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Jim Weiss has the perfect reading manner. His voice is clear, his pacing is superb, his adaptations are very good. We have had a carload of antsy kids for an hour car ride and they are all silent and attentive for the entire tape. We have been known to sit in the car for 5 minutes after we have arrived to hear the end of a story (even ones we've heard before).
I recommend this tape and any tape by Jim Weiss without any qualifications. They are superb for kids and very good for adults. You will not be disappointed.
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print the books in small dimensions (15 cm) ---- kids simply can not hold the regular books as conveniently as adults!
I tried those 8.5" x 11" weight-lifting versions of the same-title classics, my kid never read them for more than five minutes.
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British actor Sean Bean has an incredible range of voices and accents, which he uses impeccably to enrich the characters he reads (though all the narrative is done in his lovely native Yorkshire). Morgana le Fay, Lancelot, Elaine, and, yes, Arthur all come to life as one listens. A very enjoyable audiobook, for bedtime or listening to in the car, or just as a mini-holiday!
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Soon Arthur would become England's king, he had many achievements and one of them was the Round Table, a circular table that gathered all the best cavaliers of the reign.
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"Poor God" makes a start, a chapter introducing us to Neal Cassidy and his distinctive letter writing style. Alliterations and uneven structures are overflowing throughout his one-long letter to wife Carolyn, written in his cell because of another misdemeanor. Secondly and thirdly are two enthralling interviews with WS Burroughs and Philip Whalen. In the 1st chapter Burroughs discusses writers, writing, weapons, and such. In the 2nd chapter Whalen (a not-so-well-known Beat author) says a bit about his recently changed-person activities and how Buddhism is abetting his writer's touch. "Guilty of Everything," a short account by Herbert Huncke, proceeds the last two. The tale depicts all the never-ending jaunts Huncke took thru NYC cafeterias, crash pads, surveys with Professor Kinsey, and drugs.
Yet another interview follows, parleyed with undervalued writer Jan Kerouac, Jack's daughter of course. Jan (who decided to let the "beat" go on) is noted for her novel Baby Driver. Multiple chapters of letters are near: with Ginsberg, JC Holmes, Cassidy, and Jack and Holmes. These four sections of the book are pretty much a barrier, sweat-fest abundance. I put it down for a week because of its bombastic phrases and cryptic dialogue, although that might be gripping for some readers. 2 sections concerning JC Holmes are next. The first (an interview) is an in-depth account of Kerouac's novels. The second (Exiles Journal) is chronicle spanning the Years-of-Hope-Days-of-Rage decade. The last three chapters are the best: 1st an interview with Mike McClure describing his prose; 2nd an excerpt from a story about F. Edith Kerouac Parker, Jack's widow; 3rd (and finishing it off) a lengthy discussion with Allen Ginsberg.
All and all, (is that all?) Kerouac and the Beats is an enjoyment for those inquisitive 'bout the Beat Movement and other hep subjects. Furthermore, the sourcebook delves into historical information (chiefly the 1950-70s), ideas and facts regarding jazz, drug related matters, sexual related matters, Eastern philosophy, and much more which might seem mind-boggling for a younger audience. Nonetheless, if you read On the Road or Naked Lunch, and understood most of what those writers were talking about, you may have a chance liking Kerouac and The Beats. That's it.