The elements of a great mystery are here. A book that interweaves the issue of slavery, the questions around Thomas Jefferson and Sally Hemings, and the imperatives of the Lewis and Clark expedition with a story about a serial killer sounds promising, but the book does not deliver...There's simply not enough suspense or mystery here, the writing is often annoying, and the characters aren't very interesting. Perhaps some will enjoy this as a light read. Not recommended.

Before reviewing this book, let me warn potential readers that this book contains much off-color language and disgusting details of extreme sexual misbehavior. This is not your normal Jane Langton novel where some sedate professor performs a fairly clean murder. Instead, there is a relatively uneducated serial killer of a most disgusting sort involved. To me, the gross aspects of the serial killer were not essential to the story, and simply lessened the appeal of the book.

Almost all of the characters in Murder at Monticello are obsessed by some aspect of Jefferson's life or of the Lewis and Clark expedition into the newly purchased Louisiana Territory. A July 4th celebration of the bicentennial year of Jefferson's becoming the third president draws these characters to Monticello in Charlottesville, Virginia. While some characters are looking forward to the big fireworks show, others are planning to make their own fireworks.

The familiar Homer and Mary Kelly come down from Cambridge, Massachusetts at the invitation of a friend who offers them a free place to stay. A former student, Fern Fisher, is working on a new biography of Jefferson to help improve his reputation despite having been a slave holder and having possibly had sexual relations with one of his slaves, who was the half-sister of his deceased wife. Augustus Upchurch, a local benefactor of Jefferson studies, has helped raise the money to fund the book, but also becomes interested in Ms. Fisher despite the wide difference in their ages. Ms. Fisher sees apparitions of Jefferson in and around Monticello. Tom Dean, a local man who is about to enter medical school, is fascinated by Lewis and Clark, and through this meets Ms. Fisher and extends his interests to include her. The local police chief owns the Oxford English Dictionary and spends his free time looking up what the words in the Declaration of Independence meant in Jefferson's time. The serial killer imagines himself being related to one of the men in the Lewis and Clark expedition, based on having been raised on the Missouri River in Bismarck, North Dakota. Homer Kelly starts reading up on Lewis and Clark. Each chapter begins with a quote from the expedition's journals.

Like all Homer and Mary Kelly stories, there's not much mystery here. There are simply tangled skeins of lives and story lines that overlap. The individual stories are more of an excuse to delve into a particular period of history than serious fiction. Being quite familiar with Jefferson and the Lewis and Clark expedition, the only new knowledge that the book imparted were more details than I wanted to know about the sexual habits of the men on the expedition.

The overall theme of Murder at Monticello is that obsessions are bad for us, because they blind us to more positive opportunities to connect with others and more meaningful activities.

Unless you feel a compulsive need to read all of these stories by Ms. Langton, I suggest you skip this one. Of her recent efforts, I thought that Dead as a Dodo was far superior to Murder at Monticello. The ideas developed in that book about Darwin are far more interesting than the slim intellectual foundation of Murder at Monticello.

I do like Ms. Langton's new habit of taking the Kellys to new locations outside of Massachusetts. I hope Ms. Langton continues this trend in her upcoming novels.

Search for the opportunities to expand goodness, and then act on them!

I am always impressed by the ability Jane Langton shows in each of her books to encompass varying subject matters in such details. This book uses the expedition of Lewis & Clark to intertwine various lives and loves. As usual with Homer Kelly books, the reader knows the culprit, or at least knows who did NOT do the crime(s). This book contains some rather brutal murders, although the subject is handled in the usual Langton finesse. Homer and Mary do not figure so very much in this episode, with much of the action centering on guest characters. It is, as always, well-written, and, also as always, the pencil drawings by the author add to the enjoyment of reading this book. All in all, this is a fine addition to the series and I am looking forward to reading the next.

Concise collection of texts treating all aspects of Renewable Energy in a grown up manner. Valuable as a starter's information source but also for experts.

Concise collection of texts treating all aspects of Renewable Energy in a grown up manner. Valuable as a starter's information source but also for experts. Covers all the aspects of renewable energy sources and many ways to transform one form of energy to another. Spans from biomass, biogas, solar collectors, solar cells to fuel cell cogeneration.

Behind David Lean's directorial masterpiece 'Lawrence of Arabia' (1962) lay a series of attempts to film T. E. Lawrence's life, most of them centred around the abridged version of 'Seven Pillars of Wisdom', known as 'Revolt in the Desert.' Chief amongst the filmmakers eager to produce this epic was the great Alexander Korda, who bought the rights to both books and also to several biographies that contained their material. Korda was asked by Lawrence himself not to make the film while he was alive. Five months later, Lawrence was killed in a motorbike accident and Korda began his preparations. Locations were scouted, scripts were drafted, and several actors were tested to play the lead. Walter Hudd (who had played the Lawrence-based character Private Meek in 'Too True to be Good') and Leslie Howard were the favourites, although Cary Grant and Laurence Olivier were also considered. The Foreign Office thwarted Korda at every turn, protesting that it would be ill advised to show the Turks in an unfavourable light with the ongoing political unrest in the East. After a dozen attempts to make the film, Korda let it slide. This book is tripartite: part one sketches a brief history of the attempts to film 'Lawrence of Arabia' and includes pictures of all the key players. The second part is an interview given by Leslie Howard on how he would play Lawrence; and thirdly, the final script (1938) of the Korda epic is reproduced. While it is a laudable piece of work, the book fails to hang together and emerges as two articles and a film script that are linked by the same subject, but have no cohesion. Part One is far too brief for the reader to gain an understanding of the forces arrayed against Korda and his project, and it would benefit from more research and more expansion on the views of the various directors and actors engaged for the film in its different stages. Part Two is simply the Howard interview with no editorial comment offered. Part Three, the script, also has no analysis. This is surprising, as it is rich in allusion and with peculiar sequences that (to modern eyes) detract from the overall pacing of the film. It relies heavily on 'Seven Pillars' for dialogue and description, with little or no modification. To those who are acquainted with the Robert Bolt script of the Lean film, the Korda Lawrence is but a pale shadow: eloquent passivity rather than "nothing is written" man of action; cold detachment rather than anger and angst in crucial scenes (Tafileh, the Turkish hospital); the smug imperialist rather than the tortured anti-imperialist. Korda's Lawrence was intended to be heroic, a ( ) puff-piece with a serious bite, but looking at the script today, he seems shallow, self-important and obnoxious. The real Lawrence evaded any attempt to capture him by constant shifts in personality, presenting a different face to each person he met. It would appear that the celluloid Lawrence of Korda's vision was the same; and, as such, defeated him wholly.

I was sorta disappointed with this book. I expected more wide-angled shots, instead i get endless queues of close-ups. Monochrome Home makes a nice coffee-table book nevertheless, but if you're seeking pages and pages of pretty examples with varied shots..then forget this..browse on.