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Our side is stealing oil with submarines. And we have a sabuteur.

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1. Whipping Star
2. The Dosadi Experiment
3. The Santaroga Barrier
4. Soul Catcher
I found it at a local used book store for $6.98... Not bad for a hardback book... Four novels for less than seven bucks... Great bargin, great novels..

The four included here have odd titles: Whipping Star, The Dosadi Experiment, The Santaroga Barriet and Soul Catcher.
Whipping Star has a strange concept: Calibans, strange, communicative but confusing creatures have given star gates (called S'Eyes) to the galaxy. But they are disappearing amid waves of madness and death. One Caliban is left, and has been hired by the world's richest and kinkiest woman to be flogged. How do you flog an energy being? Jorg X McKie must communicate with the cryptic Caliban and find the connection between the whippings and the disappearance of the other Calibans and a threat to the entire world.
The Dosadi Experiment brings McKie back again, this time to find out the secret of a Gowachin (froglike sentient being) experiment on the brutal and toxic planet Dosadi. The Gowachin seek to control McKie and manipulate the Dosadi situation, but McKie makes some unexpected moves.
In The Santaroga Barrier, psychologist Gilbert Dasein is sent to Santaroga in Northern California. Why has every company that set down a chain store in Santaroga failed to succeed? Why did previous investigators die in seemingly innocent and coincidental accidents? Dasein finds out much more than anyone ever else did, but can he ultimately escape Santaroga?
The Soul Catcher is set in contemporary times, and is the story of a native American who undergoes a frightening transformation as Katsuk, the avenging spirit who purifies the world. Is it madness or is it the spirit world intruding into modern reality?
All four are different novels, and quite different from Dune. All four are some of the best non-Dune writing Herbert ever did.

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The White Plague falls far short of Dune's stature in imagination, plot, and in some cases, realism. After an exciting introduction, it falls into a rut that makes O'Neill's trek across Ireland seem like a plodding trek around the world. Antagonists are conveniently rubbed out in the last few pages, leaving us to wonder when they produced the works that are excerpted! In Dune, Herbert shows mastery of imaginative speculation. My hopes for similar content in The White Plague remained high until the very end, and then were dashed.
This book also suffers from an excess of characters. They are generously developed, but this merely bloats the book.
Herbert makes numerous comments about Irish people, and other groups, that seem insightful, but it's hard to know how accurate they are. In many cases, these generalizations seem contrived and melodramatic.

Our story opens with the death of the wife and children of brilliant biochemical researcher John O'Neill at the hands of terrorists. O'Neil is driven mad with grief and unleashes a biochemically engineered plague on the world, one that is 100% fatal to women.
While not Herbert's best book, it is still fantastic. Frank paints a horrific picture of governments racing first against each other to be the first to find a cure, and soon realilsing that a cure will only come with cooperation. Each country deals with the plague differently and the sweep of the story stretches around the world and back to the beginning as O'Neil admires his handiwork.
The story is quite action driven for a Herbert book. With most women dying off, the planet soon becomes unrecognizable. Will a cure be found in time? What form will it take? How will humanity survive? Herbert's trademark philosophical ruminations are there, just below the surface for plucking if you're interested. I will say, though, that the irony of thousand-year-old cultures having to re-write themselves overnight in the name of survival wasn't lost on me.
Even more tantalizing is the ending which will leave you wondering what will happen next. Not that there's a cliffhanger, but the world is so different you imagine a sequal would have done very well.
This is a really good book. It may drag a bit in spots and some of the science involved is a bit dated, but it is still very enjoyable. There's something wrong when a book as good as this one written by a author as popular as Herbert is out of print. Surely there must be some publishing company out there willing to cash in on the writings of a man whose works have been brought to the screen twice (soon to be three times, with "Children of Dune"). Anyone?
Until that happens, pick up a copy at a used bookstore. You won't regret it.

I have met many Frank Herbert fans online, especially on usenet. There is some argument as to what is Herbert's greatest work. Many who have never read the White Plague insist that nothing could top Dune. Many who have read Dune insist that The White Plague is his crowning achievement.
I leave it to you to decide.



Taking place 3,000 years after Children of Dune, there is hardly any connection left with the Dune we were introduced to in the first three novels. All our beloved characters are long dead and instead we are presented with the descendants of the Atreides Family. Leto II is the only one who survived though as an amalgam of man and worm. He who controls the spice, controls the universe. Control the worms and you control the spice. Become the worm and you become the spice. Like his father, Muad'Dib, both see the future and while one cannot accept the fate laid out for him, the other selflessly accepts it and propels humanity into 3,500 years of enforced peace.
The writing is cryptic at times and like Moneo and Duncan Idaho, we were left pondering what Leto II means in his rantings. Does he create a renaissance to make humans understand the pitfalls of complacency? Is he saying that chaos is necessary for our survival? Is it possible that his Golden Path is an exercise to prepare humanity for what is to come, how to prepare for it, and more importantly how to overcome the threat and evolve? What is the threat? We are cast allusions that very soon, spice will no longer be needed for interstellar space travel (space fold) thus breaking the Spacing Guild's monopoly. It all points to the end of his empire of which he has always been aware. What has become of humanity after so many years of the spice's influence? How has humanity evolved? The crux of his Golden Path is not he himself but what arises from his death and years of tyrannical control. We know that he has been selectively breeding Atreides genes with the long successions of Duncan Idaho gholas for thousands of years but for what purpose?
The world of Dune in books 5 & 6 are so different from what was introduced to us in the first three books, that without GOD, we would be more lost that we already are. Well, some of these questions are answered in books 5 & 6, and others are left to our imagination or until the release of Dune 7 by Brian Herbert and Kevin Anderson who will rely on notes left behind by Frank Herbert. Let's hope that they use an approach similar to GOD than their recent slew of Dune House and Butlerian Jihad books have demonstrated. They could use a splash of the metaphysical instead of the graphic.

While I did like books 2 and 3 of the series, I'm the first to admit that they were not of "Dune" quality. God Emperor of Dune, however, may be its rival. It is so rare in a series, especially in Book 4, that you think to yourself, all the other books have been leading to this one moment. Leto II's Golden Path indeed shines through. For non-sci-fi people, this series is more than sci-fi. It's an examination of political philosopy, economy, and religion. One could almost call it allegory. Herbert's characters: Maud'dib, Leto II, even Moneo (in God Emperor) are so well developed as to become Messiah's, God's, and friends in their own right. The Dune books force you to think, they entertain, and they sweep the imagination to a world millenia away from now. God Emperor of Dune itself take place 3 thousand years after Children of Dune. If you are thinking of quitting the series, I counsel you to wait until after you have read this amazing fourth book. My idea: there's now way anyone could stop now.

This book takes place 3,500 years since we last left Leto II and he is still alive! The sandworm skin has mede him live super long, but he is far from human. He's turining into a sandworm. The planent of Arakis is far different from where we left it. It is green and lush. The Fremen are no longer really Fremen, and Duncan Idaho and been reincarnated again. This book is most philosophy but there is some action in it and its not that hard to understand because of two characters. Moneo and Idaho. Leto II says a lot of really deep stuff that is hard to understand, but he says it mostly to Moneo and Idaho. THey don't understand it either, so Leto II explains it to them and US making this book a relaxing read. If your looking for and action book don't read this. If your looking for a psycological triller, then you have found it in God Emperor of Dune.

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Leto and Ghanima Atreides, the twin children of Paul Atreides, are now nine years old and struggling with the curse of being pre-born. When you are pre-born, it means that all of your ancestors exist in your mind, all their memories and experiences are a part of your consciouness. The danger is that one of these memories can rise up and seize control of your mind, a state called "abomination". We could call it possession.
The two twins are being raised by their aunt Alia, also a pre-born, who has taken over the reins of the Empire after the almost certain death of her brother Paul. Along with her priesthood, she holds sway over the world of Arrakis, and thereby holds power over the spice and the universe. The twins learn that she is harboring a horrible secret.
Not everyone is satisfied with Alia's rule. Those Fremen who adhere to the old ways have begun to grumble and to seek ways to reverse what is happening to their planet. Also complicating things are the plots of Farad'n, the grandson of Shaddam IV, the emperor deposed by Paul Atreides. It is up to Leto and Ghanima to renew the dying spirit of Arrakis, and also to avoid the trap of prophecy that claimed their father.
I can't really say I enjoyed this book. I read it. The thing about the first book of the Dune series is that it combined action, politics, philosophy, religion, and other genres. In the next two books, Herbert has taken out all the action and just turned them into almost Platonic dialogues. It's almost as if he got consumed by his message of environmentalism and philosophy and ideas outstripped his talent to portray them. Maybe he was a one book wonder. I'll have to read his non-Dune novels to be a judge of that. When there is action, which probably adds up to two whole scenes comprising about 5 pages of the 400, this book is great. I don't know if I will continue with the series.


...

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The story focuses on Paul Atreides after he has become, essentially, emperor of the universe. His legions of religious zealots spread the word of Muad'Dib to all the worlds in the universe, in a religious jihad. Paul, blessed or cursed with prescience, becomes more and more inhuman, he begins to question the Golden Path which he has created.
The book covers a very short period in Paul's life, during which he wrestles with his self-doubts, as well as contending with a plot which has arisen against him. Look for the first "rebirth" of Duncan Idaho, a pivotal character throughout the whole series.
I found it hard to read because, I was rooting for Paul, in "Dune," he was, in every way, the hero, and you wanted him to win. In "Dune Messiah," though, now that he has won, its sad to see how his initial dream has been has been corrupted by circumstances. I wanted Paul to be as heroic as he was in the first novel, but he is not. This may be more realistic, but its sad, and you really don't know who you should be rooting for, if, indeed, you should be rooting for anybody.
All in all, Herbert took a very long time to say very little. However, he says it well, and as in all his books, Herbert's characters are quite compelling, even if they are more tragic, so it still reads very well, even if it isn't as interesting as the first novel.

Although Dune Messiah is an enjoyable sequel it lacks the sweep and grandeur of Dune, while keeping its complexity. In Dune Messiah the complexity is the result of Herbert just not fleshing out the story enough. I've read the novel twice and I still don't understand exactly the nature of the conspiracy against Paul. Why the stoneburner if Duncan Idaho was programmed to kill Paul. Why did Paul feel that Chani's death was necessary? What was the point of the dwarf? It seemed as if Herbert had more in mind than he put on paper, and the reader is left to fill in the blanks.

Trying to read DUNE MESSIAH without having read DUNE is an exercise in futility. Familiarity with the characters and plot of DUNE is an absolute necessity, as Herbert makes no effort to spoon-feed back story to his readers. DUNE MESSIAH opens years after the events of DUNE. Paul Atreides has not only retained his imperial throne, but has extended his influence over countless worlds. A jihad has spread from world to world like a viral outbreak, spearheaded by religious fanatics steeped in the traditions of Arrakis' ferocious Fremen warriors and fueled by the ongoing rule of their living god. A suffocating religious orthodoxy has constructed itself around Paul and his sister Alia. With this invasion of holy bureaucrats comes a web of conspiracy that draws in the old players of the Bene Gesserit and the Guild, as well as new forces such as the Bene Tleilax.
Unlike DUNE, which frequently leaped from planet to planet in the Imperium, updating the reader with short scenes that kept the reader updated about all the various plot threads taking place, DUNE MESSIAH chooses largely to keep the subtleties running in the background and focus squarely on Paul and his "abomination" of a sister, Alia. Herbert wished to make a point with DUNE about the ability of one man to make a difference on the universal stage. In DUNE MESSIAH, Herbert strives to demonstrate how grand events like the taking of an Empire can easily turn on their manipulator and destroy him utterly.
Those readers who cared little for the philosophical meanderings of DUNE will likely have little patience for DUNE MESSIAH. Because this work is primarily about issues of fate and Paul's rumination on same, whole sections go by when nothing is "happening" in the traditional sense. Herbert doesn't fail to keep the machinations of power in full view during the course of DUNE MESSIAH, but he's clearly far more interested in the topic of Paul, and what it must be like to be turned into a deity against one's will by one's followers.
There are still more layers to DUNE MESSIAH for those who care to look. As if the rest were not enough, Herbert delves into the nature of oracular vision, as well. Taken together, all the major issues Herbert has chosen to discuss could fuel late-night philosophical discussions for decades, and probably have. No single volume could possibly hope to adequately address all of Herbert's divergent interests, but DUNE MESSIAH does quite a bit with fewer pages than DUNE boasted.
In the final analysis, DUNE MESSIAH is a lesser work than its predecessor only because it doesn't pretend to stand alone. The book is entirely supplemental to DUNE, a true sequel in every sense of the word, as if Herbert had decided to pen a few hundred more pages and attach them to the conclusion of his masterwork. And thank goodness he did.

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As stands, this book gives a great overview of the process and challenges that went into creating the excellent cable miniseries 'Frank Herbert's Dune', and I highly recommend giving it a read!

