The authors of each chapter are a "Who's Who" of forensic psychology. This book presents the most up-to-date information on every important topic in the field, including evaluation methodology, case law, and research. I find that I refer to it regularly when writing reports, planning for testimony, and in my teaching. It is informative, practical, and interesting to read on its own.

This is the most comprehensive and user-friendly forensic psychology volume available. It has a wealth of information.

This book points out all the common sense that we lack because we yearn to be complex. After reading the book and applying it to my life, I am living a simpler life and a lot happier. It is a must read for anyone who craves that simple, superficial life.

this book is simply all common sense that we seem to neglect because we choose to be complex. It is a great read and just so clever. After reading it and adapting it, my life was simpler and a lot happier. It is a must read for all who yearns for the simple, superficial life.

I am in the play presently and I play the main part Catherine, a girl of many personalities. The painfully shy insecure one around her father, the lover with her doting admirer, Morris, and the friend with her dear, sweet and hopelessly romantic Aunt Penniman. The various emotions and hidden meanings create a fascinating play with little bit of everything skillfully arranged in a captivating story.

James' "Washington Square" provides the basis for this adaptation of his novella. The story of Catherine Sloper and her romance with Morris Townsend provides not only good drama and well-crafted theatricality, but also paints a picture of a romantic love that is virtually unattainable in reality. Such notable actresses as Wendy Hiller, Beatrice Straight, Jane Alexander, Olivia de Havilland, and Cherry Jones have all played the role of Catherine. This is a marvelous example of the type of well-made made play that graced the Broadway stage fifty years ago.

Any "red blooded" American citizen would surely have a "red face" from embarrassment after reading the compilation of words and speeches from original settlers of our beloved country in "I Have Spoken, American History Through the Voices of the Indians." From those documents so meticulously collected by Virginia Irving Armstrong and introduced in this book for all to read, one concludes that even here in America, an atrocious holocaust took place.

The book tells the truth. It will make you mad. It will make you sad. You will feel ashamed to belong to the culture that was responsible for the near extinction of the once prosperous, peaceful people who just wanted to live life as they had been taught by their ancesters. Simple and earth loving.

"I Have Spoken" should be offered in every school as a learning tool on an important aspect of our American history. We made a mistake. We cannot bring them back, but we can read aloud what they said and feel their spirits.

The photos that were included in the June, 1971 and August, 1972 editions are sadly not included in the most recent copies for sale now. It's more of an impact to see their faces as well as read their words. I hope subsequent issues will reincorporate those photos, especially of the ones of the Wounded Knee massacre. "...I will fight no more forever." Chief Joseph, Nez Perce nation, 1877.

We used this text at the University of Minnesota back in 1971 for a Native American History course. The book voices treaty interpretation and words used by Tribal representatives. I won't use the word "Chief's" because the Government did'nt always get the real leadership to sign treaties. But, we noted a lack of aggressive language at the beginning of colonization (east coast), but by the time we read text from treaties from the Plains Natives the verbage used more aggressive and warlike themes. Sum it up! Indians found the need to be aggressive and began to use words to voice their frustrations with negotiations with Government respresentatives.

I embrace these spaces as I travel through Southern Illinois, thanks to Gary. How about a book on Indiana!

My husband is from Oakland Illinois, the 'gateway to corn country' We moved to Texas nearly 10 years, and at one point bought Mr. Irving's book for my father-in-law, who brokers corn from his office at the elevator in Greenview, IL. Every Christmas we return to Illinois, visiting relatives in towns like Petersburg, Arcola, and Hindsboro - the kind of towns that form the heart of Illinois, and the heart of this book. This past Christmas, flipping once again through the familiar images of Mr. Irving's book, I was struck by the elemental and easily underestimated beauty of the midwest. Sure, Illinois is flat and seamingly plain - but it does have it's own mysteries. You can see time passing by standing outside a desserted, sagging barn, where only the whirring of bird wings and the sound of a far-off combine interrupt the silence. In the corn fields, growth is something you smell rather than see or hear, and the smell is green and yellow and rustling; walk a few feet into the rows and you will learn the true meaning of solitude. You can lay on a hillock and the sky will wrap itself around your peripheral vision. The two-lane highways ('the hard road' to locals) snake between bean and corn fields, past the barn handpainted with the sign "Chewing (tobacco) serves to steady nerves!", and through towns that all have a single flashing stoplight and a town square w/ parking on the slant all around. If you've been away for awhile, you drive slowly on these roads - in part because of the deer, in part because of the Amish, in part to safely pass the combines rolling along on the shoulder, in part to wave at passing cars (you almost always know the driver, or know someone who knows the driver - in the cornfields of Illinois, everyone is either friend or family once-removed), but mostly you drive slowly because of the plain beauty of the farmhouses and elevators and the hypnotic horizon of the sky. My love of the ocean was born on the Illinois plains - the undulating cornfields, the far horizons, the renewing sunrise - the ocean is my way of staying in touch with the land I learned I actually loved only after I left it. Mr.Irving's book illustrates the poetry of life in the corn belt under the Illinois sky.

I really enjoy Irving Stone's novels. He writes factually, and very humanistically. You feel like you are right there with the characters and experiencing everything that they are going through. Immortal Wife has been my favorite book since I was a teenager. Jessie Benton Fremont was a great supporter of her husband. Whether it be his political aspirations, his travels through California, or any trouble that he got into. A great book if you enjoy romance, history and the flavor of the Civil War era. John C. Fremont was a great explorer, and he and his wife were very much against slavery, and started the civil war talk on slavery even before President Lincoln did! This is a must read.

I find reading Irving Stone very informative. I get my romance and my history all rapped up into one book. Immortal Wife has been my favorite nov el since I was a young girl. My husband just recently purchased the book for me, and I reread it. I loved it the second time too!!

I can't add much to the excellent review above, other than noting my agreement. Segal an Kunze is a model of clarity and rigor, and the selection of topics is about as good as one can imagine.

The one thing I do disagree with, however, is the necessary prerequisites. I used the book at Pennsylvania (with R.V. Kadison) right after Loomis and Sternberg and thought both were out of this world.

This is a book for experts. After you learn the basics of Lebesgue integration (some algebra is very useful, too), you can open your eyes to how vast is the reach and breadth of the modern generalizations of integration theory. Here, the authors make use of the more elegant and powerful presentations of the integral: the main development is along the lines of Daniell, and after the treatment is extended to topological groups via the Haar integral. Applications in operator theory and a discussion about a interesting analogy between the integral as an algebraic entity and the trace of operators in von Neumann algebras, and how it can be used to construct a "non-commutative" theory of integration. This set of topics is almost impossible to find at this depth, even more in a single book. The most interesting thing is the use of the Daniell integral as a basic tool. Royden only treats it in a single chapter, and the treatment of the out-of-print book by Loomis is dated and boring. Here, the generalizations of known structures and the advanced approach to analytic ideas are very well-motivated and constitute an excellent choice to learn graduate real analysis in a self-contained way. A considerable chunk of exercises are spread along the book. All this make it a more worth-the-effort book than Royden. A good choice to reach this book could be Kolmogorov and Fomin's book, "Introductory Real Analysis", together with some initial material from Rudin's "Real and Complex Analysis", and then you will be more than set to this gem. Abstract integration is getting a growing importance in functional analysis and in topics of theoretical physics (statistical mechanics, gauge theories, non-commutative geometry, quantization), and this book is a great entering door to be acquainted and work with such subjects.

This is an excellent book, illuminating both the life and intellectual development of Howe, one of this country's foremost literary critics, and the world of New York's literati much throughout the twentieth century. It gives insight not only into the thoughts and work of this serious, idealistic, and highly intelligent man, not only into his complicated, social, religious, and intellectual background, and his encounter with the new world, at times clashing against the values of his ancestors, but also into the riveting history of Jewish socialist ideas, stemming directly from the Pale, shaping the American political, intellectual landscape throughout the century. In the process, it reveals the widening split within the Jewish community, the potential of the developing "kulturkampf," and the winding path of the bitter struggle, still characterizing the polarized groups of the more traditional and the more radical academics of our time. Reading Alexander's work, one learns not only to appreciate Howe's vision and moral development but also to place them in the context of the history of Jewish intellectual thought in search for the Messianic age. One may even note some of the crucial commonalities between this search and that of a number of European Jewish literati in our century. Of course, Howe's paradoxical attachment to the "world of our fathers" was not an option there. As true children of the Enlightenment, some of the European intellectuals remained simply detached and alienated from the tradition; others became communists or "Catholic socialists," following the instructions of the Popular Front and struggling against the transgressions of Franco rather than paying attention to the threat against Jewish life and being in Nazi Germany. Howe was more complicated and more "Jewish" than that (of course, he also had both more freedom to be Jewish and later more time to learn about, and recognize the consequences, of the Holocaust). Yet the process of living in, and the difficulties of assimilating to, a hostile world in need of redemption show deep-seated commonalities between these groups. They also reveal the ramifications and the price of such process and such need. While aware of the power of these forces, Alexander treats his subject truthfully and sympathetically. And despite his critique of Howe's initial opposition to both US involvement in World War II and the creation of the State of Israel, Alexander remains true to his task to trace Howe's steps and penetrate his ideas and imagination as truthfully as possible. The result is that he paints his subject as a great tragic character, vulnerable, torn by contradictions, intelligent, insightful, and despite everything, "better than ourselves." This is an excellent book, beautifully written, moving, exhilarating, and dramatic.

Edward Alexander is not going to win the hagiography (lives of the saints) award of the year but he just might capture the critical biography prize because his tripartite study of the intellectual condominiums that co-mingled in the mind of Irving Howe is work of meticulous scholarship, felicitous writing style and a literate feistiness. The latter is perhaps the most endearing part of this absorbing book: Alexander has chosen to write a biography of a man whose political views, historical understanding and religious thinking (or lack thereof) he does not share. In fact, in a personal communication with his future biographer, Howe once referred to Alexander as my favorite reactionary. It is therefore a tribute to Alexander's skill th! at he has been able to reconstruct Howe's remarkable contributions to the American socio-political agenda and the Jewish component thereof while at the same time offering his, Alexander's, editorial strictures of Howe's political, literary and cultural myopias and tunnel vision. In his youth adolescence and early 20s - a period that coincided with the rise of Nazism and the outbreak of World War II - Irving Howe (né Horenstein) pledged his troth to the Trotskyite vision of the world, that is to say, an anti-Stalinist yet totalitarian form of communism which filtered the all political events through the doctrinaire lenses of the party line. The contrition which Howe expressed later in life about this part of his career could not be anticipated in the ferocious advocacy he advanced in his numerous articles in Labor Action about a version of history in which only the workers' causes and the class struggle had any validity. In this shameful and embarrassing period Howe was able! to analyze World War II as a unidimensional clash between! two capitalist systems. Alexander has gone through the painstaking and undoubtedly masochistic exercise of reading the articles that Howe wrote under his own name and under a pseudonym in order to document the vapidity of Howe's incredible ability to write about the most seismic events of the twentieth century - World War II and the Holocaust - without mentioning the uniqueness of Hitler's racial policies and, the targeting of Jews. There is no better example of ideological blindness filtering out unpleasant truths that might alter the rigidities of one's political beliefs. The ideological straitjacket which immobilized Howe's not inconsiderable intellectual potential was seen especially in the Partisan Review magazine crowd, among which Howe was a distinguished representative. The love affair which the largely Jewish coterie of Jewish intellectuals attached to that journal carried on with the American-English poet T.S. Eliot is a curious and archival example of the syndrome ! known as self-hate. Alexander notes with irony and some delectation the affection displayed by Howe and other Jewish intellectuals for a poet whose anti-Semitism was as unsubtle as his poetics was refined. Author Alexander also faults Howe for his inability in the late 1940s to register the importance of what Winston Churchill called an event of world history that would require two or three thousand years to conjure with - the creation of the State of Israel. For Howe and his ideological brethren Israel's re-birth was to be seen only under the rubric of fighting British imperialism. Even as late as 1982 when Howe was ready to celebrate Israel's creation, he made it a point to note that acceptance of the State did not imply any Zionist commitment. In his many digressions in this biography, Alexander rejects the use made by Howe and other (including this reviewer) of the term "Arab-Israeli conflict," as if it implied some kind of equalizing of responsibility. Says Ale! xander: "It's the Arab war against the Jews - period.&! quot; Alexander calls one of the chapters in his book The Request of Jewishness, by which he means Howe's slow and painful re-insertion into the Jewish orbit of history. In some ways it was predictable because Howe was a kind of Yiddish-speaking Marrano who despite heroic efforts to submerge his "parochial" heritage, found it bubbling to the surface in the soft cadences of the first language he spoke as a child in the Bronx and in the warmth he remembered in the image of his virtuous, hard working parents and the thousands of other simple Jewish immigrants who people the world of his youth. Later in life when he was reviewing a major book by a feminist critic, he conjured up the picture of his parents as an antidote to the rigidities of feminist theory. Howe's odyssey from Marxist ideologue to secular Jewish guru was neither smooth nor without its troughs and depressions. It began in the 1950s with his interest in editing Yiddish short stories and poetry, an exercise! in which he exhibited skill, sensitivity and sober judgment. It continued with Howe's entry into the university world, where, despite the absence of a Ph.D. in English literature and in a discipline notoriously prejudiced against Jewish scholars he achieved more than a modicum of success teaching at Brandeis, Stanford and Hunter College of the City of New York. The early 1960s was probably the turning point in terms of Howe's Jewish loyalties, as he himself hinted in his 1982 autobiography. Alexander details the controversy which swirled over Howe because of his unhappiness with Hannah Arendt's Eichmann in Jerusalem, a book which first appeared in serial form in The New Yorker. Howe organized a forum under the banner of his journal Dissent, during which the book was dissected asnd repudiated. Critics later argued that Howe had led a lynch mob against Arendt's book - a description which Howe and his supporters vigorously denied. By 1976, the bicentennial of the American revol! ution, Howe had come full circle with the publication of hi! s most famous book - World of Our Fathers. Alexander wryly observers that in 1940 none of the Partisan Review crowd could ever have conceived that their union-organizing, Trotskyite polemicist cum literary critic, would produce an affectionate, absorbing and best-selling volume about the hundreds of thousands of Jewish immigrants who had come to New York City beginning with the turn of the century. In publishing this extraordinary document Howe digested a library of Yiddish books, memoirs, letters, newspapers and other archival materials in order to tell his story and to let the participants of his drama speak out to history. Alexander recognizes the incisiveness of Howe's reconstruction of the Jewish immigrant community, its cultural riches and linguistic treasures. But he also advertises the book's weaknesses - its preoccupation with secular Jewishness at the expense of its religious dimensions. Howe's main argument was that Jews came to American for non ideological reaso! ns - to save themselves from persecution at worst and to make a better living for their families at best. Alexander does not contest this point but observes that there were thousand of other Jews who fled Czarist Russia and went to Palestine for ideological reasons. In the last decade of his life, before he was felled by illness Irving Howe injected himself in numerous political and literary skirmishes and Alexander is there giving us a lively play-by-play account of the victories, defeats and draws. Some of Howe's best critical works pivoted around the claims of the new university curricula where the books of "dead white males" are now denounced as holdovers from a despised canon. Howe would have none of this nonsense. Perhaps the best of Howe's writing was Holocaust memoirs and the difficulty of establishing esthetic criteria for a literature aages@interlog.comthat had no precedents and which "succeeded only when it failed." If there are any faults in A! lexander's stimulating biography they flow from a surfeit o! f its virtues. In an effort to be thorough Alexander has read virtually everything that Howe wrote and what others wrote about Howe. However, this reviewer found the parts about Howe's struggle with defining his Jewish of much greater interest than those parts dealing with Howe's interest in the esoterica of literary criticism, American ethnic politics, black writing and the American novel. Others will undoubtedly disagree. -30-

Places in the heart of Harry Belafonte are captured in this charming book which reflects the beauty of the land of his birth, his island in the sun, Jamaica. White sands, lush colorful flora, lovely images match the lyrics of a song made famous by Mr Belafonte years ago. Children will embrace the pictures and follow the words with laughter. Their parents will remember swaying to lilting calypso rhythms. The next time you are at a baseball or basketball game and you hear a clear distinct "Day-O!", and find yourself and the entire crowd singing right back- -- remember you're responding to none other than this author, Harry Belafonte. That's his voice. So "Come Mr Tallyman- tally me banana- daylight come and me wan' go home."

Read this as a book or sing it as a song. This beloved calypso song leads reluctant readers to read as they sing. The illustrations are as bright and atractive as the lyrics. I keep a basket of "Sing Alouds" next to my reading chair. They lift my spirits as well as those of my students. I only wish more of the spirited songs Harry Belefonte introduced to us in the 1960's were available for me to share with my students.

The genius of this piece is that Irving has created a character in T.S.Garp who is an even better writer than himself. "The Pension Grillparzer," Garp's first and best work, is even better than Irving could have written himself.

this story within a story, to me, is the highlight of the world according to garp. the plot is funny and beautiful and sad and humbles me as a writer. this story holds its own outside of the context of the novel, however i recommend it be read in the book for full effect.