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Forget all the nonsense and hyperbole that surrounds Irving and his enforced labelling and read the book, in fact I would urge eveybody to read any Irving book and then make up your own mind and not be swayed by the biased opinions of other people.
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It is obvious that Irving respected and liked Milch (you don't spend four years researching someone's life if you don't respect them and I doubt you can spend four years with someone without ending up liking them) The feeling was mutual as Milch gave all his diaries and notebooks to Irving. It is natural then to expect this book to be the most authoritative, well researched and detailed account of Milch's life. That it is. It is also one of the best histories of the Luftwaffe. The book tells the story of the Luftwaffe from the earliest days with the formation of the Air Ministry in 1933 through to its eventual defeat. Defeat was not by way of battle or any specific incident but was indicated by the Luftwaffe's impotence and total inability to stop the massive allied bombing raids on the Reich beginning in late 1943.
Wheras the story of the Luftwaffe is about Milch and Goring it's also about others such as Ernst Udet and aircraft designers such as Willy Messerschmitt and Ernest Heinkel. It's about the successful planes Messerschmitt Bf109, Focke Wulf 190, Junkers 87 (Stuka) and the abject failures such as the Me 210 and He 177. There is discussion of those great 'might have beens' such as the Dornier 355 (front and rear, push-pull design) and perhaps the greatest example of a design that was too little, too late - the Me 262 jet fighter. Armaments, radar, production quotas, innovations and secret projects are all mentioned. So is the politics and infighting (such as the dislike that Milch and Messerschmitt had for each other) and the inefficiencies, bureaucracy and meddling that characterised the Air Ministry. If you have an interest in the Luftwaffe then this is a good item to add to your collection, but be warned, the writing style is very dry and I found it hard to read through.
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'A Faulty History Dissected' takes aim at Irving and any other historian who has the audacity to deviate from the status quo. Jackel is undoubtedly in league with those members of the political/historical-writing community who wish to violate the right to free speech -oddly enough, something they claim to champion in other arenas.
The problem with Irving is that he is a diligent researcher, he just is corrupted with blatant racism which renders his conclusions on the Reich one-sided and specious. Any historian starting out with Irving's premises is standing on faulty ground. But Jaeckel is out of his league here and it clearly shows. His footnotes frequently lead to discredited sources and his conclusions are haphazard and disjointed.
Irving deserves critical, harsh examination, but it needs to be done by an historian of greater skill and repute than Jaeckel.
Contrary to what you may have read in the preceding reviews here, Jackel is a very reputable historian, the author of two invaluable and highly regarded works ("Hitler's Weltanschauung" and "Hitler in History") that are required reading for anyone who studies Nazi Germany. There is nothing outlandish or shabby in his current book criticizing Irving--it is in fact rock solid, like all his other work. This compact, admirable volume makes a good companion to Richard J. Evans's effective debunking of Irving.
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Some people, especially those who can not find fault with anything, least of all with literature, might say that the humor here is subtle as compared with the humor of the 'Tin Drum' where it was more ribald. To use the word 'subtle' in that sense would be more a misuse of the term than anything else. The humor remains dark here. The background remains war and nazi Germany. But still the main the theme is that of an adolescent hero (Mahlke) and hero-worship by the narrator (Pilenz) and others.
It would be a fair asumption that most of us have had some heroes during our school days. Therefore it is not too difficult to identify with the theme and the narrator of this book. The narrator here is Pilenz and his hero is Joachim Mahlke. Mahlke is a catholic teenager with an abnormally protruding Adams apple. He is a year older than the rest of the group. He is the best swimmer and diver and he often spends his time in a barge nearby the shore that went down during the war. He has the largest penis in the group and he is the most prolific masturbator. But he generally stays away from adulation. After a daring stealing act whereby he stole a nazi-German officer who was visiting his school, he gets expelled from his and the narrator's school. Later he joins the army and becomes a tanker. There also, he becomes a hero all of which is told in a 3rd persons voice. After his first furlough, he decides not to turn up for his military work again. Then an intrusting climax.
Throughout the novel, you have the nazi Germany and the unmentionable fuhrer as the background. The cruelty of that age is not explicitly stated here. It is amazing now for us , blessed with the advantage of hind sight, to observe that most of the Germans of that age did not recognize the fundamental evil of what they were supporting. They still had cold winters, they still had flowers bloom in spring, they still had wonderful swimming seasons in summer. The nazi youth's childhood was as naughty and gloomy as ours. Nothing was different, yet everything was fundamentally different. It is equally important in this context to note that the very reason for which our hero turns a deserter was not that he found out that he found war to be evil. It was more due to a combination of fear and boredom.
The prose here is at most times banal, unimaginative and boring. Compare that with the wit and intelligence of 'Tin Drum'. Only the descriptions of the church rituals and the sentences where all words are combined without period, commas etc remain the same.
I would recommend this book to someone who has already read Grass. If you are a first timer to Grass, start with the ' Tin Drum'. Otherwise, you would develop an 'anti Grass ' syndrome. Finally I must admit to be a Grass admirer.
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