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I first learned of this book during an interview with the author on C-SPAN's "Booknotes" with Brian Lamb. As the dust jacket correctly boasts, this volume "is the first systematic analysis of the contemporary American public intellectual." In Part One of the book, Posner's critical chronicle of how today's public intellectual is most often out of his/her league is right on the money. Modern public intellectuals are almost exclusively academics, members of an ever more specialized university culture. Because of this solid trend, the typical public intellectual has very little "expert" knowledge outside of his/her esoteric area of study, lending him/her little if any credentials to comment on the general subject(s) he/she so "authoritatively" tackles in the public media. Posner's arsenal of examples, evidence, names, citations, and footnotes (he is a legal writer, of course) makes his case clear and well-defended.
However agreeable his basic thesis is, though, it is his market approach to characterizing the problem that seems rather incongruent and almost far-fetched. In his effort to quantify the problem of the worsening American public intellectual, Posner draws heavily on economic principles to explain why public intellectuals today are no good--in terms of "market failure." He demonstrates this model in Chapter Five with a veritable data section, full of charts and graphs. Though there is no better way to fortify one's thesis than with scientific evidence, the model Posner chooses just doesn't seem convincing. Public intellectuals do not really participate in a consumer culture, if you think about it. So long as there is (and always has been) public media outlets, intellectuals (genuine and self-proclaimed) will write, comment, prognosticate, and critique.
Part Two of the book consists of five "genre studies" of areas where modern public intellectuals most often tread. Here, Posner takes a detailed look at key intellectual players and painstakingly criticizes and discredits each of them with what can only be described as an off-putting and perfectionist air--except for MIT's Noam Chomsky, who deserves it. From George Orwell to Chicago's Martha Nussbaum, Allan Bloom (whom he "outs") to NYU's Ronald Dworkin (his personal sparring partner), Richard Rorty to Gertrude Himmelfarb, Posner deals each writer a summary list of their shortcomings--and then thanks many of them in the Acknowledgments! Within these 150 pages, the reader is left with little to suggest that any of the prominent public intellectuals of our time retain even one shred of competence.
The Conclusion, the most potentially redemptive (but shortest) section of the book, mollifies some of the blows inflicted by Posner in Part Two. However, the remedies suggested by Posner on how to improve today's public intellectual "market" are so soft, implausible, and ineffective even if implemented, that he might as well just say that restoring integrity to the public intellectual is a hopeless endeavor. The reader can only conclude that Posner's book, enlightening though it is in recognizing and attempting to explain the problem of the declining quality of public intellectuals, falls short of fulfilling its promises in the end.
More specifically, Posner uses a greatly oversimplified microeconomic model to show how the "market" for intellectual products forces would-be public intellectuals into the academy. Within the academy they are encouraged to specialize. Here's the kicker: Academic specialization undermines the intellectuals' ability and motivation to make meaningful statements about broader public matters. The results are a largely academic intellectual debate dominated by esoteric, jargon-ridden theses which fail to engage the general public and are frequently dubious in merit.
Worth a read if you're interested in such matters but, beware, the presentation itself is tedious and repetitive. The best bit is the chapter debunking modern, "jeremiad," decline literature. The polemical material of Bloom, Rorty, and Berman doesn't hold much credibility with Posner.
Don't get me wrong. A so-so book from Posner is better than 99.9% of the stuff published, but there are some things missing in the book.
There are also a lot of things that should have been left out, namely, Posner's retelling of Dworkin's shortcomings as an intellectual. Does Posner have some kind of idee fixe? Dworkin's is a bit of a buffoon, but I already knew that from reading about his role in the Clinton impeachment, which was ably described by -- you guessed it! -- Richard Posner, in An Affair of State.
By replaying the Dworkin wars, Posner gives credence to the claim, which I am sure many will make, that the book is merely an excuse to attack Posner's ideological enemies. That does not mean the books no good, but it does mean that the reader should be suspicious about whether the theory is just true for him.
Nonetheless, it is nice to see gasbags like Chomsky deflated.
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For example, in attempting to make sense of "defamation in fiction" - a real tort for which many authors have been held liable, and thus a problem that requires real legal standards - Posner attempts to explain how novelists fashion their fictional worlds out of the materials they observe (and therefore to indicate what authors must be allowed to do if novels are to be written). Simplification, Posner explains, is the crucial process in that process: a good novelist will not bog down the story in particulars, but will try to capture "the *representative* life and the *representative* incident. Real people are too complicated, many novelists say, to be put into a novel without change." For this last proposition, Posner's footnote directs us hopefully to chapter 3 of E.M. Forster's *Aspects of the Novel*. One would look long and hard at Forster's book without finding anything resembling Posner's assertion - and that is not surprising, since Forster understood the craft of fiction. (Forster does, famously, develop a contrast between "round" and "flat" characters, but his point is that novels typically focus on a few characters whose thoughts and motives are probed at length, while the rest of the fictional world is filled out by characters who do not receive such attention. He nowhere suggests that either flat or round characters result from the simplification of real-life personalities, and it hard to see how anyone could imagine that he does). Posner, with his law-and-econ "maximize production at the lowest cost" mentality, may imagine that the simplest representation, with the most general application, will get the biggest marketplace bang for the smallest expenditure of literary energies and ink, but no sane novelist would approach the matter this way. To say that people are "too complicated" to be slapped down on the page "without change" simply misunderstands what fictional representation is - since that proposition assumes, first, that it even makes sense to speak of "putting" someone in a novel "without change," and second, that any change that occurs is a way of avoiding "complication." Yes, it would be absurd to say that anyone can simply be "put into a novel," but it is no less absurd to say that this is so because fiction is simple and humans are complex. To take that view is, first, to betray a sensibility so deadened and hollow as to sacrifice any credibility that might have been afforded for one's literary judgments, and second, to demonstrate such a complete misunderstanding about what novelists do as to prove oneself incapable of fashioning legal standards that will facilitate the creation of fiction at all, let alone in a way that will prevent liability for libel. In short, neither the literary nor the legal worlds can profit from this treatment.
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