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I read the introduction thinking "Yeah, this guy has a point. We need to communicate with our teens and solve problems individually." Unfortunately the book then proceeds to portray adolescents as irresponsible, immature creatures who can be classified according to ten undesirable attitudes and behaviors.
When we learn to respect our teens the way they are instead of putting them in categories, they will have fewer "problems" with parents, peers, and society in general. And books like this will no longer sell.
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First, Nostradamus-- I'll admit that I'm more or less uninterested in the prophecy side of the verses. I was interested in reading them for their historical value. As such, it's a great read. Through the verses, you get a look at the period's preoccupations-- who is named pope, the future of France, alchemy, and the desire to distinguish prophecy from astrology. Nostradamus has had an enduring impact on writing since he put his prophecies on paper, and you can trace that legacy here from the original verses.
The commentary-- Henry C. Robert's interpretation taught me more about World War II than anything else-- he seemed determined to prove that a disproportionate number of the verses referred to the second World War. Probably unsurprising, given that he first wrote his interpretations in 1947. However, he stretched so hard to fit the words to his ideas, that it unfortunately made me suspect his translation. I also could have done with more of an effort for establishing on what basis he was assigning some of the meanings (explanation of period symbolism, the alchemical references, etc.).
If I get a chance to buy another translation version and compare, I probably will.
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"Blessed are they which are persecuted for righteousness' sake: for theirs is the kingdom of heaven. Blessed are ye, when men shall revile you, and persecute you, and shall say all manner of evil against you falsely, for my sake. Rejoice, and be exceeding glad, for great is your reward in the heavens."
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Case studies were instructive, picture quality is not that great
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As might be expected, in view of Ziring's credentials, the 'textbook' is written with a consistently proUS, and generally anti-UN bias. It tends to downplay the UN's effectiveness, it attempts to demonstrate that all issues must be resolved within the context of political realism, and it implies on every occasion available that regional alternatives are to be preferred over the UN. These leitmotifs are pervasive throughout the book, with the exception of a few small patches of optimistic idealism, remnants no doubt of the second edition which Ziring failed to purge.
The biases of the book are nevertheless put forth with subtlety. When Ziring writes of the US refusal to pay its back dues to the UN, for instance, he refrains from ever using the word "refuse", opting instead for evasive locutions such as "reductions in the U.S. contributions were made necessary by subsequent congressional action...." Relative space allocations are used to forward the political agenda as much as the normative commentary: e.g. the Inter-American Commission on Human Rights is given more space than on the UN Human Rights Commission, and in the entirety of this 552 page book, there are only about two or three pages-worth of information about UN environmental initiatives. In terms of security issues, the UN is portrayed as a last ditch recourse which should normally defer to 'more effective' regional organizations such as NATO and the OAS.
As an example of sophisticated pro-American propaganda, this book is high quality; as a textbook for studying the UN, however, it can only be recommended to those in search of a tool for undermining the organization's legitimacy.
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Unfortunately, Arrington's performance in this novel is lackluster at best. It was like watching a movie and wondering why a particular actor was cast for the part. Luckily, most of the other characters were well-cast and interesting and added life to the story.
In addition to crime-solving, Stone engaged in a little womanizing in this book. However, that didn't bother me especially since under the circumstances, I saw no real reason for him not to. In fact, that helped liven up the story.
If you have time to spare and just happen to like Stone Barrington, then go ahead and pick up the book. It is a decent read, it's just not great. If you've never read Wood's work, start with something else so you can appreciate the writer's talent before giving up on him just when you're starting.
As LA DEAD opens, Stone Barrington and his friends Dino and Mary Ann Bachetti are on their way to Venice where Stone, who had not heeded Dino's advice where Dolce Bianchi is concerned in WORST FEARS REALIZED is all set to take his first plunge into marital bliss. After the Italian civil ceremony, but before the Catholic church wedding, Stone receives news that his friend Vance Calder, husband to his former love Arrington has been murdered at his home in Beverly Hills, CA. Everyone in the wedding part encourages him to fly to California and he immediately does so.
Trouble begins shortly after Stone arrives in Los Angeles. It is fairly obvious that Arrington, Vance's widow will be charged with the crime and Stone makes immediate preparations for her defense, as well as the handling of Vance Calder's huge estate. This plot twist is predictable, but Stuart Woods lays the groundwork well and carries the story line through to a less than logical conclusion. Along the way, he injects all of the little plot twists the Stone Barrington stories are known for. Fans of the Stone novels will NOT be disappointed with this latest installment.
All of the other features that Stone fans have come to know and expect are also present. As usual, Stone makes his way effortlessly in the world of the rich and beautiful. For a man raised by two extremely left wing parents, he has no trouble at all dealing with the trappings and material things that come from wealth. While he may not be a right wing Republican, it is obvious that Stone is comfortable with and accustomed to all of the good things that money can by. Stuart Woods keeps that part of Stone's character consistent and LA DEAD is no exception.
Despite the fact that Stone has married Dolce Bianchi in a civil ceremony, her erratic behavior after he leaves Venice to help Arrington forces him to reassess his relationship with her. His decision regarding the relationship and the marriage itself will come as no surprise to Stone fans. In addition to his reappraisal of his short marriage, Stone must come to grips with his feelings for Arrington. After Vance Calder's death, that door is once again opened and Stone must decide whether to reopen a part of his life that he once thought was lost. How he deals with all of the decisions he must make throughout the story is what makes Stone such a fun and interesting character to follow.
Because almost all of the significant action and drama takes place in California, Stuart Woods again exposes his readers to the the lifestyles of the "rich and aimless." He does a yeoman's job of detailing the sordidness behind the glitz that makes up the showbiz community. In doing so, and despite his confusion regarding Arrington and Dolce, Stone again gets to show his propensity for "musical beds." LA DEAD proves once again that fidelity is not one of Stone's long suits. His handsomeness makes him a natural target for beautifil women and in this chapter in the "Stone Barrington Saga," Stone's ability to bed the most desirable women on the planet continues unabated.
I often wonder whether Stone has a conscience, especially when he professes to love Arrington. In any case, his carnal behavior looms large in this book, as it did in all the others before it.
Like all of the other Stone stories, Stuart Woods paces LA DEAD at a breakneck speed. These books are very hard to put down and I read this one in one over night sitting. Mr. Woods' prose style is spare and long on dialog and conversations. He uses description of legal, police and other procedures only when necessary. That ability is what keeps the stories moving forward at a quick pace. I'll bet it's one of the things his readers like best; that he doesn't bore them with arcane detail and trivia about locales or his characters.
As this book ends, Stone receives an unexpected surprise and it was I twist I didn't see coming. Once again, Stuart Woods has left himself an easy opening for another Stone Barrington thriller. I look forward to it with considerable anticipation.
I have one recommendation to other readers before they read LA DEAD. If you haven't read WORST FEARS REALIZED first, do so. Much of the groundwork re: Stone's relationship with Dolce Bianchi starts with that novel and reading it first will provide the natural continuity for LA DEAD.
As Stone begins to investigate the crime he will uncover enough dirt on the so called friends of Vance to send half of L.A. to jail, and he will be forced to confront the feelings he still has for Arrington.
Not far behind is Dolce, the new Mrs. Stone Barrington, who wants her husband back home with her.
Stone, under the impression that his marriage is not legal, must clear Arrington of the murder charges, put an end to his marriage while keeping peace with Dolce's mafia connected father, and catch the real killer.
L.A. Dead is another winner from bestselling author, Stuart Woods; the pace is fast, the plot exciting, and as always the novel is peopled with colorful characters.
Mr. Woods doesn't disappoint with this Hollywood mystery...his legion of fans will no-doubt enjoy the latest entry in the Stone Barrington series.
Nick Gonnella