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They way she puts things is light and funny, but the only quarrel I have with this book is that it's too short. All of the Princess Tales are, but I wish she'd made it a little longer; I finished it in half an hour, and I'm not a speed reader.
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At first delvings,though,the King-Assassination-Case can very much seem totally undecipherable. If this is the case,all you need do is devour some really good books on the subject.
Mark Lane's "Murder In Memphis" is one of these books; expertly studied & addictively written with a smart sense of exploration. "Murder In Memphis" will astonish you. The interviews,the de-classified FBI documents,the end result-revelations of a Congress investigation into the matter,all pointing,basically,to a possible/probable Conspiracy involving the highest fractions of the U.S government,the top levels of American intelligence,& the deepest reaches of organized crime~(All seductively intertwined with each other). For me,One of the best pieces of information is the one concerning Myron Billit,a old gaffer for the Mafia,who claims that in early 1968 he drove two senior mob figures,Sam Giancana & John Roselli,to a meeting with federal agents at a motel in upstate New York. Billit says that at the meeting,the Mafia leaders were offered a million dollar contract to kill Martin Luther King-(Since Myron gave this info on his death-bed,it seems unlikely to be false).
Mark Lane has constructed a mindblowing book. Fascinating reading,well worth the investment. A publication i shall always appreciate.
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It focuses on some of the different stages of Warhol's career starting with his fashion illustrations and shop window-dressing from the fifties and early sixties. It then goes on to the 'Factory' style of the sixties and the nightclub and celebrity scenes of the seventies and eighties.
'The Warhol Look' is packed full of wonderful images and photographs, not just by Warhol but also by other artists, designers and photographers. This is especially true of the middles section Covering the sixties. Many forgotten images and magazine spreads are illustrated, providing extra clues as to how mainstream culture viewed Warhol and his associates.
Perhaps the most illuminating parts of the book are devoted to Warhol's fascination with transvestites and Warhol's side line of modelling. The essays accompanying the latter especially provides a fresh insight into Warhol the man and Warhol as a mirror.
The book provides yet more conclusive proof of Warhol's influence on mainstream fashion, art, design, and even, with 'interview' magazine publishing. It examines his links with the downtown avant-garde and underground scenes of the sixties and his distancing from it after his shooting in 1968. It then illustrates his growing obsession with celebrity and fame in the seventies and eighties.
Overall, this is a wonderful book for all Warhol fans, and for anyone interested in fashion, design and the various New York downtown scenes in between 1950's and the 1980's.
Twain completely dissects the "good ol' days" of Arthurian Britain by exposing the vicious social practices of the time: white slavery, le droit de seigneur, confiscation of property in event of suicide, the complete lack of impartial justice, the degrading influence of the Church on the mass, etcetera etcetera etcetera...
The Arthurian legends are wonderful tales, but they are a mythic literary production; Twain deals with the brutal reality of daily living in the Dark Ages, and points out that the good ol' days were not so good, anyway.
As for its applicability to modern America, I am not fit to judge. Perhaps it's there. But "The Connecticut Yankee" is a wonderful tonic for those prone to romanticizing the past. Twain seems to agree with Tom Paine that the English nobility were "no-ability", and simply the latest in a series of robbers.
And, of course, the book is stuffed with wonderful Twainisms... My favorite is his observation that a conscience is a very inconvenient thing, and the significant difference between a conscience and an anvil is that, if you had an anvil inside you, it would be alot less uncomfortable than having a conscience.
Twain also mentions the beautiful mispronunciations of childhood, and how the bereaved parental ear listens in vain for them once children have grown.
You'll never look at castles the same again...