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Care was taken to avoid over-sentimentality, in this assortment of loving reflections of dogs, celebrated here. These accounts are full of love, and are sometimes even funny - and we are thrust into the realization that perhaps that is the most wonderful kind of living memorials we can have for a beloved pet. Too often, we lose this perspective, while trying to keep from drowning in our own bereavement and sorrows.
Rather than being a collection of sad literary memorials Old Dogs Remembered is a joyful celebration of life with pets. This inspires healthy new points of view and adjustments to moving on into our new lives, without them.
Here we are treated to many different outlooks on how they permanently enriched the lives of their owners. Reading these heartwarming pages will broaden the understanding of each reader, concerning his/her own personal bereavement. Here, we are offered the collective wisdom of others, who reminisce on their honored pets. There is much to be shared and learned here, as well as enjoyed.
With so many different authors, one must appreciate that references and styles have changed drastically, through the ages. As an example of this, some might find the essay by the dramatist John Galsworthy to be interesting, but a bit troublesome to read. And, as with any anthology, there may be some accounts not everyone would appreciate. But all pet lovers will readily identify with the overall shared remembrances, here. This is a heartwarming collection, which can be enjoyed comfortably, in several installments.
There will be many an uplifting tear shed in its reading, and we suggest it for your reading pleasure.
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Gallant, Coulombe, and Goyette are the minds behind the monthly web-zine Quantum Muse, a particular favourite among internet denizens. This is the hip side of science fiction, fantasy, and alternative fiction -- a judgement that is borne out by Rebecca Kemp's sassy portrait of their Muse that graces the site and the cover of the collection. One look at that tongue-in-cheek graphic and you know in an instant that you are not setting out on your standard genre venture.
That's putting it mildly.
Take a look at Michael Gallant's offerings. "God Picks Up the Tab." Come to think of it, I'd say that title speaks for itself as well as Gallant's slightly twisted sense of humour does. The dry wit and fatalistic attitude of the narrator makes "Staring at Bruno, Waiting to Die" far more poignant than a quick synopsis could possibly convey. The story stands out as one of the most impressive selections in the book. "Alternative" tales would appear to be Gallant's true calling, outshining even his science fiction and fantasy in Quantum Musings.
Now, Raymond M. Coloumbe has a decidedly wicked and skewed way of looking at the world. What he sees is not like Gallant's view, or Goyette's, or yours, or mine. What it does seem most similar to is the way life actually is, if we had the guts to really examine it and see the truth for ourselves. Who really wants to dig deeper into something like "Government Myths"? If you're not going to appreciate the answer, Coloumbe points out, maybe you shouldn't ask the question. If "Death in Haiti" leaves you with one less thing to blame for your troubles, maybe you shouldn't venture there.
In the science fiction portion of Quantum Musings, Timothy O. Goyette's "The Swami of Time" is the showpiece. The interplay between the relatively human hero and the much more likeable squib is a priceless glimpse of the "odd couples" possible when we finally meet up with someone or something completely unlike ourselves. "Human Factors" takes an unflinching look at our all-too human characteristics. Only "The Wishmaker's Magic Box" hints that there might be some of us worth the trouble of saving.
Three different authors with their own styles and outlooks, but the joining is almost seamless. Like their quirky Muse, none of them takes life too seriously, or dismisses it too lightly. The combination makes for a captivating read and a thought-provoking after-read. Not to mention just barely whetting your appetite for more of the same...
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While it is of the most benefit to those engaged in formal academic study, it should prove insightful to most any reader with an interest in the subject matter.
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The characters Wayne and Peddiwell are wonderful, especially after they down several tequila daisies.
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The photographs from the author's collection, the army's files, the National Archives, etc. are worth its price. But the text, the clear delineation of the periods of Fort Building since 1794 in the US, and the differentiation of the periods, are so worth while.
Ray manages to be both terse, and pithy. It is a great tribute to any author to say that.
This is a MUST read for anyone interested in the subject, even one only interested in their own local Fort, and how it relattes to the defense plans of the United States when it was built.
There is NO better book to read on the subject. None.
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These essays are engaging and readable, informed and informative without being pedantic. There are anecdotes, too (about Riding, most notably, who is aptly diagnosed by Ashbery as "a control freak"). We notice that half of the authors are homosexual or possibly so, most either committed suicide or had a parent who did so, three were affected by mental problems, and the majority were ardent leftists (Riding being an exception).
To this reader, the two Johns, Clare and Wheelwright, are the most immediately endearing, and David Schubert's disjunctive colloquial tone does fascinate. Some of the comments about the gang of six do shed some light into Ashbery's curious methods: Clare's mucky down-to-earthiness and Beddoes' elegant, enamelled "fleurs-du-mal" idiom both being "necessary" components of poetry, in Ashbery's view. Some of Wheelwright's elastic sonnets have a Saturday Evening Post-type folksiness that is often found in Ashbery's own poetic inventions; Schubert's poems (in Rachel Hadas's words) "seem(ing) to consist of slivers gracefully or haphazardly fitted together." An aside: Look at the first two lines of Schubert's "Happy Traveller." Couldn't that be John Ashbery? About Raymond Roussel, whose detractors accuse him of saying nothing, Ashbery mounts an impatient defence that reads like a self-defence: "If 'nothing' means a labyrinth of brilliant stories told only for themselves, then perhaps Roussel has nothing to say. Does he say it badly? Well, he writes like a mathematician."
We learn that Ashbery is not fond of E E Cummings, and he is unconvincingly semi-penitent of this "blind spot": Cummings, with his Herrick-like lucidity, his straightforward heterosexuality, and his resolute nonleftism, would not appear to fit nicely into Ashbery's pantheon. Ashbery even takes a few mischievous swipes at John Keats -- rather, he quotes George Moore doing so. Ashbery will doubtless forgive his readers if our enthusiasm for the poetry of Keats and Cummings remains undiminished.
There is much in the poetry explored by "Other Traditions" that is dark and bothersome; but there are felicities. These lectures form a fascinating kind of ars-poetica-in-prose by one of America's cleverest and most vexing of poets.
I have always had a love for, but limited knowledge of, Poetry. It was Edward Hirsch's great book How to Read a Poem and Fall in Love with Poetry that first introduced me to Ashbery's work. He is, in my opinion, one of the greatest living poets. Therefore, I jumped at the opportunity to read Other Traditions.
Other Traditions is the book form of a series of lectures given by Ashbery on other poets. Ashbery writes about six of the lesser-known artists who have had an impact on his own life and work. All of them are fascinating. They are:
-John Clare, a master at describing nature who spent the last 27 years of his life in an Asylum.
-Thomas Lovell Beddoes, a rather death obsessed author (he ended up taking his own life) whose greatest poetry consists of fragments that must often be culled from the pages of his lengthy dramas.
-Raymond Roussel, a French author whose magnum opus is actually a book-length sentence.
-John Wheelwright, a politically engaged genius whose ultra-dense poetry even Ashbery has a hard time describing or comprehending.
-Laura Riding, a poet of great talent and intellect who chose to forsake poetry (check out the copyright page).
-David Schubert, an obscure poet who Ashbery feels is one of the greatest of the Twentieth Century.
The two that I was most pleasantly surprised by are Clare and Riding.
Clare has become (since I picked up a couple of his books) one of my favorite poets. He is a master at describing rural life. I know of no one quite like him. Ashbery's true greatness as a critic comes out when he depicts Clare as "making his rounds."
Riding, on the other hand, represents the extreme version of every author's desire for the public to read their work in a precise way--the way the author intends it to be read. Her intense combativeness and sensitivity to criticism is as endearing as it is humorous.
Other Traditions has given me a key to a whole new world of books. For that I am most grateful.
I give this book my full recommendation.
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"The pit and the pendulum" has almost no begginig and no end. It's the story of a man condemned to death by the Inquisiton. This death is not a simple one, since he is thrown in a dungeon with no light and lots of dangers.
This short story is full of anguish and told in an almost hysterical way. The reader discovers the horrors of the dungeon together with the main character. We don't know his name, we don't know what he did to be condemned, we don't know where he came from, we don't know nothing at all about him. And yet we keep turning the pages to see whet's going to happen next.
Poe had a dark style of writing; he could toy with his reader's minds as well as with his character's minds, and that's what makes him a master of romantic-gothic storytelling.
Read with the lights on.
Grade 9.6/10
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The book is very thorough, covering everything from the basics of visualizing data (histograms, box plots, etc.) through basic DOE and SPC all the way to more sophisticated SPC concepts such as narrow-limit gauging, acceptance control charts, and cumulative sum charts. I cannot think of a topic in basic SPC that is not covered in this text. A great bonus is the CD that comes with the text that includes answers to all of the exercises and an add-in for Excel that performs Analysis of Means, making this great graphical tool for summarizing results of statistical analyses even more practical to use.
All in all, a very thorough text with many examples/case studies that would be useful to anyone in industry in charge of controlling and improving processes.
When I first got a job in Quality Assusrance, this was one of the books I consulted in my local college library. I soon found it was the best of the lot for its clear explanations, practical examples and sheer readability. When I came back into QA after working in another field, one of the first things I did was procure a copy of the book from a bookfinder - the 2nd hand copy I was delighted to discover also had Ott's signature!
It is great to see an updated edition is now on sale and that Ellis Ott's name is not forgotten, for he (as far as I can find out about him) is one of the unsung pioneers of Statistical Process Control. Ott is not longer with us, but the co-authors have sensibly decided to update a classic, rather than starting from scratch. The examples in the older book are as relevant today as they are then.
From what I can see, this book sticks to the philosophy of the earlier editions but has modernized its approach in some respects, especially in the notation of Experimental Design and in the use of Excel, which I also remommend as an easy-to-use PC tool. Highly recommended for practitioners of Statistical Process Control.
The book is divided into three sections: Basics of Interpretation of Data, Statistical Process Control, and Troubleshooting and Process Improvement. The first section reviews many basic statistical concepts familiar to most statisticians. The second describes many facets of SPC some of which, such as Precontrol or Narrow-Limit Gauging in Process Control, the reader including myself may not be conversant, but will find useful in their own line of work. The last section describes what are probably underutilized but often very useful troubleshooting techniques. ANOM, for example, is a powerful way of analyzing data from industrial experiments with two or three factors resulting in graphics that can be used to clearly communicate conclusions to managers, to other engineers and scientists, and/or to operators on the shop floor.
I really enjoyed reading this book and am finding it to be a valuable reference to which I refer again and again.
Hank W. Altland Senior Project Engineer, Statistics Corning, Inc.
August 26, 2000
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The book provides a concise overview of business process re-engineering. The exact process that the book uses (Rapid Re) is straightforward and manageable, especially when compared with other approaches such as Six Sigma. And no, the book doesn't simply recommend layoffs (in fact, it emphasizes job reassignment and re-training over wholesale terminations). The book is informative enough so that a workgroup with minimal re-engineering experience could at least get a healthy start into the process without first turning to a pricey consultant, though more background into specific techniques such as project management and process mapping are needed.
Written in the pre-Internet era, parts of the book seem dated. But the core techniques remain sound. "The Re-engineering Handbook" should be at the top of the reading list of anyone who expects to get involved with a re-engineering effort.
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