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Hey look, I'll help Amazon sell a book here, how much does it say you'll pay for it, $9.00 maybe? If you have a scientific bent, you'll surely find the stories here entertaining and interesting. Primo Levi was a unique person and that, coupled to his excellent style, makes this book a very good read.
It is such a great book -- such a clear-eyed, deeply felt, wide-ranging look at the human cost of Fascism and the Holocaust -- that anything I could possibly say about it would be idiotically trite. All I can really say, in honesty, is that I think it is one of the greatest books ever written. In any language. In any century. On any topic.
Having never read it in translation, I have trouble imagining how a translator could capture the poetry and the rich literary resonances of Levi's deceptively simple writing style. It is the kind of writing where you read sentences over again, sometimes aloud, just for their rythm and sound. However, friends who have read it in English say the translation is excellent. Even if it weren't, it's a book no thinking person should go without reading. It has a beauty and a gripping quality that goes far, far beyond style.
Just read it. Unlike most books you hear this about, it REALLY WILL CHANGE YOUR LIFE.
"It's called 'The Periodic Table,' by Primo Levi. He was an Italian Jew who went through Auschwitz." I had just gotten the book in the mail; that was all I knew about it.
Later, she interrupted my reading. "You keep laughing. That book is supposed to be funny?"
I knew why she was surprised. Levi led a serious, sometimes troubled life, but "The Periodic Table" isn't limited to seriousness. It's fascinating and often funny to read his stories about his early obsession with matter (and the trouble it caused), his fiction inspired by alchemists and elements, and his anecdotes from a professional double life as a chemist and writer.
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If you want to read another story about post-nuclear war, try On the Beach by Nevil Shute.
This touching little book came out in the early 80s, when there was a sharp spike in international public awareness of the dangers of nuclear warfare. Due largely to Ronald Reagan's hawkish presidency, people were much more fearful of this looming prospect -- and, of course, rightly so. Reading this reminds me of 1981, when I was in eighth grade, and tensions over Poland were so severe that I recall becoming a regular fixture at our local library, reading and reading, trying helplessly to understand all the forces which, it seemed, were conspiring to destroy us all.
The really touching thing, about the couple portrayed in this book, is that they are normal people. Almost completely uninformed about the world, their mental picture of the world is shaped by a haze of half-remembered patriotic propaganda that is decades out of date, and was heavily distorted to begin with. Their efforts to prepare for a nuclear attack are so pathetic that you would laugh, if you weren't already busy crying.
Those weapons are still out there. This book is important. Everyone should read it. If you half-suspect that you yourself might be slightly un-informed about nuclear war issues, I would like to recommend that you seek out "The New Nuclear Danger," by Dr. Helen Caldicott. It just came out in 2002, and includes a fantastic bibliography which could help you understand nuclear winter, medical effects of fallout, and current weapon stockpiles. There is also a great collection of relevant websites, which we should all be a lot more familiar with.... if you'd like to communicate you concern to your kids with another illustrated book, aimed at a younger audience, I would like to recommend "Hiroshima No Pika," by Toshi Maruki.
You may also like to seek out "Threads," a tremendous docudrama on nuclear war done in consultation with Carl Sagan, in 1984. "Threads" is out of print, except in the UK, but you can find it on the largest online auction houses if you put the terms "threads" and "nuclear" in the search field.
So, if you know anyone who actually went out and bought duct tape in February, 2003, I would like to recommend that you sit down with them, and spend an hour leafing through this horrifying book. Two miserable thumbs way, way, way up.
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Though the book is trade paper sized and only 211 pages, it is simply jammed with helpful ideas. Each chapter covers an essential aspect of writing scenes expertly. There is information on:
* Beginning a Scene
* Length
* Point of View
* Setting
* Ending a Scene
* Character, Plot, & Theme Development
* Writing the Payoff
* Character Meetings
* Finales
* Structure
* Revising
Plus there are chapters that discuss how to write genre-specific scenes (sci-fi, romance, etc.) that are also compelling.
A typical chapter within the book starts with quotes from others on the art of writing. Obstfeld then lays out general concepts and cites examples from novels and movies that support his chapter topic. Excerpts from several award-winning novels raises the quality of the book as it lets beginning writers see how the "pros" do it. Some chapters include workbook-like assignments to help readers flesh out their scenes.
While all the chapters are developed well, the one covering character, plot, and theme development is particularly enlightening. The author elects to write an encounter scene with an emphasis on each aspect. It is amazing to see how a scene can change as it is written to the characters rather than plot and vice versa.
Obstfeld has taught writing professionally in addition to having published more than two dozen novels and it shows in his style. He can quickly and directly address a topic and elucidate it easily. As a result, writers of all varieties and levels of talent can benefit from "Crafting Scenes".
Highly recommended to all writers and truly worthy of a five star rating.
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The Arms of Krupp (out of print), and many others of the canon are seminal works with a devoted readership. Perhaps the right marketing opportunity simply has yet to strike. Making a movie (and a bad one at that) about Pearl Harbor popped even the questionable Gordon Prange back into prominence. Clearly, in these days when book publishers are conveniently tied into the entertainment world as a matter of corporate domain, the lonely vigil of the Manchester devotee must await the serendipity of Hollywood. Until then, Mr. Manchester I laud you with the words of one still in print:
"To me fair friend you can never be old,
For as you were when first your eye I eyed,
Such seems your beauty still."
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