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Thanks For Your Time:
T
It's always illuminating and stimulating to explore the brain of one of America's foremost conservative thinkers and as these essays drift more into history, his insights and deliberations become astounding in their perspicacity and accuracy.
These essays cover everything from the fall of communism, the Los Angeles riots, Playboy magazine and lots more. The time spent reading this delightful paperback is time spent in the company of charming brilliance.
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Rodale's ILLUSTRATED ENCYCLOPEDIA OF HERBS is organized in a strange way--everything, and I mean everything--falls into alphabetical order. For example, "Gardening with Herbs falls between "Foxgloves" and "Garlic" and "Growing Herbs" falls between "Grindellia" and "Hawthorn."
The book is printed on semi-gloss paper so it will stand up to use and not crumble in a few years. Each entry contains line drawing illustrations and a few sections of the book are highlighted with color photos.
The plant profiles are succinct, covering topics such as 'history', 'cultivation' and 'uses.' Many entries contain material from other sources such as Maud Grieves' A MODERN HERBAL Vols. 1-2. Some information is repeated without attribution or verification. I always find "They say" and "It is thought" offputting, while I appreciate direct citations of which there are many in this book.
THE ENCYCLOPEDIA covers some topics not readily found in other books. The most useful of these is a compendium discussing the "Dangers of Herbs" (located between "Dandelion" and "Deadly Nightshade." The editors have compiled the FDA listing of "tricky" herbs (could kill or cure depending on use) from PREVENTION magazine, as well as similar ratings from James Duke's CRC HANDBOOK OF MEDICINAL HERBS, Jean Rose's HERBS AND THINGS, and Varro Tyler's THE HONEST HERBAL. You realize on reading this section that everything is relative.
The biggest problem with the misuse of herbal remedies is the misclassification of plants by the practicioner. To be an herbal healer one simply must understand botany. The second biggest problem is conflicting information about what a plant will or will not do based on singular accounts (which could be the result of a misclassification of plants or a misapplication of the plant extract). The third problem is idiosyncratic plant and human interaction. One man's poison can be another man's elixer. As with synthetic drugs, each individual has a unique chemical compostion and the herb in question may or may not be effective, or in some cases may provoke an allergy. Of course, there are some herbs that are downright deadly as every mystery reader knows.
This wouldn't be a Rodale book with out a section on "Pests" and "Pest Control" or the synergistic and conflicting effects of various plant combinations in the garden. This information and the sections on poisonous attributes make the book worth it's cost. All I can say about plant combinations can be summed up to this...plant catnip. You'll have to read the book to find out which kind.
The only thing it doesn't have is the same thing most herbal books lack: complete and comprehensive information on the dangers of certain herbs - although I understand that the reason is that since this isn't a licensed medical text, they're not allowed to present thier information as actual medical advice, and so some of the precautions fall under that umbrella. As with any book on herbs, the reader must remember that the information, especially the warnings, are not necessarily complete.
That said - this is a really useful book with lots of great information, that you'll be glad to add to your herbal library at home.
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This is a collection of speeches that Buckley gave over the course of a 40-year career. Because they were meant to be heard instead of read, they are more informal and less intimidating than some of his other work. One can find here a rich slice of recent American history from the perspective of one of the good guys.
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The story is, of course, brilliant. King Leontes goes into a jealous rage at the beginning against his wife Hermione. Leontes is very mistaken in his actions, and the result is tragic. Shakespeare picks the story back up sixteen years later with the children, and the story works to a really, really surprising end of bittersweet redemption.
This is one of Shakespeare's bests. The first half is a penetrating and devestating, but the second half shows a capacity for salvation from the depths of despair. Also, this being Shakespeare, the blank verse is gorgeous and the characters are well drawn, and the ending is a surprise unparalleled in the rest of his plays. The Winter's Tale is a truly profound and entertaining read.
The play opens near the end of a long visit by Polixenes, the king of Bohemia, to the court of his childhood friend, Leontes, the king of Sicily. Leontes wants his friend to stay one more day. His friend declines. Leontes prevails upon his wife, Hermione, to persuade Polixenes. Hermione does her husband's bidding, having been silent before then. Rather than be pleased that she has succeeded, Leontes goes into a jealous rage in which he doubts her faithfulness. As his jealousy grows, he takes actions to defend his misconceptions of his "abused" honor that in fact abuse all those who have loved him. Unable to control himself, Leontes continues to pursue his folly even when evidence grows that he is wrong. To his great regret, these impulsive acts cost him dearly.
Three particular aspects of the play deserve special mention. The first is the way that Shakespeare ties together actions set 16 years apart in time. Although that sounds like crossing the Grand Canyon in a motorcycle jump, Shakespeare pulls off the jump rather well so that it is not so big a leap. The second is that Shakespeare captures entirely different moods from hilarious good humor to deep depression and remorse closely adjacent to one another. As a result, the audience is able to experience many more emotions than normally are evoked in a single play. Third, the play's final scene is as remarkable a bit of writing as you can imagine. Read it, and marvel!
After you finish reading this play, think about where your own loss of temper has had bad consequences. How can you give yourself time to get under control before acting rashly? How can you learn to be more open to positive interpretations of events, rather than dark and disturbing ones?
Love first, second, and always!
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This simple story of a loveless marriage whose seams truly start showing when the docile, country club wife, Mickey is kidnapped by Ordell and Luis is good, solid, 70's era Leonard. Mickey's marriage is many ways a mirror image of the married couple at the center of Leonard's previous "marital troubles cum crim" novel, "52 Pickup." Her husband is a brute who flies to the Bahamas to dally with his street savvy mistress, Melanie, a day before he serves Mickey a divorce summons.
The husband's refusal to pay ransom becomes the epiphany for the mouselike Mickey's transformation into the smart, independent woman--in some ways, she is the chrystalis for a whole series of strong female Leonard heroines who appear in later novels.
If the story sounds like the movie "Ruthless People," you can bet that the movie was probably based in part on this novel. In fact, in the vastly inferior sequel, "Rum Punch," the characters allude to the movie when recalling the events that happened in "The Switch." Frankly, the criminal trio is much more appealing here than they were in "Punch," when they became more violent, more hardened, and more cliched.
While not the best of his classic 70's novels, "The Switch" is definitely top-drawer Leonard, filled with the same sharp dialogue that has been his stock in trade for more than forty years. If you like "The Switch," I recommend you seek out "52 Pickup" and compare the ways Leonard explores the "criminal" aspects of infidelity.
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I looked at many different American History surveys and this is my favorite by far. On the other hand, if you already know the main outlines of American History, and want detailed analyses of particular periods, then this book will not be as helpful, as it is merely an overview and the bibliography is not very detailed or well annotated.
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What's more, the book is the perfect size to fit into the upper pocket on a Travelpro Rollaboard® suitcase -- so it's always easy for me to get to, when that unknown aircraft rolls into view.
The book is very much like "A Field Guide to the Airplanes", in the Roger Tory Peterson tradition -- a way to quickly identify common (and sometimes obscure) aircraft quickly and accurately.
If you're looking for detailed descriptions, or the real difference between a 737-300 and a 737-400, then you'll have to look elsewhere. But if you want to quickly know if that airplane out there is an Embraer 120 or a Fairchild Metro, this is the book for you.
I can't wait for the third edition to appear (hint, hint)!
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I find the contents of the book to be open and honest. There's enough written here about the usual incidents, lots of confirmation of events but from a totally different perspective. It looks like Jacobs saw the world in a similar vain to Frank. And while I cannot imagine his children enjoying this book, at least the author is alligned with them on his feelings about Frank's 4th wife.
I recommend this book to anyone who loves Frank Sinatra, the whole person. I am a true fan. This book made me revere him more, although the womanizing would have killed a mere mortal long before Frank passed on. What a life! If it all weren't so true, it would be a great fairytale.
Jacobs, Frank Sinatra's long-time valet, waited over 30 years to tell the innumerable secrets he knows. He could be vindictive after the cold-hearted way Sinatra cut him loose or he could be fawning about the man who gave him exposure to the good life and good money form 1953-1968. Perhaps in large part because of the benefit of the perspective of three decades, Jacobs is neither.
Jacobs obviously still treasures his memories of Sinatra but also sees the man for what he was a complex man, who went out of his way to help some people, while coldly dismissing others.
Much of the ground in Mr. S has been covered before, this means Jacobs serves as a supporting corroboration for others and (to me, anyway) gives further credence to Jacob's new revelations.
"Mr. S" is must reading for Sinatra fans. The book provides further insight into one of America's greatest entertainers and the fascinating life he led.
Kudos also to William Stadiem, the pen behind the narrator's story.
As an author, Buckley is unfailingly witty and acerbic, and this book is littered with quips and sapient remarks. Buckley is particularly good at analyzing other peoples' positions, and at poking holes in their poor logic. That is where this book succeeds.
This book occasionally fails when Buckley attempts to elucidate his own position on an issue. For instance, in one essay Buckley suggests that Beethoven is "a national monument" and should be entitled to governmental protection, so that vacationers can listen to the great composer's symphonies when they are traveling in non-cosmopolitan areas. My suggestion to Buckley would be to rent a car with a tape deck or cd player. It is not necessary for the government to mandate all-Beethoven channels in all cities and towns in order for citizens to listen to Beethoven when they are on vacation.
In another essay Buckley spells out the case for allowing women to serve in the military, but then says that he takes the opposite position. His explanation for why he is against women serving in the military is vague. He says that allowing women to join the armed forces is repugnant to "human nature," which leads one to wonder how Buckley would respond to someone who believes that what he calls "human nature" is an artificial construct. Maybe he did not provide a response to that question because of spacial constraints, but I think that if he is going to base a policy position on human nature, he should provide readers with some sort of idea of what his theory of human nature is.
I hope that I have not accentuated the negative too much in this review, because Buckley truly is a wonderful writer and an interesting read. He has opinions about everything, and he is fun to read not only for what he has to say, but also for how he says it. His vocabulary is expansive and his word-choices are colorful. This book should be read by anyone who wants intelligent and fiercely-opinionated commentary on newsworthy events, and the various parties involved, from 1985 to 1992.