without any effort.

The story line was very gripping, a real page turner! Richard is a very natural story teller and I look forward to more tales from this creative novelist!

L.A.Mackay

Richard Laymon leads off with the title story, "Triage". He takes the most straightforward approach to the subject matter, with a grim tale of Sharon, a woman trapped in an office building with the madman who just killed all of her co-workers. Laymon hammers the reader with all manner of grotesque, twisted doings, so faint-hearted readers might want to give this a pass. The more daring reader will find Triage to be a fast-paced walk on the dark side; Laymon makes his heroine too real for this to be chalked up as mere exploitation. I actually had a few moments where I was afraid to find out what was going to happen to poor Sharon next....Now how many books have YOU read lately that got a reaction that visceral out of you..? Laymon was one hell of a writer, and I'm sorry I didn't discover him until after his untimely death. He left a great legacy behind, though....

Edward Lee's story also stars a heroine named Sharon, but his take on the subject couldn't be more different. "In The Year Of Our Lord: 2202" takes place in outer space, aboard a ship bound for a top-secret destination. Lee quickly gets away from the book's theme, and spins his story off in a totally different direction, effortlessly combining theology, sci-fi, and horror into a gripping, fast-paced tale. I'm generally not much of a Sci-Fi fan, so for Lee's story to grab me the way it did is really a neat trick. I was absolutely floored by the ending. This is a must-read.

Last, but not least, is "Sheep Meadow Story", by Jack Ketchum. It's the shortest story, and although I liked it a lot, I thought it was the weakest one due to it's far-fetched ending. It's a more down-to-Earth story than it's companion pieces, but it manages to be funny, creepy, and touching all at once. Ketchum is clearly a VERY talented storyteller.

The book is part of a limited-edition of 1500, signed by Ketchum & Lee, and Editor Matt Johnson. (Richard Laymon passed away before publication.) As you would expect from the always dependable publisher, Cemetery Dance, the book is just gorgeous. The only problem is this: Stories of this caliber deserve to be seen by more people than this limited-edition could possibly reach. In a perfect world, these three Authors would be topping the best-seller list....

This is how the three stories of Triage begin. But what follows this differs greatly from one story to the next. The three masters of independent horror - Lee, Ketchum and the late Richard Laymon - each tell their own take based on this scenario.

Laymon's tale is dark and disturbing; the story becomes a race for survival as the killer chases after the heroine as she tries to find a place to hide in the building where she works. Lee's take, although fun and different, is a bit over the top and a little too long. He decided to bring his story to the year 2220 and sets in a a spaceship that just happens to be on a Godly misison.

The real reason to get this book is for Ketchum's take, which is called 'Sheep Meadow Story'. It takes the reader through a very realistic nightmare, where a down-on-his-luck man tries to make sense out of his disturbed existence. This story alone is well worth the price of the book. Another great story from an amazing, underrated writer.

This book is a great one for any horror fans. It has it all! I was greatly pleased by it and I know this is one book which I'll want to read again and again.

If nothing else, it's a good book to carry around - a great conversation piece and ice breaker. Heh, get's people talking every time!