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The book, of course, is no longer a complete history of Williams Electric Trains, for it predates the company's more recent history as a marketer of modern O-gauge electric trains (i.e., models in a scale of 1:48 operating on 3-rail track and being compatible with Lionel, K-Line, MTH, Weaver, and similar brands). However, the book may now be more significant than ever, for it provides the historical background not only for the Williams Electric Trains company but also for the MTH Electric Trains company, one of the largest and most successful marketers of toy electric trains in the United States today, a formidable competitor of the venerable Lionel company.
You see, one of Jerry Williams' earliest employees was a high school student named Mike Wolf. Employment at Williams Reproductions, Ltd. in the early 1970's gave Wolf his start in the toy electric train business, and several pages of this book deal with Wolf and another youthful employee, Andy Edleman. Wolf went on to found Mike's Train House, which has evolved into MTH Electric Trains. And Edleman? He is now the Vice President - Marketing at MTH Electric Trains.
Even though it is now 13 years old, The Story of Williams Electric Trains is required reading as "Chapter 1" in the history of not one but two of today's successful toy train marketers in the U.S. Any student of the domestic toy market, of the history of modern-day toys, of electric trains in general, or of the Williams or MTH electric train companies should have this book in his library. Married with the brand new book A Toy Train Story, the Remarkable History of M.T.H. Electric Trains, Hubbard's work on Williams will give a fascinating picture into the background of an intriguing and exciting hobby that has enthralled children and adults of all ages for over a century.

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The most challenge part is learning how to use the round nose piler and other tools to manipulate wires that will need some patience and practice to master depending on how well your hand motor skills.

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Where English sources are very scarce, this book provided me everything from how to handle the brush to the aesthetics.
Mr. Reed takes the subject in its broadest form and with use of many black&white pictures he succesfully explains the "Way of Brush Writing".
It is a must for the practitioner, and as well for those who are interested in Japanese culture. I think those who are intested in Chinese painting and Sumi-e will like it too.