One of my first reactions was to value this volume as a corrective to "Braveheart" - to which it is certainly rather weakly linked. Harry's Wallace was not stupid; he did not use a wild Highland charge against thousands of Edward's men as did the celluloid creation - without armor. Thus I appreciated the poet's description of Wallace's defensive gear - not just an occasionally-worn helmet that falls off at the onset of battle (as in Hollywood's offering ) but a helmet, steel collar, coat of mail, and even steel-plated gauntlets. Viewers of "Braveheart" also tend to come away with the impression that Wallace was (essentially) a Highlander leading clansmen to battle - which certainly cannot be concluded from Harry's account (and naming of Wallace supporters). This Luath edition of the historic epic, moreover, contains a very interesting map of "Wallace Place names" (page 225) which suggests that Wallace's support was in the South (some in the North-East) of Scotland, and not the North and West where the great Highland clans were situated. There are numerous such (major) discrepancies in the popular movie but each reader may easily and instructively discover these for himself as comparisons are made. It is only fair to add, however, that the movie might also serve as 'corrective' to the poem since the film-script does warn us, on at least two occasions, of the hyperbole that results in passing on verbal anecdotes of legendary figures and the Harry version relies, at least in part, upon such anecdotes. Randall Wallace's script (understandably, since his is an audience of different sensibilities to Harry's ) is not so obviously 'racial' in its prejudices. I had the impression (reading the bard)that I was reading the Declaration of Independence one minute and Mein Kampf the next. The "blood untainted" of Harry's Scots (see page one)is, of course, nonsense, as is the demonisation of the "Picts, Danes and Saxons" that the 'Scots' historically fought. To the knowledgable, Harry's 'English' were simply a mixture of Gaelic and Germanic elements (quite like the Scots themselves) mustered by descendants of the Norman conquerors of England (Scotland was itself already somewhat dominated by such high-flying Normans, and would continue to be, especially in and through the person of Robert Bruce and his dynasty). The introduction to this edition of "Wallace" perhaps gives the key to Harry's racial preferences. Page xvii reveals that Harry's chief patron was the Scottish king himself - descendant of Bruce's Norman royal house. Obviously the poet could not have included Normans in his enumeration of Scotland's enemies (on page one) - but the 'English' (his and Scotland's historic rivals)were fair game. Burning thousands of 'English' alive in retaliation for the perfidy of her alien leaders (in "Wallace")seems a bit unfair (though Harry interestingly indicates that the nascent Commons of England actually acted as a restraint on Longshanks). It also takes away the impact of Wallace's own horrid death which Harry (at least consistently) does not dwell upon. In short I concluded that Randall Wallace and Blind Harry had both dramatic virtues and vices. "Wallace" was both better and worse than "Braveheart". Since there is a dearth of early historical sources for Wallace's life this is certainly worth a read. It may be at least as accurate a portrayal of Scottish history, at any rate, as Shakespeare's "Macbeth" and certainly illuminates the author and his audience. Personally I felt that much of it was likely to be authentic and I greedily devoured many of Harry's details.

Are you a fan of Braveheart? Well this is the book for you. This is not only the one true written history of William Wallace, but it describes him to a T. If you are interested in Scotland, William Wallace, or even history in general, then you will want to read this book time and time again.

For the person wanting to have a balanced view of Wallace, they need to include this text. Blind Harry or Blin Hary the Minstrel is believed to live from 1440-1493. Very little is really known about him. However, he is recalled for this major achievement of gathering and recording stories of Wallace. Supposedly the first written work about Wallace. He sang or recited these stories in verse form, and it is noted that he was well received at the Renaissance Court of James IV. One must recall these tales were collected well over 100 years after Wallace's death, giving plenty of time for the legend to already take root. Many of the details of Harry's epic are very accurate, some are not (but then he certainly is a lot closer than Randall Wallace!!).
William Hamilton(c1665-1751) brought Wallace back into the minds of everyone with the translation of Blind Harry's original poem.

One needs to understand this is written from a very pro Scots point of view, and tends to see Scots as the good guys and English as the bad ones, with few areas of grey. But taken on a whole, with most of the works on Wallace stemming from English records, it gives a balanced picture in studying Wallace.

I just watched the video and I am ordering copies for some people in my school district and some students hoping to be teachers someday. It was great! It provided some practical and exciting strategies that can be used in the educational setting. I am inspired to continue to find ways to support and improve public education in my community.

I bought this book for its snappy cover and intro on Hammett's fascinating life. But the stories themselves are mostly a let-down. Hammett really hit his stride with the novels, and it's hard to tell from these early magazine pieces how good a writer he'd become. Still, the violence, corruption and sexy seediness that make his other work so much fun are here in embryo. If you're already a Hammett fan, reading these stories is like watching an all-star's warm up swings before he nails a home run. If not, let "The Maltese Falcon" or "Red Harvest" knock your socks off before you make the trip to Nightmare Town.

As a long-time fan of 'classic' noir/detective fiction (Hammett, Chandler, MacDonald, Thompson) and it's stylistic roots in the pulps, I have to say I'm somewhat disappointed with this volume. There's alot here in terms of sheer number of stories, but aside from the very worthwhile Sam Spade shorts (which bump it to 3 stars), it's very uneven in quality. Your taste buds will like the delicious descriptive and atmospheric elements (particularly for hard-core Chandler fans like me...his inspirations via Hammett are in good supply) but the story construction leaves much to desire. The better part of the book is made up of hastily conceived vignettes that will remind you just as to why most of 'pulp' writing was considered disposable.

These stories were printed in the 1920s by "Black Mask" magazine, one of the monthly pulp magazines that entertained America before radio and television. Some of the stories were repeated in later works ("Who Killed Bob Teal") and never reprinted in Samuel Dashiell Hammett's lifetime. The stories are still entertaining today, and also provide a glance at a life that few of us know.

SDH worked as a Pinkerton detective for years, seeking fun, travel, adventure. The stories reflect his life as a private detective would see it: a world of crime and corruption. Would this work damage an operative expecially when de didn't have a normal family and home life? Does this reoccur today?