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The first few chapters deal with the biological makeup of the cat and with the cat's basic five senses. Much of this we already must realize. Some senses including that of smell and that of hearing are superior to our own, and much of the cat's behavior can be understood by realizing how their senses present our world to them. From that foundation, Caras' goes into cat psychology and discusses a number of issues such as how cats tell time, how many know how to get home if lost, and much more. Such topics as how cats respond to music, their thinking abilities, and even their emotions such as love and hate are examined. For those who have read A CELEBRATION OF CATS, there is little repetition, just what is necessary for those who haven't read it as a basis for the thrust of this volume.
Not all questions that are discussed are answered. Caras presents possibilities and leaves it to us to decide.
Also, Caras tends to demystify many of the "mysteries" surrounding cats, but this demystification tends to heighten one's respect for the cat's uncanny abilities. Certain aspects, such as whether or not cats have ESP, are left for the reader to decide.
The book is profusely illustrated with drawings, reproductions of artwork, and photographs, and as in the previous book, there is humor. Caras draws on many authorities and on personal experience in presenting us with an entertaining, educational, and thought provoking work.
As much as I enjoyed the previous book, A CELEBRATION OF CATS, I found this to be even better. Any person with one or more cats in her or his life should gain a lot from this, and I quite recommend your reading it.
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First, this book has two stories within it. I could be wrong, but it seems like the stories found here were parts of a magazine series put together to form one book. The first story, outside of some of the same characters, has little to do with the second story found here. As such, I will treat each story seperately and judge them accordingly.
If you can, skip the first story. It was horrible. It lacked every good quality which made the first book such a classic. In the first book Corwin, with no memory and recovering from an assassination attempt, still manages to gather forces together which eventually allow him to challenge his brother Eric for the thrown of Amber. When he loses, his eyes are cut out and his is imprisoned for life. While he does suffer, he still dreams of revenge and eventually escapes from prison with the hopes of attacking and beating Eric in the future. In every sense of the word, Corwin is a hero.
In this book, Corwin is a coward. He runs away from Amber to Avalon. While there, he seems to be afraid of one of his old henchmen, Ganelon, who is the leader of a group of men he finds there. Eventually revealing himself to Ganelon, they join force to fight a strange foe found in the forest. This story is a "2" in my eyes. It was predictable. It was boring. It added nothing to this series.
The second story, however, is much better. Corwin, trying to return to Amber, mets one of his brothers. He also plans again for the thrown and mets someone who may be his brother's granddaughter. He fights and runs, but seems to regain some of the character found in the first book.
I have read book 3, and the second part of this book leads nicely into it. It is only for this reason that I would recommend reading this book. Since the whole series, overall, is quite good, I just thought those of you who might get discouraged by the beginning of this book should take note: it does get better. Zelazany is a good writer, he just was a little off beat in the first story.
I think it is a remarkable coincidence that I had just picked up "The Fabric of Reality" by David Deutsch just prior to reading this novel and it is remarkable how well Deutshe's theory of Multiverses fits into the Amber Chronicles. Don't get me wrong. I am not one of those people who wish to make their favorite fantasy into reality, but thinking scientifically while reading a classic fantasy yarn was very enjoyable.
A worthy sequel to Nine Princes of Amber. This, and most of Zelazny's novels, are usually out of print. It would be worthwhile to attempt to get a copy of this book either through Amazon's out print book search or your local used books store. Good luck.
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I truly loved the way in which suspicion was cast on almost every character in the book. I began to look rather cautiously at the characters for fear of mentally befriending the wrong person. Christie's magic was so good that I was even beginning to think that everyone ganged up together to murder the poor Mr. Ackroyd. I especially was attracted to the cute little Belgian detective, Hercule Poirot, who seems to possess a certain wizardry and deep intuition when it comes to mysteries and unearthing the truth.
The ending is indeed a surprise - as I understand is Christie's trademark. I only wish I read the book twice (both times up until the point of the revealing of the murderer) so as to make a good guess as to who the murderer really was. Oh well, perhaps I'll save that for the next Agatha Christie special.
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This novel is no different. I sat reading for hours, literally unable to put the book down. Its words carried me to places beyond this reality. However, there is a huge drawback to this book. You will become hooked on a series without a clear resolution. The final book in the "Amber" series, "The Prince of Chaos," fails to tie up some necessary loose ends and leaves you asking questions like, "What happened to Corwin and the new Pattern?" This is a great book and a riveting series. Still I must say, shame on you Roger Zelazny for not giving me the closure I so deperately needed. Your loyal fans deserve more.
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Too often, I get the feeling that authors that have been invited to contribute have simply re-worked a pre-existing project - and this all too often includes (the usual) hacks and workarounds which all of us use when faced with deadlines. Bits and pieces of Flash4 ActionScript creep in every now and again - and occassionally the authors seem to be entirely unaware of new methods introduced in Flash5 that make their workarounds obsolete (the onClipEvent for loaded data is one example - see Chapt 9 of this book to learn how to do it the *old* way).
Furthermore, the tutorials often lack focus - as though the editors can't decide where to pitch the level of instruction: so that some hard-core ActionScript is often mixed-in with superfluous detail about how to build the interface for the tutorial example.
Anyway, my advice if you really want to *learn* ActionScript for yourself - and also avoid the mistakes, hacks and workarounds that plague the Friends of Ed books - put Phillip Kerman's excellent "ActionScripting in Flash" together with Colin Moock's "ActionScript: The Definitive Guide" on your desk - you'll never look back.
One can learn much about cats from this read. For example, I never knew that kittens were atricocious at birth, their eyes and ears are shut. Also, Caras' theory about cats and dogs finding their way home by sensing magnetic fields is utterly fascinating, and could be true.
Curiosity and the cat is intriguing. Sensing the info a cat must accumulate and act upon instantly for safety and survival seems relevant. Caras shares the size ratio issue as basis for this. Made me think about the first time our 8 lb. cat saw our 120 lb. Great Pyrenees. Ran and hid for days, only later to become the dog's best and trusted friend. The ratio here is 15 times greater for the dog. Consider how the cat then sees me; 22 times bigger, similar to my viewing a creature that was 22 times heavier than me, or around two tons! What a creature to watch and observe, to know when to scramble for my life so the thing wouldn't crush me, and know its moods thoroughly.
A great read for cat lovers.