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Though some of the stories might spark your interest.... for a while. Instead of something to keep you sleepless- this book has degenerated to an alternative cure for insomnia.


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The book covers all of the films that have sprung, however tenuous the connection may be (Children of the Corn 666), from Mr. King's stories. Stephen Jones does an interesting job of digging up little-known bits of trivia; I'm a King fanatic, and there were quite a few things here that were new to me. The irritating thing is the division of space in the book: A gem like The Green Mile gets the same amount of space as Children of the Corn. Jones devotes too much space to films that have nothing to do with King at all, such as the awful "House", covered because the main character is a King wannabe. The book is an American reprint of a British book, published in the UK by Titan Books, and the fact that Watson-Guptill couldn't even be bothered to Americanise the Brit spellings gets annoying after 100+ pages of "Favourite" and "Colour". Jones also seems to love the word "Eponymous"- He uses it on almost every page, and one would hope that someone has since bought him a Thesaurous. There's a brief King interview at the end, and the book is heavily illustrated with stills and poster reproductions. King fans will probably enjoy Creepshows a lot, but it could have been better....

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That being said, every story in this collection is enjoyable. A few of them are even superior stories. 'Keep the Gaslight Burning' is a terrifying tale about an old lady who must always keep the gaslight in her room lit, or else... There's another story (I can't remember the title) where two travelers stay the night in an old, creaky house, only to find the house is much more than it seems. The final story 'The Werewolf and the Vampire' is an enjoyable tale of two mixed-up kids coping with their monstrous sides and trying to live a normal life. Good stuff.
On the whole, this collection is enjoyable but slight. There is an excerpt from a novel which looked very interesting and I'm going to try to track down, but being on the wrong side of the Atlantic it will be a difficult job. If you're a Chetwynd-Hayes completist, be sure to check this out. Otherwise, give it a pass. All of the stories except one can be found in other Chetwynd-Hayes collections. The sole new story, 'The Fundamental Elemental' is bizarre and confusing. Not worth the price of the collection.

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The first story, the comic adaption of the movie, was basically a very abridged version of the movie. Many of the scenes in the movie were cut out, which was understandable, considering the amount of space that was devoted to this part of the book. This comic was only two, maybe three times longer than the other three comics. Considering the title of the book, I expected the entire thing to be just a comic version of the movie - I wasn't expecting the other three stories. Because of how cut-down the movie story is, some parts of the plot are pathetically developed. The relationship between Matt and Elektra, for instance, seems to come up out of nowhere. Sometimes it's hard to understand what's going on, and I'm just grateful I saw the movie before reading this.
The second story focuses mainly on Elektra. There's a lot about some of her deepest friendships during a year at college, as well as how she first got to know and start dating Matt. Her relationship with Matt was really sweet, and I liked reading about her interactions with her friends. The main point of conflict in this story is the fact that Elektra and one of her friends keeps embarassing soem guy, who gets pushed more and more to retaliate. The only thing I didn't like was that this story ended with "Continued in Ultimate Daredevil Trade Paperback". I really wanted to read more.
The second story is about some police investigations into various criminals, including the Kingpin and his son. Daredevil and his secret identity are brought into the conversation. Mostly, I found this story to be confusing and boring. Mostly boring, since I eventually got over my confusion. Since I don't regularly read Daredevil comics, I had a somewhat difficult time following some of the cops' discussions about characters I didn't know. It didn't really feel like very much happened.
The last story follows the last hours of one of the Kingpin's men, when he realizes that his botched work will lead to his execution at his boss's hands. I thought this one was very well done, and it, along with the second story are the best parts of this book.
Overall, the artwork was very nice, but I think this book could have been much better if the people who put it together had focused on one thing or another, rather than jumping from comic to comic. In fact, because of the title, I think they should have just done a book-length comic adaptation of the movie. The adaptation that they actually did not do anything justice.