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In Howard Pyle version of King Arthur's tales, King Arthur and the Knights of the Round table, he puts in many magical items to help him secede in his mission . He raises Arthur from coming birth to his death. He tells many other tales that you normally never here, like the white knight and the magic cap. It is set in the medieval times and the themes keep coming back .
This book is a very good book for younger people. I thought it was the worst book I ever read. I do not recommend this story to anyone over 11. Although I do think you should look for the illustrator in other books, the illustration were superb. The showed the right picture at the right time.
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In the original stories of King Arthur and his knight, the author simplify the stories. In Rosemary Sutcliff's book, she gives a lot of details and makes every story go further and some become more interesting. Although she does not change much but the names of some characters, the story line stays about the same as the original stories.
The book The Sword and the Circle might appeal interesting to people who like old legends such as King Arthur legends. To others, it will seem extremely boring. Some of these stories keep you interesting in some parts like in Sir Gawain and the Green Knight. In others, the author runs on and on and the story doesn't get any better. This book would probably be for kids 12+ because of the bigger and more descriptive words. I would give this book two out of five stars and would not waste your time reading this.
All the chapters in the book were about a different quest of a knight from the Round Table. For example, one of the good parts was in a chapter with Sir Gawain. He wanted to grant a lady's wish promised by King Arthur. The King warned Gawain that the lady was hideous but sir Gawain kept to his word. Nearing the end of the chapter, Gawain ends up liking the decision he made about granting the lady's wish. In The Sword and the Circle, there is also a lot of boring parts. I wouldn't recommend this book as a free read to many people unless you need to know tales of some Knights of the Round Table.
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Vinaver's translation is cumbersome because, although he claims to modernize spellings and standardize names, there are still many words and phrases he chooses not to translate, so the reader has to constantly refer to footnotes at the bottom of the page. If I wanted to do all this work, I would have read the original version with no modernization at all!
The only redeeming addition to this book is the preface which discusses the difference between Mallory's version of the Arthurian romance and the French Vulgate Cycle upon which he drew his material. Instead of this edition, I would refer readers to Keith Baines' modern prose edition (ISBN: 0451625676). It contains all the stories and is much easier to read.
Also, Vinaver continues his practice from "Works" of footnoting certain words he has chosen not to translate. I found this annoying as I could perceive no apparent reason in his choice not to complete the translation, and though in most cases I was able to interpret their meaning within their context, their footnoting continued to drag my eye to the translation provided at the bottom of the page, interrupting the flow of the narrative. If a credible reason for this practice can be provided, I would love to hear it.
Those who wish to read only what the editor has chosen to highlight in Mallory's tale may be satisfied. For all others, I would direct you to Vinaver's complete edition, "Works."
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Once inside, however, prepare for the worst looking, worst locking, and by far the worst folding.
You could make better people by crumpling aluminum foil. The castles are nothing more than poorly-locking, crease-ridden bands of paper...
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