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I enjoyed all the other characters, from the lead male(s) Jonathan and Max, to the supporting character of Samone's married best girlfriend (who was a hoot a times). And there were genuine, heady, feel-it-down-to-my-toes moments I got a glimpse of during some of Samone and Jon's scenes together; most notably, Jon breaking out some old-school tunes as he prepares to make a move on Samone. (The author put me right there in the room with Samone and Jon, setting the mood perfectly--especially with her line about going back to the days when kissing "was all there was that mattered.")
Alas, these highlights were few and far between, and their effects were almost always countered by Samone's attitude...and actions.
Then again, maybe that was the author's intent all along. Perhaps on some level she wanted to reader to experience the sense of "confusion" which is so evident with regards to the thoughts and actions of Samone. That, I could get with were it not for one thing--the author's character development. As a character, the writing for Samone lacks conviction in such a manner that we readers are not compelled to CARE whether or not Samone will ever come to realize what she needs to cut loose (Max) versus the gem that she needs to keep (Jon).
Since I'm on the subject of Samone's actions, let me say that I'm with the reviewer who said she was still scratching her head over Samone introducing Jon to an ex-boyfriend(?) as "my lover." I was beginning to think it was a "New York thing," something the ultra-cool and hip do. But upon my second reading, I realize it wasn't that; however, I still can't say exactly what it WAS supposed to be, either.
The "my lover" scene is one of many examples of Margaret Hodge-Johnson's inability to maintain clarity regarding character development. One minute, the reader is led to believe Samone is slowly beginning to ease into some sort of level of comfort with regards to being in an interracial relationship, that she's FINALLY beginning to return to affections and (more importantly) RESPECT that Jon was giving her; the next minute, the author has Samone go act totally contrary to the moods and behaviors she was establishing, as in the case of the "my lover" scene, or even MORE confounding the (sub)plot re: the death of Samone's beloved Uncle Chicken: At this point, Samone's supposed to be feeling something beyond "like" for Jon, right? So what does she do when Uncle Chicken dies? She literally leaves Jon and goes to Max--the SAME Max she walked away from because he in no uncertain terms was telling her he wasn't ready to take their relationship to the final level of committment, marriage! If Jon was p/o'd regarding Samone's actions, the author never conveyed it; doesn't matter though, *I* was plenty ... for him! It was right about that point that any sympathy I had for the character of Samone vanished.
In addition to my dislike of Samone, I was also put off by Hodge-Johnson's inability (or is it refusal) to give the reader some closure and/or answers to many of the situations and questions which were raised duirng the course of the story. The most obvious "loose end" which she never resolves is whether or not Samone actually LOVES Jon. We know Jon loves HER; but it's never fully (nor CONVINCINGLY) proven that she returns his feelings.
In short, the ending (like much of the what Samone did in the book) left me confused.
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