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For those new to the series, Dune is set in a far distant future, when man has spread across the stars. Once enslaved by machine minds, men rose up in a religious crusade whose legacy has been the absolute prohibition against artificial computers. Instead, vast schools enhance the human mind, turning men into living computers called Mentats. Huge starships are guided by "third-stage navigators" - artificially evolved human beings who see through walls of time/space. Though technologically advanced, humanity is ruled by an emperor through an aristocracy (the "Landsraad") perpetually at odds with itself. (Individual houses endlessly plot against each other ala Machiavelli). Outside of Landsraad, various other groups jockey for power - like the insidious Tleilaxu who are masters of forbidden technology, or the Bene Gesserit who conduct genetic engineering experiments designed to create a suber-being called the "kwisatz haderach". Each party wield great power, but is checked both by each other and by their dependence on a mystical spice called "mélange" - a drug which stretches human lifespans, widens consciousness and, in really huge doses, turns humans into navigators. In short, mélange underlies every aspect of this society. Unfortunately, technology hasn't supplied a substitute for mélange, and the inhospitable planet Dune is its only source.
In "Atreides" we meet younger versions of the noble Leto Atreides, the vile Vlad Harkonnen, the slyly murderous Fehnring and Shaddam - the future emperor. Aside from other characters also already established in Dune lore, we meet the royal family of Ix (soon to be exiled when Ix is overrun by Tleilaxu) and Leto's parents. Title aside, " Atreides" tells as much about the Atreides as everyone else. Actually, Shaddam, gets the lion's share of attention. With his father Elrood kept alive through mélange addiction, and showing no sign of releasing the throne, Shaddam conspires with Fenring to kill him. Leto, not yet a duke, travels to Ix, whose rulers develop technology at the limits of the law. Leto's strict mother (whose religious fundamentalism dates this book as none of the original novels had) distrusts the ruling Ixians. The reigning duke is too fun-loving a guy to accord with the duchess' stern dogmatism. Vladimir Harkonnen, already Baron when "Atreides" starts, has yet to become the physically repulsive ogre of the original epic. Shaddam, already considering himself emperor, conspires to "give" Ix to the Tleilaxu, confident can blame it on a feud his father nursed against the Ixian rulers. In return, the Tleilaxu will try to develop a synthetic mélange. None of the original books' intense plotting nor their focus on their characters' perspective are in evidence here. No character possesses any depth. Fenring is a master in the art of murder, even when just giving advice, but here he's just annoying, and his plotting is seldom Macchiavellian. Neither Anderson nor Herbert develop Fenring in a way that suggests his complete reversal in the original "Dune". Leto is the hero of the story, but he comes off as one of those angst-ridden characters of a Dawson's Creek spin-off. None of the myriad subplots reflect an understanding of the Dune-universe. The Bene gesserit never arouse suspicion, even though their plan to breed the messianic Kwisatz Haderach threatens everybody, especially the Navigators (since they possess the closest thing to absolute power in the Dune universe). Instead it's the illegal invasion of Ix that unites the characters in this book - but who cares? (the Tleilaxu turn the Ixians against their rulers for whom they do the most work and reap the least benefits.) The authors completely miss the underpinnings of the age old Atreides/Harkonnen vendetta (they take the feud as the logical product of Atreides nobility and Harkonnen villainy. The point of a prequel is to show how things came to be the way they are, after nearly turning out differently). Another error is Leto's father - described as a cruel blowhard in the original "Dune", he's now a benevolent ruler who lives for his loyal subjects whom he entertains with frequent bullfights. But above all is Shaddam's nonsensical collusion with the Tleilaxu. At Fenring's urging, Shaddam presses the Tleilaxu to develop a synthetic version of mélange in order to both free his throne from spice mining and elevate it over the spicing guild. What the authors fail to grasp is that success would only swap the monopoly of the navigators for that of the Tleilaxu (it would also nullify the industrial complex that mines the spice, one of the economic structures that both ensures the stability of the universe and, because the throne manages it, allows Shaddam to effectively rule. Besides, if the Tleilaxu reneged, how would Shaddam enforce his end?) The unblanced deal would make sense had Shaddam nursed a vendetta against the Ixians - but the grudge against Ix was Elrood's.
Being part of a series, "Atreides" doesn't have to be open-ended (with half-finished plotlines and characters left for the next book), but it is. Some subplots don't come together at all - like the expeditions of planetologist Liet Kynes or the story of C'tair, a loyal Ixian working against the Tleilaxu. But worst of all, the novel lacks a solid voice, a single perspective in its scenes to feel the pain, joy, fear and triumph that all the plotting must create. "Atreides" simply fails because, unlike the spice mélange that underlies much of the plotting, it is neither addictive nor consciousness expanding.

Frank Herbert is sorely missed. I went right from finishing this book to re-reading Dune!




Still, it's a decent read -- especially for Dune fanatics like myself. It fills in the history of the Imperium. And the fight between the Tleilaxu and Vernius; between the Grumman and Ecaz -- are interesting. In fact, the book might have been better had it focused entirely on these conflicts -- with Leto and the others serving merely as secondary characters.
The narrative style is improved and the higher rating I give this book is mainly due to the incredible villainy we get to see in House Harkonnen. This actually *improves* your appreciation of Dune. (Spoiler warning again). You smile knowing these monster will eventually get what's coming to them.
And, of course, I'm buying the next book -- which tells my real opinion of this one (3.5 stars).


Brian Herbert and Kevin J. Anderson might not be quite matching the philosophical depth of the original Dune books (especially the first three or four), but they are doing a good job. This is enjoyable reading with well-developed characters and some depth to the plot. They are also not just backtracking in entirely predictable ways, as they do pull out a surprise or two. They are laying a very credible groundwork to the Dune series (in fictional future history terms).
If you read the prefaces, you will know what they are also doing. The original Dune series was not finished. While some fell (with some validity) that the last two Frank Herbert Dune books feel a little short of the standards set by the earlier ones, "Chapterhouse: Dune" does not end cleanly. Brian Herbert and Kevin J. Anderson are immersing themselves in the Dune zeitgeist in preparation for the truly daunting task of finishing Brian's father's work. I look forward to that book in a way I haven't looked forward to a book in a while. We have at least one more prequel to go, though ("Dune: House Corrino" is my guess).

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This book is obviously not for everybody. It's skewed to ideas rather than a narrative story (such as Dune), but the ideas are interesting, fun to think about, and I believe, still timely.
(8 out of 10)


If you want dinosaurs and car chases go somewhere else. If you want to expand your mind then read this. Obviously the addition of Ransom in the works that continue this saga was meant to make them more "User Friendly" ah well, what are you gonna do?

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that tries to dismantle something the author simply does not understand. I suggest that this is not the book you are looking for.


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House Corrino was not the way I expected the trilogy to conclude. The movements of the characters seem childish and less "thought-out." There is more action, yes, but it doesn't flow as well as the previous two novels, considering that this book is supposed to bridge the gap between the trilogy and the first Dune novel. Fans of the Dune universe will no doubt read this book with much anticipation, but I think the outcome they encounter will not mesh well with their expectations.
This book containted far too many irrelevant subplots, the style left much to be desired, and it didn't conclude in a fashion consistent with its place in the series.

The authors set the stage in the two previous prequel stories ("House Atreides" and "House Harkonnen") and really didn't need to build up interest over such a long novel. FYI, both previous works are musts for devoted Dune fans. However, this is the best book out of the three editions. New readers will find the style smoother and more modern than the original Frank Herbert series, but not quite as creative. These stories fill in the many gaps in Frank Herbert's background, almost as if reading historical fiction.
The final third of the book is excellent, even difficult to put down as the action reaches a crescendo. Though every fan knows what is going to happen, we have been shielded from the truth all this time. You almost feel as if the story were new. However, there is one last story to tell here. Prepare to see "Dune: Bene Gesserit" bridging the birth of Paul Atreides to the relocation of his family to Planet Arrakis.
I have read every book in both Dune series and rate this book 3.80 out of 5.00 stars, rounded up to 4.00 stars, with points for writing style and for nicely wrapping up a lot of pre-history. Still want to read about more workings behind the scenes of the Sisterhood though.

After reading the three prequals which Frank Herbert's son Brian and Kevin J. Anderson have put together, House Corrino being the last, I can't help wondering if things would have been different for these people if these novels were the first books in the series that they had read. They are all well written, enough so to keep a reader coming back for more on their own weight. They are true to the original story, enough so that they have added some great insight which you do not get from the original. Also, I believe, they are an easier read. Which may attract more readers to this wonderful series which otherwise may have been a little intimidated. These prequels set up the original perfectly. I highly recommend these books.

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