For a clearly written, concise, reliable summary of Western military history with an operational-level focus, this is the book to buy. I use it to teach military history, and my students (cadets) rate it highly.

His name is Wally West. He's the fastest man alive. He's the Flash. And he owes it all to his uncle Barry, the second Flash.

Who knew the guy would come calling the dues?

Easily the most popular story in Waid's run on the Flash, the Return of Barry Allen is a fan's dream, with meticulously researched info and an accessible story. Unfortunately, the biggest surprise isn't, and Barry's big secret is pretty easy to see coming. The final chapter also trips the line between drama and melodrama, though the opening to the final fight scene is astounding and poetic.

a lot more then what I expected , a will structured story line with lots of of action and speed heros involved in a most intresting speed fighting .

With all due respect to the great work Geoff Johns is currently doing with the Flash, Mark Waid was the writer who really defined the character for me and remains my favorite. This is the storyline that first made me take notice.

Published in the midst of the "Kill/revamp/screw around with your hero" craze that started with the Death of Superman, when Barry Allen showed up in the Flash comic book, a lot of us didn't know what to make of it. Barry, alias Flash II, had died the ultimate heroic death in "Crisis on Infinite Earths" and had become the Official Martyr of the DC Universe. His nephew, Wally West, took on the Flash mantle but had always struggled, trapped under Barry's shadow.

The best way to sum up this story is with the old chestnut, "Be careful what you wish for." When Barry returns, it seems like the greatest thing that could happen. As it turns out, this isn't the case. The twist doesn't come as too big a surprise to anyone familiar with Flash history, but this story wasn't really about the twist -- it was about the legacy of the Flash, one of Earth's heroes, created by Jay Garrick and immortalized by Barry Allen, and it was about the efforts of the heir to that legacy to rise to the challenge and become not only a hero, but a man. It's a marvelous, touching story, and it's something every Flash fan should read.

A very complete coverage of the principles and construction offireworks, but there is very little detail on any particulartype of device. Has good references to other works, and is a good compliment to works that delve deeper into fewer subjects.

An updated version of a classic work. Builds from the foundation up, enlightening the reader with a well-rounded, solid presentation of the principles behind pyrotechnic compounds and devices, as well as delivering practical methodology for the professional. A must-have for the serious fire-artist.

An all-encompassing review of a multitude of pyrotechnic topics. This is an excellent reference manual and an exceptional formula bank, with hundreds of applications, both to the experimenter and the experienced pyrotechnist. Slightly overpriced, but not overvalued, this is a must-have text for anyone even considering beginning a collection of pyrotechnic literature.

The idea of "the best of the Oxford American" brings out a lot of expectations. This magazine has been the home for a lot of special writing. This book provides some of those moments. I especially enjoyed the narrative of the small town photographer burdened by the unwelcome insights of his coworkers and the blank misunderstandings of his Disney World roadtripping friends. I think that the criticism by Tony Earley would have made just as good an introduction to this book as did Rick Bragg's more metaphorical observation that this writing is "heavy on the salt."
I would recommend this book for anyone that wants to read about the South as it actually is -- unique, history-addled, and genuinely "salty".

This collection of works--fiction, nonfiction, poetry, reportage--by the biggest names writing in or about the South is a real treasure. For those already familiar with "the New Yorker of the South" it will remind those what have made the magazine so special for so many years, and for those who have not discovered the magazine, BOA will be a great introduction to the best in Southern belles lettres. The book, like the magazine itself, is a little trad and not good on commenting on the lives of blacks, gays/lesbians, and immigrants to the South, but there is much for everyone to enjoy here.

This book (and its second volume: Military Operations since 1871) are both required texts for my Military History class. Most students claim to only rapidly skim required reading for classes, but I've managed to read everything so far (if that tells you anything). As far as material is concerned, this text is both wide-ranging and thourough, describing the invention and development of military techniques as well as discussing the society and government of the time, and how all these factors influence eachother. Highlighted areas include the Thirty Years War and the development of limited war, and the progression though the Napoleonic Wars to almost complete total war during the War Between the States. This book does an excellent job in tying all these early battles together and showing the overall development of warfare. However, if you are interested in nitty-gritty facts on Waterloo or Gettysburg, find a book specific to that battle instead of the sweeping panoramic view this book provides.

This book is the result of the collaboration of a number of the best military historians in the US today, including Mark Grimsley, George Herring, John Lynn, and many others, skilfully tied together by the editors (who are also major contributors), Professor Ira Gruber of Rice University and Colonel Robert A. Doughty of West Point. The result is an outstanding survey of modern Western military history designed for undergraduate history courses, but easily accessible to the general reader as well. The prose is exceptionally clear and the ideas lucidly presented. These two volumes are definitely focussed on the operational level of the "military art" (i.e. on the planning and conduct of campaigns), with some treatment also of strategy, tactics, and technology, but very litte material on "war and society" subjects (i.e. how wars and military developments have affected society and vice-versa). This makes it especially useful for ROTC military history classes, but it is also a very good introduction to the "sharp end" of military history for scholars or students whose main interests lie in the effects of war, rather than its conduct.

Why is there no one single illustrated book dedicated to the Kings/Queens of France? What a shame that the Royal family of France cannot be portrayed in a positive light.

WE NEED MORE BOOKS ON FRENCH HISTORY!!!! JUST ONE PLAIN BOOK, WITH ALL THE HISTORY OF FRANCE IN IT, WOULD MAKE MY DAY. THANKYOU.

Contmporary Politaical Ideas is a great reading if you re looking for current beliefs like Marxism, Communist, Capitalist. Written in a very interesting style it provides reader with quite brief knowledge about the different ideoligies of the current world we live in.

I originally bought this book for my husband, who loves Roy Lictenstein, to read to our son. I bought it because I thought that my huband would love it. In fact, my son, who is a year and a half, also LOVES it, and it helped him learn the alphabet as well as some words. For those familiar with LIctenstein's work, it is interesting because all of the work existed and was put together for each letter. For example, the letter O has a picture of the oval office. It is an easy way for children -- of all ages -- to learn about words and art.

I am a major fan of Twain and have always held him in the highest esteem. His "The Mysterious Stranger" got me through some tough times in college with the help of other books such as "A Connecticut Yankee in King Arthur's Court". "The Adventures of Huckleberry Finn" IS the Great American Novel. There is little left of his that I haven't read and just when you think you've read all his best stuff, another short story comes out of nowhere and totally amazes you with his insight. This is not one of those stories. However, it's not bad and it's a nice enough way to spend an hour or so. Bear in mind that the Preface and Afterword are together longer than the story itself. There is some nice information about Twain and the the times in which this story was written but it isn't essential that you read them. Twain had an idea of taking a basic, simple plot and having 20 or so other authors of his era write their version of the story. (OK, I DID get that much out of the Preface and Afterword). His motion, however, died for lack of a second and we are left with this; his briefly written entry. It reminded me a lot of his style in "The Gilded Age". That book was too long and this book is too short but the story has an interesting twist to it. The moment I saw this book on the shelves I bought it and I have no regrets. If you're a fan of Twain's, you should buy it too. After all, if you act quickly, you too can have a first edition of Mark Twain.

Twain's story is great and, as would be expected, artfully and very well written. The drawings by Peter de Seve and the pictures of Twain's handwritten manuscript are wonderful. The problem is that as you read Twain's story you hope that it continues, but then you suddenly realize that you've reached the afterword, which fills up more than half of the entire book. I know nothing about serious literary analysis, but I do know that it is frustrating to go from a thoroughly enjoyable read to a cumbersome and awkward afterword that is literally longer than the work itself. Maybe stuffy intellectuals will find Blount's writing satisfying, but for the average reader, a route canal would be preferable. Twain's story and the pictures get 3 out of 3 stars, and that's it--minus 2 because of the rest. A work can still be placed in its proper historical context without being overly wordy and frankly boring. It should be called A Foreword and Afterword by Roy Blount Jr. with (by the way) a story by Mark Twain. Pick up the book and look at the pictures, then read the story as it was published in The Atlantic over the summer.

This is my first Mark Twain book, and I got to say that I like it. For a short story, it's excellent and I usually don't like short stories.

This story tells exactly what the title is: a murder, a mystery, and a marriage. They all are excellently incorporated into each other and all has a purpose.

Also, the contributions from Roy Blount, Jr. and Peter de Sève are wonderful. The foreword and afterwords were informative about the book and the illustrations are beautifully, yet - in a way - comical. And the fact that this book is now first time published as one should cause a celebration.

Excellent book.

A Connecticut Yankee in King Arthur's Court is an intriguing novel written by Mark Twain. This is a fantastic book for the high school level reader, but would be entertaining to adults as well. I am a freshman in high school, and I enjoyed many attributes of the plot and writing style. In this novel the main character, Hank Morgan, is mysteriously transported from the nineteenth century in Connecticut back to the fifth century in England. During his time in medieval Britain, he keeps a journal which is what most of this book is. The preface and afterwards are both the narration of Mark Twain who writes as if he has found Hank's journal, and is merely writing it down in a book. As the journal starts out, Hank is introduced to King Arthur and after narrowly escaping death and becomes the country's most powerful advisor. Hank introduces many modern wonders to this feudal society. He is hailed a magician, being able to perform wonderful "miracles" and "magic", when it really is only modern science. It is very entertaining to read about how the feeble-minded people of that time react to these feats. In the end, there is a tremendous battle with many exciting episodes leading up to it. If a reader is partial to battle scenes of high caliber, this is a book for him! Of course, Hank has many other battles as well. Once of his biggest enemies is the Church of England. The big question the reader asks themselves during this book is "Will Hank return to his time and if so, how?". It was exciting for me to ponder this question throughout the novel. During Hank's travels through medieval Britain, he meets many people. The people he meets who think a government ruled by the people in Britain (his ultimate goal) would be a good idea, he sends to Camelot where he has schools set up which teach people about modern governmental ideas. Schools were also set up to teach people how to produce his wonders of modern science. These few enlightened people remain loyal to Hank until the very end. I thought it an entertaining notion that people who were trained from birth to believe in one thing, could realize it's faults and begin to believe another things. I really enjoy this book because it brings a lot about human nature into question. It discusses the vast differences of beliefs, manners, and life styles between one hundred years ago and fourteen hundred years ago. I also thought the differences between classic Arthurian legend and Mark Twain's perspective of the time were very interesting. Hanks training of these idealistic people he runs across plays into the large political aspect of this book. Since Hank's ultimate goal is to transform Britain into a country ruled by the people, he starts factories producing modern goods which greatly changes the lives of the Britons. I enjoyed the descriptions of the people's reaction to these modern products of science thirteen centuries before they would be invented. Throughout the entire book commentary and philosophizing concerning the comparison of the fifth century feudal system of Britain and the nineteenth century democracy of the U.S. by Hank Morgan is common. This political aspect is typical of Twain's works. It gave me great pleasure to read this aspect of the book and to comprehend it's meaning. Through Hank Morgan, Mark Twain is able to depict vivid images in the readers mind. Whether it be a person, scene, or sensation felt by Hank Twain describes it in a way which puts a solid picture in the imagination of the reader. I have not seen the movie of this novel, but I have heard it isn't very well done and it is nothing compared to the book. I believe this is because Mark Twain paints such a realistic picture in the mind of the reader, it is nothing compared to what some director can film. From Mark Twain's great descriptions and writing style to the unique ideas presented, the novel A Connecticut Yankee in King Arthur's Court is a fantastic novel. There are so many aspects of it to enjoy, and it is just an all around entertaining book. I give this book four out of five stars and I recommend it to any one interested in fantasy, especially if they want a different perspective on King Arthur.

This is an excellent book. It is by far the best Twain I have read yet, and I give it four stars. In this novel, Mark Twain holds the glory and romance associated with Arthurian Legend up to the standards of 19th century society, and reveals defects in both the romantic ideal of King Arthur and the faith that Twain's generation holds in scientific and social "progress." Both funny and thought-provoking, this book provides the reader with a new set of eyes with which to view the barbarism and injustice that Arthur and his knights so valiantly fought to preserve. A Connecticut Yankee in King Arthur's Court is the tale of Hank Morgan, a typical 19th century man who is transported back in time to the days of Merlin, Guinevere, and King Arthur. After becoming aware of his surroundings, and deciding to ignore his uncertainty about whether King Arthur actually existed, this man uses the common knowledge of his time period, his practicality, and some perfectly timed arrogance to acquire a position of great power in this land that he finds repulsive and in need of an enlightened leader. The ensuing story is the tale of what happens when the two utopias collide and this man abuses his power in an attempt to bring the "great and beneficent" miracles of the 19th century to the Age of Chivalry. I would recommend this book to any reader in 8th grade or above, but I would discourage people with passionate faith in the purity and glory of King Arthur from reading this book if they do not want to be forcefully presented with demonstrations of chivalry's inhumanities. A fairly well developed sense of humor will help the reader to enjoy Mark Twain's subtle ironies and satirical situations, and some basic knowledge of science helps in understanding some of the scenes, however this isn't vital to the book. The vocabulary is moderately advanced, the subject matter is somewhat mature at times, and the philosophical reasoning is probably beyond the reach of most Junior High students, yet I would encourage anyone who is interested to give this book a try. This novel is also great for the general public because A Connecticut Yankee in King Arthur's Court provides the reader with a main character with whom they may identify. The main character, Hank Morgan is presented with situations in which he must deal with being a stranger in a new atmosphere, being a social outcast due to his uncommon beliefs, he must avoid physical confrontation, and he is forced to use his intellectual abilities rather than brute strength to solve difficult situations. Many readers will have faced similar difficulties in their lives, and this ability to identify with the characters will definitely add to the overall enjoyment of the story. With this piece of work, Mark Twain displays his true talent for excellent writing and story telling. He incorporates enough adventurous and action filled scenarios to make the reader want to continue reading vigorously, yet he also manages to discuss very philosophical and thought-provoking topics during the lulls in the action. This book reads very quickly near the beginning and end. The action tapers off during the middle of the story, but not for long, and once it starts to pick up again, Twain demonstrates his true potential for greatly entertaining writing in the very climactic and cleverly ironic ending that brings this all-around great book to an even better close. This is definitely a book worth reading.

Well, the perfect companion to La Morte d'Arthur...

Twain completely dissects the "good ol' days" of Arthurian Britain by exposing the vicious social practices of the time: white slavery, le droit de seigneur, confiscation of property in event of suicide, the complete lack of impartial justice, the degrading influence of the Church on the mass, etcetera etcetera etcetera...

The Arthurian legends are wonderful tales, but they are a mythic literary production; Twain deals with the brutal reality of daily living in the Dark Ages, and points out that the good ol' days were not so good, anyway.

As for its applicability to modern America, I am not fit to judge. Perhaps it's there. But "The Connecticut Yankee" is a wonderful tonic for those prone to romanticizing the past. Twain seems to agree with Tom Paine that the English nobility were "no-ability", and simply the latest in a series of robbers.

And, of course, the book is stuffed with wonderful Twainisms... My favorite is his observation that a conscience is a very inconvenient thing, and the significant difference between a conscience and an anvil is that, if you had an anvil inside you, it would be alot less uncomfortable than having a conscience.

Twain also mentions the beautiful mispronunciations of childhood, and how the bereaved parental ear listens in vain for them once children have grown.

You'll never look at castles the same again...