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Copious historical color and personalities mix Flashman in with the real-life persons and events of the time (and Fraser's always witty, thorough footnotes point out just exactly what was going on in history at the time). I learn more from every Flashman novel about history and war than I ever did from a textbook, and it's from a man whose point of view I can't help but admire: a coward who knows how to take credit where credit isn't due, to never pass up a chance for an amorous interlude, and that the best way to stay alive is to be miles away when the shooting starts.
Why four stars then, instead of five? The format--three novellas--is atypical for a Flashman adventure, and one that in my opinion made the book seem more like leftover pieces of Fraser's work than his intricate, elaborate full novels. For me, Flashy doesn't quite work as well in a shorter form: Fraser is a master of a long and involved historical adventure that builds and builds until it detonates into its cataclysmic conclusion, leaving no one unscathed except for Flashman, triumphant again. Even though we get three Flashman adventures, it paradoxically didn't seem enough. Flashman is larger than life and twice as lecherous; there's enough material in his history (and more important, Fraser's got the talent) to give us three different novels here.
If you're new to Flashman, try another of the Fraser books first ("Royal Flash" is always a good start), and come back to this later. Still, there's more than enough fun and roguery here to satisfy all but the most finicky Flashman fanatics, and even a slightly lesser Flash is head and shoulders above the rest. Even though Flashman would know much better than to stick up his head--unless they're passing out the booze, of course...

The second tale concerns Flashman's involvement in the Tranby Croft scandal with the Prince of Wales (the future Edward VII). This one is pretty slow moving, but I enjoyed it because of the involvement of Elspeth, who is often reduced to a minor character in Flashy's adventures.
I really do not like the last story. It seems to be forced - tying up a loose end from "Flash for Freedom" and with a cameo appearance of a distinguished detective. The brief description of Isandlwhana and Rorke's Drift is ok, but I would really like to see a longer treatment of Flashman in the Zulu war. Or Flashman in the U.S. Civil War. Or preferably both :-)
This is probably not a good first book for those who have not read previous volumes of the Flashman Papers. I recommend reading the first five books in order before tackling any of the others.

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George Tooley was killed in a traffic accident in 1995, and he left this book behind, finished except for the drawings and photos, which I completed. All proceeds from the book will go to his widow, Darleen.
But, don't think of your purchase of the book is an act of charity. Far from it! This is, without a doubt, the best book of its type that I have ever seen. I've used firearms all my life, shooting everything from BB guns to machine guns, and I've read about everything there is on the subject. This is the best.
The rest of them can blow about how to quick-draw, and talk about all the bad guys they've shot, and how it felt. George gives you tips on how to shoot accurately. He tells you what to do, and what not to do with firearms.
For $8.95, it's the bargain of the century. Don't pass it up.
Joe Pierre

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Conrad successfully explores the concepts of bravery, cowardice,guilt and the alternative destinies that an individual may be driven to by these qualities.
The narrative can be a bit confusing at times as Marlowe relates the tale by recalling his encounters with Jim. The book reminded very much of Somerset Maugham's THE RAZOR"S EDGE" in style. However I believe that Maugham did a much better job of incorporating the narrator into the flow of the story. Overall LORD JIM is a wonderful classic novel that I highly recommend.

Ashamed and humiliated, Jim dedicates the rest of his life to two things: escape the memory of that fateful night, and redeem himself. This agonizing quest to recover his dignity in front of his own eyes leads him to hide in a very remote point in the Malayan peninsula, where he will become the hero, the strong man, the wise protector of underdeveloped, humble and ignorant people. Jim finds not only the love of his people, but also the love of a woman who admires him and fears the day when he might leave for good. The narrator, Captain Marlow (the same of "Heart of Darkness") talks to Jim for the last time in his remote refuge, and then Jim tells him that he has redeemed himself by becoming the people's protector. Oh, but these things are never easy and Jim will face again the specter of failure.
Conrad has achieved a great thing by transforming the "novel of adventures" into the setting for profound and interesting reflections on the moral stature of Man, on courage, guilt, responsibility, and redemption.
Just as in "Heart of Darkness" the question is what kinds of beings we are stripped of cultural, moral and religious conventions; just as in "Nostromo" the trustworthiness of a supposedly honest man is tested by temptation, in "Lord Jim" the central subject is dignity and redemption after failure.
A great book by one of the best writers.

Lord Jim is my least favorite of the the four books I have read by Conrad. The story is rather scattered: a righteous young man does something wrong that he holds himself far too accountable for and the public shame the action brought him exaggerates the reality of his failure and makes him believe the rumors swirling around about his so-called cowardice. He spends the remainder of his life trying to reclaim his self-regard, mostly exaggerating his own importance in matters he hardly understands. His goal is to liberate the primitive people of the jungle paradise he inadvertantly finds himself in (due to an effort to escape every particle of the world he once inhabited) and his once high-minded ideals and regard for himself lead him to allow those people to consider him almost a God.
Jim likes being a God and considers himself a just and fair one. He treats everyone equally and gives to his people the knowledge of modern science and medicine as well as the everyday archetecture and understanding of trade that those primitive folks would otherwise be years from comprehending.
Of course everything ends in failure and misery and of course Jim's restored name will be returned to its demonic status, but the whole point of the novel seems to me that one can not escape their past. Jim, for all his courage in the line of fire has tried to avoid all memory of the once shameful act of his former life and by doing so becomes destined to repeat his mistakes.
Lord Jim is far more expansive than the story it sets out to tell, ultimately giving a warning on the nature of history and general humanity that only a writer of Conrad's statue could hope to help us understand.
If there is a flaw it is not one to be taken literally. Conrad was a master of structural experimentation and with Lord Jim he starts with a standard third person narrative to relate the background and personalities of his characters and then somehow merges this into a second person narrative of a man, years from the events he is relating, telling of the legend of Jim. It is a brilliant innovation that starts off a little awkward and might lead to confusion in spots as the story verges into its most important parts under the uncertain guidence of a narrator who, for all his insight into others, seems unwilling to relate his personal relevence to the story he is relating.
Nevertheless (with a heartfelt refrain), one of the best books I have ever read.

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