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One to get if the company are paying since, in a book this big on a sparsely covered topic, there is some interesting stuff here.
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Still, I think I would recommend this book to those DMs planning to run adventures or campaigns involving lots of sea travel. Sometimes it's fun to roll on the various tables, or use them for inspiration for new adventures. It has lots of good gems to get the DM's mind rolling.
- What is the life aboard? No discription at all. All up to us DMs to find the much needed informations.
- For most of the ships, it leak the complete floor plan. Only the main deck area is available.
By the way, if you and your player wants to have a live on the ocean wave, this is the one that you can't afford to miss.
The book leaves bits still "hanging to the cliff". More focus could have been placed on the stars and off-screen activity that took place while filming those old screen gems. Also noticeable is Mr. Witney ignoring Roy Barcroft, the only actor specializing in "bad guy" roles ever to be signed to a ten-year movie contract ... and it was with Republic.
Although chapters are headlined for special serials, such as "The Lone Ranger", not enough detail to the subject is submitted, leaving true devotees of these old "goodies" wanting more.
without ever being called such by critics who traffic in such
terms; he is an innovator whose influence is still felt today;
he represents a time and place when cinema was simply "a movie" and man oh man, did he know how to make a movie move. Would that all films today had the polish, pace and professionalism of a William Witney serial! This autobio is primary information from one of the innovators of kinetic film.
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Personally, I believe that this book can be read by business people because the average business professional comes across as better educated in analytical techniques than those people who work in IT. I also thing that IT professionals should read this book because it shows them the business side.
I hope that people who are considering this book exercise a little analytical ability by reading the title and figuring out that this book does not go into technical detail. If the title doesn't help, perhaps some of the reviews here will.
Let's make it simple: If you want an overview this is the book. If you want technical details, it is not. If you want technical details and buy any book with the words "tech brief" in the title you probably should take some night classes in comprehension or analytical thinking, or consider a different profession.
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Good quick read.
In this, one of Francis' earlier books, Daniel Roke, and Australian, is hired by the Earl of October to try and discover how someone is fixing races by drugging the winners with an untraceable drug.. To do this he masquerades as a stable boy and shifts from horse yard to horse yard until he discovers who is doing it and finally how it is being done. In doing so, Daniel places himself and Elinor, the young daughter of the Earl of October, at considerable risk. In a final confrontation with the bad guys Daniel overcomes his adversaries but is thrown in jail accused of murder to await the return of the Earl of October.
Like most of Francis' protagonists, Daniel is youngish, handsome, honest beyond measure and quite capable at a number of things useful to someone working with horses. A sub plot to the main story is the wrongful accusation of Daniel by the older Earl's daughter of sexual abuse and his growing involvement with the younger.
To the seasoned Francis reader, this book does not have too much depth but like all Francis mysteries, a joy to read.
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The world Bartram writes of is late 18th-century (just after the American Revolution) Southeastern America: mostly East Georgia and East Florida. Some of the places he visits, if you are a Floridian or a Georgian, you will recognize: Augusta, Savanna, the St. John's River, the area around Gainesville, Archer, and Micanopy; the Suwannee River and its tributary springs (specifically Manatee Springs). Below Savanna, it is a sparsely populated wilderness inhabited by various Indian tribes (such as the Seminoles and Muscogulges) and where whitetail deer, racoons, black bears, rattlesnakes, alligators, turtles, and various species of bird and fish grace the fields, woods, lakes, rivers and streams.
If you love good descriptive writing infused with a passionate appreciation for natural beauty, you will be moved by Bartram's descriptions of Florida, which comes off in the book, quite convincingly, as a sort of prelapsarian paradise. Bartram entering Florida is like Adam going back to the garden of Eden before the fall (I am admittedly a little biased, being a native Floridian): he sees seemingly endless vistas of sawgrass and sabal palms under amethyst skies, crystal-clear springs of the purest water bubbling up out of the forest floors, emerald hammocks of palmetto, sweetgum and cypress; groves of massive liveoaks and wild orange trees. All of this is taken in and recorded in an attitude of childlike wonder, and a deep awe and respect for the mysterious but benevolent power that fashioned all of it. Bartram is a scientist (botanist), able to engage (sometimes, to the detriment of the book) in detailed discussions of biology, so his effusions about the majesty of the deity seem all the more genuine and sincere.
Lastly, what endears the book to many of its readers, I suspect, is the personality of the author. The "William Bartram" of the book is a kind, gentle, reverent, simple, generous, tolerant, and quiet person. The great thing is, he doesn't really tell us about himself--we get an idea of what he is like mainly from his observations on the people and things he encounters. His Quaker faith in the wisdom and omniscience of God undergirds all of his observations and speculations.
Regarding the book's place in literary or intellectual history, it stands at one of the turning points when one episteme is giving way to another. In the "Travels" we can see the influences of the Enlightenment: an emphasis on empirical observation and data-gathering, and the emphasis on the role of reason in securing man's betterment--but at the same time we can see the influences of the then-ascendant Romantic worldview: a belief in the "noble savage," that all people are basically good but corrupted by institutions, and a pantheistic sense (looking forward to Wordsworth) of God as immanent in nature.
Belongs on the shelf with Jefferson's "Notes on the State of Virginia," Thoreau's "Walden" and "A Week on the Concord and Merrimack Rivers", the "Journals" of Lewis and Clark, and Melville's "Typee."
This Dover edition is the best buy out there. It has an attractive cover (some unknown artist's rendition of a Florida hammock) and has all the illustrations included, plus Mark Van Doren's short but helpful introduction. It's also a very durable volume--you can keep it in your rucksack to pull out and gloss over choice passages as you hike the wilderness trails of Florida.
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1. There _are_ a lot of errors, and they're not just harmless typos. I found numerous examples that are incorrect, and not just because they are missing a quote or something. It makes me wonder if anyone bothered to validated the examples with a parser.
2. It was very obvious that the book was written by multiple authors, with little coordination between them. There is a lot of overlapping and even contradictory information in the book, which is frustrating. It is also not organized well - I had a hard time finding the simplest of concepts - for example, what attributes are allowed on the "element" element if it is a ref vs. a name, whether it's global vs. local, etc.
Overall, I was not impressed.
This is a much better way of learning to write XML schemas compared to formal language at the XML schema specification site.