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Twain completely dissects the "good ol' days" of Arthurian Britain by exposing the vicious social practices of the time: white slavery, le droit de seigneur, confiscation of property in event of suicide, the complete lack of impartial justice, the degrading influence of the Church on the mass, etcetera etcetera etcetera...
The Arthurian legends are wonderful tales, but they are a mythic literary production; Twain deals with the brutal reality of daily living in the Dark Ages, and points out that the good ol' days were not so good, anyway.
As for its applicability to modern America, I am not fit to judge. Perhaps it's there. But "The Connecticut Yankee" is a wonderful tonic for those prone to romanticizing the past. Twain seems to agree with Tom Paine that the English nobility were "no-ability", and simply the latest in a series of robbers.
And, of course, the book is stuffed with wonderful Twainisms... My favorite is his observation that a conscience is a very inconvenient thing, and the significant difference between a conscience and an anvil is that, if you had an anvil inside you, it would be alot less uncomfortable than having a conscience.
Twain also mentions the beautiful mispronunciations of childhood, and how the bereaved parental ear listens in vain for them once children have grown.
You'll never look at castles the same again...
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Going back to read "The Mark of the Assassin," for me, was a disappointment. While Silva's concepts and characters match those of his later books, he seems less focused here. We watch political maneuverings, clandestine meetings, brutal attacks, yet never really doubt what's going on. We see little of the main characters within the first hundred pages, and when Michael Osbourne and his wife do take center stage, they are puppets in a less than credible play.
The writing is fine. Dialogue moves along. But the improbabilities and coincidences begin to mount quickly. Even as the pace picks up in the last quarter of the book, I found myself doubting the scenes. One example: the KGB trained, world-renowned assassin moves in for the kill by taking the disguise of a bicycle courier(even getting multiple piercings to look the part), but as soon as our erstwhile hero sees him from a distance, the cover is blown. Ah, too bad--all that effort for nothing.
For a fast-paced story and streamlined writing, "The Mark of the Assassin" surpasses many second-rate novels. Clearly, though, with only his second book, Silva was fine-tuning his storytelling, and I had a difficult time getting lost in this tale. Having been spoiled by his newer, richer work, I finished this one with barely a mark.
CIA, and Lawyers. I am now on my third book by this author and will enjoy all his writings. I also enjoy the fact of the killer being a accomplished artist with fine tastes. All fiction eminates fact in my book. Could it be true.
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Over all this book needs to be re-thought out. A poor choise for instructors wanting their students to get a solid base so as to takle more advaced math classes.
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The story itself, told through letters between Lily and Mabel, show the complexities of racial relations in South Africa at the time. The question of paternalism and white sponsorship arises when assessing the character of Mabel Palmer, an older woman who advanced the cause of education for black South Africans. Mabel was being very altruistic in helping Lily, she went without a winter coat so she could help pay her school fees. However, the divide in culture and race plays prominently in Mabel's relationship with Lily. Lily, a young orphan desperately looking for a mother figure, reaches out to Mabel, but is rebuffed by a woman who is still very much governed by the dictates of racial relationships and propriety within South Africa.
However, one cannot condemn Mabel and laud Lily as Shula Marks does in the introduction of her book. Reading the letters themselves, will reveal a disturbed and anxious young girl who the reader will come to pity and at the same time want to strangle. Lily herself, is a set of contradictions. She appeals to the reader's sympathy while at the same time repulsing the reader with her lack of gratitude and her attempt to adjust to her new situations.
What comes from reading the letters between these two women, is an appreciation for the complexities, misunderstandings, and the divide in understanding between two women of very different cultures. And that is what I reccomend. Skip the introduction and read the letters between Lily and Mabel first. Shula Marks, while giving a general history of the letters, also forces her own opinions on the reader which causes one to enter the narrative with preconceived notions of who is good and who is bad within this relationship. Also, one will see that Marks gives a ridiculous amount of importance to the third woman, Sibusisiwe Makhanya, a social worker. Her inclusion in the introduction serves as more of a literary addition to develop the ideal of three separate worlds. However, one can see the minimal role she plays within the context of Lily's and Mabel's relationship.
Read the letters and then go back and read the introduction and the epilogue. One must remember in reading this book to let the voices of Mabel and Lily stand for themselves, and they are strong voices echoing the history of a particular time period. Unfortunately, Shula Marks in editing this book imposes views on the reader which does not allow for an unbiased reading of the letters between these two extraordinary women themselves.
This book is a testament to the emotional and political jumble of the time between blacks and whites in South Africa. The reader should allow the letters of the two women to speak about this time and draw their own conclusions as to the political, social and cultural climate within South Africa at that time.
I cannot stress how inportant I feel it is to read the introduction by Shula Marks AFTER reading the letter exchange. Anyone who has even a fundamental knowledge of South Africa during this time would do better not to read the intro first. It's better to get caught up in the flow of the letters--and let their story unfold unadulterated. There is an almost voyeuristic aspect to them as they come to their conclusion. I highly recommend this book, and not only to those with an interest in South Africa or Womens' History either.
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I think this book would be good for other people to read but it was a mystery story and I don't like mystery stories.
The name of My book is The adventures of Benny watch
The children's Dad died and they were scared of their Grandpa. This is a sad and happy story.
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