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In this volume one of my favorites is HYMNS IN A MAN'S LIFE. It starts "Nothing is more difficult than to determine what a child takes in, and does not take in, of its environment and its teaching..." Later, "...Love is a great emotion, and power is power. But both love and power are based on wonder. Love without wonder is a sensational affair, and power without wonder is mere force and compulsion. The one uiniversal element in consciousness which is fundamental to life is the element of wonder."
And consider D.H.L.'s insight into scientific research when he says: "Even the real scientist works in the sense of wonder. The pity is, when he comes out of his laboratory he puts aside his wonder along with his apparatus, and tries to make it all perfactly didactic. Science in its true condition of wonder is as religious as any religion..." In my work as a scientist I find this to be very true. The little hints, the inspiration, the hunches, the dead ends...none of these is acknowledged as one tries to make the result of the investigation perfectly logical.
He goes on to talk about his religious childhood and how it carried over into his adult life. Hear his recollections: "...I liked our chapel, which was tall and full of light, and yet still; and colour-washed pale green and blue, with a bit of lotus pattern. And over the organ-loft, 'O worship the Lord in the beauty of holiness,' in big letters."
D,H.L. had a rich background in the Bible, and it entered many of his works. The book APOCALYPSE is devoted in its entirely to the analysis of the Book of Revelation. An essay in the initial PHOENIX is titled "On Being Religious". His religion developed beyond the usual Christian dogma, and he gives top billing to The Holy Spirit.
The last two essays in PHOENIX II are titled: "On Being a Man", and "On Human Destiny." very provocative titles.
I have touched on the element of religion because D.H.L. usually is not associated with "religious" thoughts. A vast variety of other subjects are treated in other essays, as well as the full text of his novel MR NOON.
This book is one of my treasures!
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As Brother Lawrence says, "Lift up your heart to Him ... the least little remembrance will always be acceptable to Him. You need not cry very loud; He is nearer to us than we are aware of."
And so, the practice of the presence of God is to simply think of him often. As Brother Lawrence says, your friend (God) is always with you. Why would you cut off conversation with God when you would not be so rude to another person.
I enjoyed this book. It takes maybe one hour to read, but I have a feeling it will have a lasting impact on my life.
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"Gone" has all the best of Lehane: violence, grit, talk-tough dialogue and snappy banter (but not too snappy, as was the case in "Sacred.") The book is very dark, and the subject matter of disappearing children is not pleasant. Lehane never chickens out, he delivers the real, sometimes inhumane cruel world to many pages. And there are two long scenes, back-to-back, that are among the most exciting and intense Lehane has ever written.
If you like mysteries or crime fiction with an edge, or modern noir without the posing, Lehane is your man. Start with "Prayers For Rain" and work your way up to this book - you will be rewarded!
In a world long since inured to violence, both physical and psychological, Lehane has once again managed to puncture that shield and lead you to see the true nature of life as we know it. How he manages to do that while giving you a story that is heart-rending, incredibly funny and an edge-of-your-seat, page-turning, can't-stop-'til-you've-finished, don't-want-to-stop-when-you-have thriller is anyone's guess. But he does, and he does it better than anyone I've ever read.
Gone, Baby, Gone is, ostensibly, the story of the kidnapping of a young child. Our heroes Patrick Kenzie and Angie Gennaro are called in on a case they don't want to take. The police haven't found the child. All the publicity the news media has to offer hasn't found the child. Kenzie and Gennaro aren't sure they want to.
Once the plot really kicks in Lehane weaves in more strands than the Bayeaux tapestry to create the book that caused me to gush in such an unappealing manner. And I'm British, we don't gush easy.
One piece of advice, if you're new to Dennis Lehane, start at the beginning. Read his books in order, it's worth it.
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Inherit the Wind is a short and sweet book which not only makes a good point, but makes it quickly and clearly. This is something I can respect...after sorting out Jane Austen's mess of romantic words and snotty characters in Pride and Prejudice, it was a relief to say the least.
It takes place in small town called Hillsboro in Tennessee and revolves around a freethinking teacher named Bertram Cates who deliberately broke the law by teaching about evolution in his classroom. His trial becomes known nation-wide for both political and religious reasons. His lawyer is smart, practical but heartless Henry Drummond and the prosecutor is the likable Mathew Harrison Brady, both huge political figures. The trial erupts into a rude awakening for the ignorant residents of Hillsboro and changes the way they all think about the world.
It is one of only three or four required reading books I've managed to enjoy and this is why I recommend it completely.
The play freely adapts the details of history. The authors even change the names of the principal characters involved: Bryan becomes "Matthew Harrison Brady," Darrow becomes "Henry Drummond," etc. But the core events of that historic trial remain firmly embedded in the play.
"Inherit" is an excellent play that is very readable in book form. Lawrence and Lee write superb dialogue, and create vivid characters in Brady, Drummond, and the rest. The play is an effective satire of religious fundamentalism.
With the continuing efforts of religious fundamentalists to force their views on the general public (both in the United States and elsewhere), "Inherit the Wind" remains as relevant as ever. Highly recommended.
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Can anyone survive the fall from a twelve story building? Well they do in New York Dead. That's not the only surprise in the book.
Get the book and read it you won't regret it.
I have read quite a few of Stuart Woods' books. This is one of the best. Stone Barrington is a very appealing character. The book is quite suspenseful and a real page-turner.
The one negative is the narrator, Efrem Zimbalist. He uses the same voice for all the characters. This makes his narration rather dull. I have listened to many audio books and most of the narrators offer a variety of voices for different characters.
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Reviewed by Ashley Sutton
For hundreds of years, people have trusted the traditional way of training horses. This method uses beatings, pain, and suffering to break the horse's spirit and force him to obey. This practice was considered normal, but the consequences of "breaking" a horse this way are tragic. Horses lose their trust toward humans, and while many people are aware of this loss, it seemed that this was the only effective way to train horses. But one day, Monty Roberts went out into the wilderness of Nevada to watch the wild mustangs that roamed there. It was observing the herd's strict disciplinary procedures that brought Monty to noticing a pattern in the horses' behavior, a kind of "language." He called this language "Equus," and his knowledge of Equus helped him discover join-up, efficient, painless way to train horses. In The Man Who Listens to Horses, Monty Roberts tells of his childhood, his discovery of Equus and join-up, and of the many obstacles that stood in his way of sharing his methods with others. Now sixty-six years old, Monty "is squarely built, and at 240 pounds on a five-foot-four-inch frame, he is much heavier than he looks," says Lawrence Scanlon, who wrote the introduction to the book. His vision is impaired; he can only see black, white, and a wide array of gray tones. Monty grew up around horses, since his father was a well-known horse trainer. Throughout his childhood, Monty witnessed the cruel methods of breaking horses that his father used. His disagreements with his father were a main factor in what made his so determined to stop these methods. Monty's father was a firm believer in sacking-out, in other words, tying a horse up and beating him into submission. As Monty describes one horse being "trained" by his father, "The whites in his eyes are showing, the horse desperately tries to escape my father, and one eye looks back at him in fear and dread." When Monty tried to show his father his way of training, this turned into Monty's fate, too. For years, Monty was the subject of horrifying abuse from his father, and Monty never forgave him for the pain he caused in so many lives. Throughout the book, Monty tries to communicate to the reader that his talents with horses are nothing extraordinary. He has no special "magic touch," and no ancestry of communicating with horses. He just says that he has learned to "listen" to the horses he trains, and that this allows him to solve their problems with ease. He maintains that anyone can do what he does with horses if they'd just take the time to "listen." His book tells of the hard times he's had, and it shows people that the road to making a difference in the world is often a hard one. The Man Who Listens to Horses is an inspiring story about a man who never gave up on what he believed in. Anyone who likes either horses or just a heart-warming story is sure to enjoy this book by Monty Roberts. It shows the consequences of the trust between humans and horses being broken, and what we can to do to prevent this loss of trust.
It was hard to put this book down, once I started to read it.
As a horse owner and trainer myself, I am excited about exploring the methods described in the book and incorporating them into my training program.
I highly recommend this book to any horse owner interested in learning the language of horses.