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Doug Henderson's moody, atmospheric paintings bring these scenes to life. Robert Long, formerly park paleontologist at Petrified Forest, assures scientific accuracy. Veteran natural-history writer Rose Houk brings polish to the text. McQuiston, as usual, provides an elegant book design. This is a beautiful book. It would be a fine companion for (or memento of) a visit to the Petrified Forest, and a nice gift for a dino-lover. Highly recommended.
The text is accurate and precise without ever obtrusively presenting theory as fact. This book will age well as future discoveries further refine or reshape our view of the world at that time.
The pencil (charcoal?) and pastel drawings are scientific illustration at its best, with just enough art and dynamic enhancement to make you feel like you really are skipping nimbly around 20 foot phytosaurs, or swimming with freshwater sharks through prehistoric logjams. Each full page drawing is explained by a facing page. Scale and perspective change early and often, leaving you eager to turn the page for the next visual diorama.
The layout is clean and visually elegant, the text easy on the eyes, and the illustrations are easily seen in light from any angle against the high quality semigloss paper.
I have had this book for ten years now, and I still frequently pick it up and let myself drift backwards in time with it until I am rocking gently in warm clear waters in a far prehistoric time. This is truly a first class publication by the Petrified Forest Museum Association. The authors and Museum Association are to be commended!
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For the record, I am educated, very interested in archaeology, but not a professional archaeologist. I found this book to be clearly written and informative, but not overwhelming with abstruse detail.
Content-wise, these bronze heads and masks are weird and wonderful, alien, unlike typical Chinese bronze finds--unlike anything else in the world really. Somewhat reminiscent of Aztec or Olmec heads. The composite bird-human figures are intriguing, the google-eyed-trunk-antenna human(?) masks totally awesome.
I would have liked more definite identification of "core-materials," types of stone, and black paint (on eyebrows and eyes of masks and heads) more maps to show where the gold, lead and casting materials came from. It would be really interesting to see a map showing possible related art styles/influences to the Sanxingdui site (text p. 32).
The photography is brilliant, and the adjacent, clearly drawn illustrations of different views and details of the objects are terrific. The layout of the text and illustrations: with notes in the second column, diagrams, and photos all together on the same spread makes it easy to get all the information. (No flipping back and forth to the back of a book for details and asides.)
I would love to see a publication relating what was happining in adjacent contemporary culures to the Sanxingdui bronze head culture. For instance, did any army have headgear similar to the bronze head on p. 95? Is there nothing left of the material that was slotted through the back of this and other heads (dna analysis?)?
All in all a great book.
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'The mind grows always by intercourse with a mind more mature than itself.'
Temple's writing has been instrumental in giving shape to Anglican theology, which, as the 'official church' of Britain and many parts of the British Empire, also influences the theological directions of many other denominations.
'The whole case of religion, through all ages, is that it is a venture, a quest of faith.' Temple argues that to have direct, concrete and verifiable certainty of the reality of God negates the spiritual merit of faith. Faith in an Ultimate Being, of ultimate good and compassion and mercy, is central to the Christian faith, and has parallels in most other religious constructs, even those officially or notionally polytheistic.
'Faith consists so far in the determination to live and to think as if this thing were true, and to find how far we can solve life's problems by the use of that hypothesis.' This becomes the essential question in practical theology. If there is a God (if we have faith that there is a God) what then must we do? The Christian answer to this is a surprising one, given the nature of God in the Christian concept.
'The Christian conception of God begins with an exaltation of the Divine Majesty, the greatest the mind can conceive, but when the greatness and the far-reaching power, might and authority of God exhibit themselves in man, it is by washing the disciples' feet.'
The fundamental call of God, for Temple's theological construct, is the call of service to our fellows. Temple was living and writing in the post-Victorian world, in which the comfortable stability of culture, society and morals had been shaken by the first World War and the quickening pace of technological advance, urbanisation, the beginnings of post-industrialism, and a reassertion of an accepted skepticism and diversity in most human endeavours. 'Nothing comes under this new criticism more fully than everything which might be regarded as a moral convention.'
Temple espouses a strong moral code that is rooted in eternal truths, one that is nonetheless flexible enough not to be dismissed and ignored by current culture.
Temple explores the role of the church, the role of sacraments and prayer, the relevance of common Christian symbols and the activity of the Holy Spirit in this short book of lectures. Clear and concise, practical and spiritual, this brief book outlines a compassionate and full theology that is as fresh and vital today as it was when first formulated in the inter-war period. High on practical application and usefulness, the scholar may find some rigour missing here. Temple, however, took his charge, as a cleric to be an educator, seriously, in this and other writings.
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Blake's book is the best one on the subject of Benjamin Disraeli. The complex story of the novelist turned politican is brought out in all of its facets. Disraeli was probably one of the most interesting people to be prime minister (after perhaps Churchill and Walpole) and Blake's book shows the reader how he did it.