This was one of my favorites as a girl, and now my 3-year old son loves it too! He has an active imagination and just feeds off of great books like this. We had a new refrigerator delivered this year and my son was so excited to turn the box into a castle like "Christina Scatterina" (as he pronounces it). When I looked for the book on Amazon I was elated to find that there is a whole series of Christina books that I never knew about!

This book was so special to me as a little girl and I am now reading my worn out copy to my 3-year-old son, who loves it too! This year we had a new refrigerator delivered and my son couldn't wait to turn the huge box into a castle like "Christina Scatterina" (as he pronounces it). This is a must-have for your child if they love exploring their imagination. I went on Amazon to see about getting a new copy and was surprised to find that there is a whole series of Christina books!

Christina Katerina and The Box was a favorite of my son twenty years ago. Now that my grandson enjoys books, I wanted to share his uncle's favorite book with him. I was pleased to find it readily available on amazon. It is a book that stretches a child's imagination. Your children will want to read it over and over again.

There are lots of good books about Art Deco as an overall art style but Patricia Kery seems to have corned the market with this title covering graphics. Large size, 320 pages and with 476 illustrations it will most likely be the standard reference for many years. The first chapter, 'Foundations of Art Deco graphic style' is a lucid explanation and the following chapters (printed on light mauve paper) expand on this excellent start. The illustrations are fortunately printed on glossy white paper.

Good as the book is though I was rather disappointed with the presentation. All of the spreads with several pictures have them deliberately unaligned and where there are only two images to a page they are usually the same size with a lot of white space and I mean a LOT. I think one of the images should have been big and the other smaller, thus reducing all the white space to a minimum. Typography on the mauve text pages is a mess, various sizes are used and the caption size is really too small. The left-hand page numbers are on the inside of the page next to the books spine, this seems a silly bit of designer whimsy.

The book is very comprehensive and rightly shows how the creative output of mostly European artists was used commercially. For an American perspective have a look at this beautifully designed paperback, 'Streamline: American Art Deco Graphic Design' by Steven Heller and Louise Fili. This has excellent illustrations showing how the style was adapted (those famous three speed lines) by American creative folk to sell products rather than a European fine art genre.

Art Deco Graphics is about graciousness of form. An unmatchable book that can be read five, ten times and still sift up new baubles. Brief-lived, yet timeless, like the then-young artists' cheerful way of navigating into the future using no compass or ancestral guidance. Like office girls who adored the little black dress, but were informed they could liquefy, rather than dump, themselves, into it, and so did.

The drifting directionlessness of France in the 1920s when film and poetry were all but the same thing, a nostalgia for what always is because it never was. It was time for something new.

New . . . and yet . . . more: Modern. Diverting. Striking, startling, disharmonious, direct. Everyone saw the need: Art of street to challenge art of salon. A merger between middle-class decorative taste and the revolutionary's love of the outré, the young artist's love of the avant-garde, the liberated career woman's preoccupation with the suave and the elegantly insolent. By the time the 1925 Exposition des Arts Décoratifs et Industriels Modernes opened in Paris, the masters of modern art-Picasso, Braque, to skim for the moment the mythic cream, Klimt, Léger, Kandinsky, Magritte, Modigliani, Duchamp, Ernst, and Toulouse-Lautrec-had already transformed the fine arts. There seemed no new territory to explore.

Then the newbies discovered graphic arts.

There was no "Art Deco" then. Indeed, that appellation was not used until 1966. But artisans embracing a handful of ideas loosely bundled as "Style moderne" borrowed bits from Cubism, Russian Constructivism, Italian Futurism, the Vienna Secession, Bauhaus, then added techniques of their own: abstraction, distortion, oversimplification, geometric solidities reinforced with intense colors. They used these to celebrate the rise of commerce, technology, and (thanks to the auto and airplane) speed. The ensuing volcano spewed simultaneous views from several directions: hypercontrasts of color and arrangement, transformations of reality, personality, eccentricity.

These inspired a new kind of fine artist, the illustrator. Names like Cassandre, Jean Carlu, Herbert Bayer, and McKnight-Kauffer began to turn up not merely on posters, but magazine covers, stationery design, advertisements. A kumquat of Orientalism was squeezed out of Diaghilev's sensational Ballets Russes. American jazz, native American and African art, Egyptian glyphs, these too. And above all the discovery of personal power in the power of machines. All these contributed to an aesthetic confluence from which has flown the sociological art theme of our times: graphics, commerce, private purpose, public event, and social attitude are all immersed in one. Art Deco Graphics is like looking at the wedding pictures of one's grandparents.

Almost all these images are standouts, but a few are unsettling, and breathtakingly so. On page 89 is an ad for Herkules Bier "aus dem Hasenbrau-Augsburg." The sinister, leviathanic, muscle-bound, fist-clenched figure uses one of the hallmarks of Art Deco-deep shadow to enhance contrast-to convey a message as self-contradictory as it is threatening: Drink this and it won't go to your belly, it will build the muscle of Germany. Rage is power,too.

That was 1925. Five years earlier Ludwig Hohlwein design an ad "Tachometerwerke" for a Düsseldorf maker of the eponymous instruments to clock engine revs. The vehicle, with its riveted sheet metal body and upjutting phallic levers for gears and brakes, all done in a dark drab befitting military maneuvers in the slime, is not a Gay Paree streamlined beauty with chauffeur and mink-trimmed consort. It is a tank. The vehicle alone says, "We're coming, out of the way." But it is the driver who truly frightens. Garbed in the thick leathers of automobiling at the time, gloved hands gripping-no, choking-the wheel, his face is of such grim, hating, enraged determination that one cannot think of similar malevolency in all of art history except perhaps for Meiji-era Japanese prints extolling the glories of battle. Even in 1920 the omens were shrieking, and by 1925 they were building muscle.

Yet for the most part Art Deco was sweetness and elegance, if not light, and a kind of innocence during the days when modern commercialism was being established. One can see editors exploiting inner fears on behalf of ad sales even then: the Vogue and Vanity Fair covers depict improbably slender women draped in the silks and furs of unattainable wealth, their eyes of steel willing and able to stare down an amorous tycoon (page 143). Book publishers were right alongside them: A book cover by a designer pseudonymed "Fish" (in reality the British caracaturist Ann Sefton) proclaimed, "High Society-Hints on how to Attain, Relish - and Survive It; A Pictorial Guide to Life in Our Upper Circles." Powerful "Fortune" covers (whose ultra-simplicity and unusual view angles could inspire cinema students even today). They also were the days when "Fortune" had taste: A 1941 cover was graced with a Fernand Léger graphic.

which is the german title to this book. We bought a copy in Dinkelsbuhl. This is a retelling of a legend of how the children saved the town from invading swedes (sometime in the middle ages). The illustrations are classic dePaola. The message is to stand up for what is right no matter how much the underdog you are.

Now this is a way nifty book. I got it from the large Catholic family up the street for my eighth birthday and I still have it. Lore is one of those fabuluous precocious kids that are the bane of their second grade teachers. She lives in a little German town called Dinkelsbuhl which is lovely and full of decent folk. Lore has a father who is slightly gruff and overprotective and a cat named Hans. (She also, aparantly, has a sewing basket, but she doesn't seem the sort of girl to use it.) So, that's Lore. The other major player here is The Captain, not named, who goes around burning a pillaging lovely little German villages. Inevitably, these two meet up and the result is one of my favoritest endings ever. It also features gingerbread (I have a personal thing for food in childrens' books) and great pictures by Tomie DePaola. A winner.

I teach kindergarten, and my students have read all the books about Mrs. Wishy-washy and her animals. This book has the same fun, joyful tradition of the other stories. The children's immediate comment was "Read it again!". One child wanted to write to Joy Cowley to see if she was going to write another one. This book is a winner.

I have recently purchased this book for my 2 year old and she cannot put this book down. The pictures are wonderful and full of color. The pictures are so big and the story plot is not that long so that for non readers it is just great and lots of fun to read. Suggestions, make noises as you read the few lines and have them call out and descripe the colors and animals seen on the pages. I truly recommend this book because most importantly my daughter loved it and I loved seeing her face.

This book is an amazing way to start off the new school year! I have used it every year since 1995 and have worn out one copy already!

There are reproducibles galore and samples of notes to send as well as practical guidelines to setting up YOUR assertive discipline plan.

The author relates her experiences without holding anything back.I applaud her for her honesty.I enjoyed her book a lot but at times I felt like a peeping tom.If Ms.Lee has written other such stories i would be interested in reading them.

This book and the two that follow this book are esquisite! The story line is both inspirational for children and awe-inspiring for them to listen to! The illustrations are divine! My 4 yr.old and two yr.old adore these books! We discovered them at the library and I had to purchase them immeditately!

I bought this book as a registered nurse that is fairly new to the critical care field, and the first night I had it, it came in handy. By reading a few pages before going to work about being a "detective" to find out the cause of changes in a pt's condition, I was able to avert a more serious complication. I enjoyed the narrative descriptions by nurses in various settings of the critical care field, how the situations were handled, and how they could have improved them. I highly recommend this book not only for the veteran nurse, but for all the new nurses out there!! It will better your thinking skills, and improve your care overall!!

This book is great for the Missouri traveler on a budget, or for homeschooling parents looking to add adventure to the school day.
Some of these would make great two or thre day weekends. The best book I have found for Missouri.

This book really amazed me! Facts that I thought were truly facts were not! For instance, I wonder how many people know that there is no Congrecional Medal of honor, or how about all all the women that have fought in wars, but never mentioned in history books? A great read!!!